The radical notion that women like good movies
Don Draper and Peggy Olson For me, the most endearing element of Mad Men is the humorous and detailed portrayal of developing friendships. Amidst the drinking, cheating, and general woes of the ad agency is the story of office camaraderie. There have always been back stories on different relationships that developed at Sterling Cooper, such … Continue reading “True Camaraderie: Don, Peggy, and Something to Prove”
Written by Megan Kearns, cross-posted from The Opinioness of the World. So I arrived very late to the Mad Men party. As a self-proclaimed TV connoisseur and a feminist, I’m picky about the shows I choose to let into my life. But due to the urgings of my boyfriend Jeff and my girlfriends Lauren and … Continue reading “Mad Men Week: Is Mad Men the Most Feminist Show on TV?”
Towards the end of the first season, Peggy Olson goes out on a date set up by her mother. The guy, Carl, drives a potato chip delivery truck, and makes it clear that he doesn’t think too highly of Peggy’s chosen profession. “You don’t look like those girls,” he tells her. Peggy storms off, snapping at Carl, “They are better than … Continue reading “Things They Haven’t Seen: Women and Class in Mad Men”
This cross-post by Tami Winfrey Harris previously appeared at Fangs For The Fantasy and What Tami Said. Vampire Pam saying, “He can do it; I’m wearing my favorite pumps.” How much gender fail and homophobia can one pack into a brief online essay? Screenwriter Brian McGreevy takes a break from doing keg stands at … Continue reading “‘Mad Men’ Week: Hey, Brian McGreevy: Vampire Pam Beats Don Draper Any Day”
Perhaps my expectations were too high, or perhaps my eternal lust for an intelligent romantic comedy (think Juno) got the better of me. We all loved Joseph Gordon-Levitt in 10 Things I Hate About You, and Zooey Deschanel was one of the reasons Almost Famous was such an awesome movie. The commercials telling us that … Continue reading “(95) Minutes of Pure Torture: 500 Days of Summer, Take 2”
Directed by Dorothy Arzner by Judith Mayne We have yet to talk about Dorothy Arzner at Bitch Flicks. But her work demands attention in any discussions of feminist film theory. While I haven’t seen all the films she directed, I can say with confidence that most, if not all of them, pass the Bechdel … Continue reading “Quote of the Day: Judith Mayne”
Look, it’s not like I want to keep sending traffic to the Total Film site. Especially after they treated us to their list of the 100 Greatest Female Characters. But last Wednesday, they published another list of greatness, this one involving movie posters. Well, I love movie posters, and I understand that my Greatest Ever … Continue reading “Seriously? These Are the 40 Greatest Movie Posters?”
Mildred Pierce, the new miniseries from HBO starring Kate Winslet, Evan Rachel Wood, and Guy Pearce, premieres Sunday, March 27th at 9pm. The miniseries is based on the novel by James M. Cain, with a hat-tip, I’m sure, to the 1945 film of the same name, which won Joan Crawford a Best Actress Academy Award … Continue reading “Miniseries Preview: Mildred Pierce”
This past Monday, Total Film published its list of the 100 Greatest Female Characters. As everyone knows, these Best Ever lists tend to have the pretty obvious problem of not being able to include everyone and, therefore, not being able to please everyone. But we here at Bitch Flicks found this particular list more problematic … Continue reading “Seriously? These Are the 100 Greatest Female Characters?”
The No. 1 Ladies’ Detective Agency We’ve all seen the business signs with their unintentionally humorous misspellings, typos, and improper use of that dreaded apostrophe. You don’t, however, need to be a grammar nerd to understand the significance of a single apostrophe in The No. 1 Ladies’ Detective Agency. It signals that our main character … Continue reading “Ripley’s Pick: The No. 1 Ladies’ Detective Agency”
Winslet and DiCaprio star in Revolutionary Road Revolutionary Road (2008) is almost a feminist film. It also just falls short of being something more than the hackneyed anti-suburbia types of film Sam Mendes revels in making. A couple, who once fell in love over common artistic dreams, pulls off to the side of a highway … Continue reading “Guest Writer Wednesday: On Sam Mendes’s Almost Feminist Revolutionary Road”
Yesterday was Labor Day here in the U.S., and we wanted to highlight some films about working women. When I sat down to write this post, I thought it would be relatively easy: brainstorm and research a list of movies about working women. But the more I searched, the more frustrating the list became. I … Continue reading “Working Women in Film”
