The radical notion that women like good movies
With a slight tonal shift, this could have been a really interesting story. There are all kinds of interesting places this could go, but ‘Hateship Loveship’ doesn’t take this route. It’s a shame, because it winds up being rather a non-story.
Stop me if you’ve heard this one. A young woman–poised, talented, above all enthusiastic–performs a scene in acting class and is praised by the teacher. The teacher can’t say enough good things about the student, but the main thing she keeps going back to is, “I think you’d be a wonderful character actress!”
Now, the student can’t help but beam about this, seeing a brilliant career flashing before her, her name up in lights. She steps back into the group and the woman sitting beside her whispers in her ear, “That’s what they call an actress who isn’t pretty.”
“Hey we’ve come this far, haven’t we? This is just the beginning.”
“The beginning” was in 1980, when this feminist comedy classic was released. Dolly Parton belted out the title song, which features a “boss man” who is “out to get her”–it’s an uplifting song, though, that echoes the closing celebratory sentiment: this is just the beginning. Things are going to change.
Well how have we done in 34 years?
Working-class female protagonists remain rare, however. More often than not, working-class women play supporting roles as mothers, wives or lovers. Their characters are invariably underwritten or stereotypical.
It is, also, of course, essential that we see female characters make their own way in professions traditionally monopolized by men. They reflect social change as well as inspire. It is equally essential that women of power are portrayed on the big and small screen with greater frequency as well as with a greater degree of complexity. American films and television programs should not, however, block out the lives of working-class and poor women. So many stories, struggles, journeys and adventures, remain unacknowledged and untold. It is a strange and troubling thought that contemporary American audiences are simply unaccustomed to seeing interesting, strong and resourceful working-class women. Whether ordinary or extraordinary, working-class women of all races and backgrounds, need greater representation.
There is an empowerment to seeing women use their bodies to intently serve their character’s purpose. There is honest recognition of the female form in all of its glory and trust in the actress, director, or writer to create that honesty. There is also a young little lady, up way past her bedtime, copying your every move as you high-kick your way into Saturday night.
… Kang seems to be a strong advocate for feminism in film. Though South Korea cinema (and the country as a whole) clearly needs far more women in off-screen positions of power, Sunny seems like a small but hopeful step towards equality, and may well inspire girls in today’s high school cliques to one day demand those positions.
I’ve lost track of how many times I’ve watched Fight Club. Every time I view it, I end up noticing something new. How did I miss that before? This time, Marla Singer (played by Helena Bonham Carter) captured my attention. What would the situations in the movie look like from her viewpoint?
# 50/50 5 Broken Cameras 500 Days of Summer 45 Years The 40-Year-Old Virgin 4 Months 3 Weeks and 2 Days 9 to 5 1971 101 Dalmations 127 Hours 10 Days in a Madhouse 10,000 km 3 1/2 Minutes, Ten Bullets 300: Rise of an Empire 12 Years a Slave 28 Days Later A Abuse … Continue reading “Film Directory”
Sandra Bullock and Melissa McCarthy in ‘The Heat’ Written by Megan Kearns. I was extremely excited to see The Heat. Sandra Bullock and Melissa McCarthy, both of whom I love, headlining a comedy? As a huge fan of Bridesmaids, seeing self-proclaimed feminist Paul Feig direct another lady-centric comedy got me giddy with excitement. AND with … Continue reading “Am I the Only Feminist Who Didn’t Really Like ‘The Heat?’ Or Why I Want My Humor Intersectional”
Father of the Bride Values Relationships With Women by Mab Ryan Father of the Bride (1991) is aptly named, as its focus is not on the wedding itself or the couple involved but on the titular character’s neuroses and journey to maturity. The wedding is the backdrop and the incident that provokes growth in the … Continue reading “Wedding Week: The Roundup”
The Heat movie poster. Dear Hollywood Movie Executives, As I have driven by my local movie theater this summer, I’ve been struck by how I haven’t wanted to see most of the movies. You haven’t been getting much money from me. But I’d like to talk to you about The Heat, which opened nationwide last weekend. … Continue reading “A Letter to Hollywood: Keep Films Like ‘The Heat’ Coming”
