‘The Shining’: Demon Selection

Jack is both a victim and perpetrator of domestic violence. Jack’s father was an abusive alcoholic who beat and berated him. When Jack drank he used to parrot his father’s words (“take your medicine” “you damn pup”). He is primarily verbally abusive. The last incident of drinking that pushed him to sober up was accidentally breaking Danny’s arm. Wendy, perhaps like Jack’s mother, lied for him but swore she would leave if he didn’t sober up.

‘The Witch’ Will Transport You to Another World  —  A Beautiful, but Terrifying One

‘The Witch’ is proof that when a film is made with utmost care down to the last detail, one can still be transported by it to another world  —  though, in the case of ‘The Witch,’ it is a downright creepy and unpleasant world, and one that I am grateful, as a woman, to not have to live in.

The Scary Truth About Sisters in Horror Films

So what makes sisters such fascinating subject matter for horror films? What makes them both scary and powerful, yet the most vulnerable, both to outside forces as well as to each other when they are threatened? … Sisters can behave as a single entity and fight for the same things, but there are two bodies — two physical forces — to reckon with.

Leigh Janiak’s ‘Honeymoon’ as Feminist Horror

The film thus brilliantly puts the everyday (marriage) on a continuum with the horrifying (possession?), connecting the problem of Bea’s troubled self-expression and containment, now that she’s married, to the later seemingly supernatural plot. … Are the seemingly supernatural elements of the plot symbolic of Bea’s struggles with intimacy and the weighty expectations of married domestic life (sex, cooking, and reproduction)? Janiak’s expert writing and directing definitely leaves open this possible subtext of the film…

‘Je suis FEMEN’ (‘I am FEMEN’): The Story of Oksana Shachko and a Movement

While they disrupt a game, we see footage of the cheerleaders and female entertainers dancing and performing for male audiences. There were numerous charges filed against the Femen activists after Euro 2012. The scantily clad women that were in those spaces specifically for the male gaze, however, were welcomed.

Misogyny Demons and Wesley’s Tortured Masculinity in Joss Whedon’s ‘Angel’

Not only does the characterization of this violent misogyny as “primordial” imply that violence toward women is the natural state of men, it also implies that gender itself is an essential and natural state of being. Men are men and women are women. In a universe that generally operates in gray areas, such a distinction is uncharacteristically black and white.

‘The Babadook’ and the Horrors of Motherhood

Amelia didn’t need to be possessed to have feelings of vitriol towards her son; they were already there, lurking inside her at the beginning. Rarely, if ever, is a mother depicted in film this way. Mothers are expected to be completely accepting and loving towards their child 24/7, despite any hardships or challenges their child presents to them.

The Future Is Behind You: David Robert Mitchell and Maika Monroe on the Chilling, Thoughtful ‘It Follows’

The fact that ‘It Follows’ is a horror film, and a surprisingly effective one, is almost secondary to the respectful way it develops its characters, particularly its protagonist, Jay, portrayed in a breakout performance by Maika Monroe.

The film is a huge sleeper hit, by low-budget indie standards. This week, it expanded to an astonishing 1,655 theaters nationwide. I spoke with Monroe and Mitchell recently by phone about how the film was made and what makes it so unique.

‘The Taking of Deborah Logan’: Alzheimer’s, Possession, and Mother/Daughter Love

‘The Taking of Deborah Logan’ is a story about the horror of evil afflicting a deteriorating mind, but it’s also a tale of the strength of a mother and daughter’s love. Deborah is driven by female characters, and while not a perfect film, it serves up the scares and aces the Bechdel test.

Little Girls in Horror Films: Setting the Stage for Female Double Standards

Little girls are often what we associate with innocence. Girls are said to be born out of “sugar, spice, and everything nice,” which attaches a stigma to women from birth that is unrealistic. Society is conditioned to believe this ridiculous myth, which changes the way we value little girls over little boys.