YouTube Break: Too Many Dicks on the Daily Show

I love The Daily Show. They offer insightful (and often hilarious) commentary, especially their critiques of media hypocrisy.  
BUT. The Daily Show is yet another example of media that is male-centered in its cast, crew, and content. 

Here’s a remix from Rebellious Pixels.

From Rebellious Pixels’ description:

I am a fan of The Daily Show about 50% of the time but often find myself disappointed with the overwhelmingly male-centered style, jokes, segments and guests each night. Sure the occasional, strategically deployed, dick joke can be an effective tool for pointing out sexism or undermining homophobia but more often than not Jon Stewart and his team just use penis humor to get cheap laughs. I can’t help but feel that there are, in fact, just too many dicks on the dance floor. 
The serious lack of women in on-screen or leading creative roles on The Daily Show and other late-night comedy shows has been well documented and discussed in recent years. But here’s a quick recap: Only 3 of the 12 regular correspondences/contributors on The Daily Show are women. Only 2 of the 16 writers are women. And so far barely 15% of the guests in 2011 have been women.

Be sure to read the entire description (and watch other remixes) here.

(And now that song is stuck in your head. You’re welcome.)

Tropes vs. Women Spotlight

Anita Sarkeesian of the Web site Feminist Frequency, a site that analyzes pop culture from a feminist perspective, recently completed her fabulous, six-part video series on Tropes vs. Women. She explains that, “A trope is a common pattern in a story or a recognizable attribute in a character that conveys information to the audience. A trope becomes a cliche when it’s overused. Sadly, some of these tropes often perpetuate offensive stereotypes.”

I highly recommend watching each of these six videos. Sarkeesian possesses a strong ability to analyze often complicated issues regarding gender roles and the representations of women in film and television, and she breaks things down into more easily understandable ideas. The run time of each video is between five and ten minutes, with many television and movie clips incorporated as examples for the particular trope she’s highlighting. They helped me! Go watch them!

Definition: “The Manic Pixie Dream Girl is a cute, bubbly, young (usually white) woman who has recently entered the life of our brooding hero to teach him how to loosen up and enjoy life. While that might sound all well and good for the man, this trope leaves women as simply there to support the star on his journey of self discovery with no real life of her own.”
Example: “You might remember Zooey Deschanel in 500 Days of Summer, the non-committing love interest of the film’s star, Tom Hansen, played by Joseph Gordon-Levitt. The story follows Tom on his journey of falling in and out of love with Summer Finn. They have the classic Manic Pixie Dream Girl scene where they are frolicking around in the world, and the Manic Pixie teaches the uptight star how to embrace his inner child.” [accompanied by film clip]
Definition: “Women in Refrigerators is a trope identified by comic book fan (and now comic book writer) Gail Simone because she was sick of seeing “superheroines who have been either depowered, raped, or cut up and stuck in the refrigerator.”
Example: “While the Women in Refrigerators trope originated in the comic book genre, it can be applied across other pop culture mediums, such as video games, TV shows, and movies. For example, Libby and Shannon on Lost were murdered specifically to push the story arc of two male characters. Or how about all of these women from Heroes who were depicted as losing or being unable to control their powers.”
Definition: “The Smurfette Principle was named two decades ago by Katha Pollitt, when she noticed that there were a disproportionate amount of male characters in programming aimed at young people. Even in adult programming, when women do appear in the primary cast of a television show or movie, they are usually alone in a group of men. Sadly, this trope has made its way into the 21st century.”
Example: “Down in the 100-acre woods, we follow the adventures of Winnie the Pooh, Rabbit, Piglet, Eeyore, Owl, and Tiger–all dudes of course; in fact, there’s only one female character, Kanga, who shows up occasionally as the mother of little Roo. Even Jim Hensen didn’t seem too keen on the women; alongside Kermit, Gonzo, and Fozzie the Bear, Miss Piggy was the only female muppet. We can even see The Smurfette Principal outside of programming aimed at young people. So, for example, you have George Lucas’ original Star Wars trilogy, where Princess Leia is the only principle female character in the entire galactic empire.”

Definition: “The Evil Demon Seductress is a supernatural creature–usually a demon, alien, robot, vampire, etc.–who is most often disguised as a sexy human female. She uses her sexuality and sexual wiles to manipulate, seduce, kill, and often eat, poor, hapless men by luring them into her evil web.”
Example: “In Star Trek: First Contact, we have the Borg Queen trying to seduce Data. Keanu Reeves is taken advantage of by the Brides of Dracula. And then some years later, in Buffy the Vampire Slayer, Giles meets these three sisters. In the science fiction show, Farscape, there’s the villain, Grayza, with her enchanting body sweat. There are the evil mermaids in Pirates of the Caribbean 4. And Mystique in X-Men often fulfills this trope.”

Definition: “The Mystical Pregnancy is a trope writers use to create drama and terror by invading, violating, and exploiting women’s reproductive capabilities. Often these female characters have their ovaries harvested by aliens or serve as human incubators for demon spawn. Sometimes, they are carrying the Messiah, and other times Satan himself.”
Example: “Remember back in the mid-90s on the X-Files when FBI Agent Dana Scully found herself abducted and forcibly impregnated, which, of course, later culminated in a hybrid human-alien child? More recently, on the second season of Battlestar Galactica, Starbuck had her ovaries harvested by the cyclons in an attempt to create human-cyclon embryos. Then we have Gwen Cooper, co-star of the Doctor Who spinoff, Torchwood, who is bitten by an alien one night, and the next morning she wakes up to find herself extremely pregnant with the alien’s spawn.”

Definition: “In television and movies, The Straw Feminist works by deliberately creating an exaggerated caricature of a feminist, which writers then fill with a bunch of oversimplifications, misrepresentations, and stereotypes to try to make it easy to discredit or delegitimize feminism. The goal is to make feminists and our movements look completely ridiculous, over the top, and unnecessary.”
Example: “The Straw Feminist trope is taken to a whole new level in adult animation shows such as South Park or Family Guy. In the episode, “I Am Peter, Hear Me Roar,” the Family Guy writers took a stab at feminist attorney Gloria Allred. Allred is known for taking on high-profile cases defending women who have been assaulted or harassed. In this attack, the Family Guy writers created a character coincidentally named Gloria Ironbox, who brainwashes Peter into thinking he is a woman after he’s accused of sexual assault. The emasculation and feminization of Peter–and his sudden transformation into a feminist–is played for laughs.”

This six-part video series also appeared at Bitch Magazine, and the comment threads–both at Bitch and at Feminist Frequency–always offer excellent discussions of the videos.

Mad Men and Sexual Harassment

This cross-post originally appeared at The Sociological Cinema

Click here for video

Summary:  Cultural Anthropologist, William M. O’Barr (2010), notes of the popular television show, Mad Men, “[It] is a world of heterosexual, white, male privilege.” O’Barr further observes that “Gender displays recur. The social structure of the office—men in professional positions, women as their assistants—rings true of pre-Feminist Movement America in the 1960s. Every woman is either a Jackie or a Marilyn and every man wants them both—or at least most of the men. The admen direct the lives of women, not just those in the agency, but those in the entire society. It is a world in which men are dominant and women are subordinate and sexualized.” O’Barr draws on a number of clips to make his argument, but one in particular (Season 1, Episode 12, “Nixon Vs Kennedy”) struck me as a useful supplement to a discussion on sexual harassment. The clip features an adman chasing and wrestling a woman to the ground during an office party. Pinning the woman to the floor, he demands to see the color of her panties. The scene is a relatively unambiguous example of sexual harassment, but students might object that the woman who was tackled seems to be participating and even laughing. Here, it might be helpful to note the two women in the clip who were uncomfortably observing the incident and to encourage students to think about sexual harassment as a form of gender discrimination, which creates an unequal work environment for all women. Irrespective of the tackled woman’s outward expression, the incident clearly reinforced for everyone the ideas that women in the ad office are first and foremost valued for their capacity to sexually titillate, and they can be made to submit to the demands of their male colleagues.

Submitted By: Lester Andrist

Mad Men YouTube Break: The Mad Men School of Seduction

Sexual harassment or seduction? Sometimes it’s a fine line in Mad Men.

In my opinion, the best line award goes to Peggy:

I’m in the persuasion business, and frankly I’m disappointed by your presentation.

Or maybe it goes to Roger, for sheer…weirdness:

I want to suck your blood like Dracula.

What are some of your favorite “lines” from the show?

YouTube Break: Roseanne Barr Is Awesome

From the description at Democracy Now:

In the late 1980s and early 1990s, the Emmy Award-winning actress Roseanne Barr starred in the popular and groundbreaking show on television titled simply Roseanne, the first TV series to openly advocate for gay rights. Roseanne featured one of the first lesbian kisses on TV, in an episode when Roseanne kisses Mariel Hemingway. Roseanne was also the first sitcom to ever feature a gay marriage. The series tackled other controversial topics, as well: poverty, class, abortion and feminism. From her open support of unions in earlier shows to her tribute to Native Americans toward the end of the series, Roseanne never shied away from contentious issues. The writer Barbara Ehrenreich once praised Roseanne Barr for representing “the hopeless underclass of the female sex: polyester-clad, overweight occupants of the slow track; fast-food waitresses, factory workers, housewives, members of the invisible pink-collar army; the despised, the jilted, the underpaid.” We play excerpts from the groundbreaking sitcom and speak with Barr about her childhood in Utah, where she was raised half-Jewish and half-Mormon, and talk about how she “made it OK for women to talk about their actual lives on television.

YouTube Break: Peggy Olson on Women in the Workplace

Ah, Mad Men. I have such mixed feelings about the show, which is part of the reason I haven’t written about it here. Yet.* With seasons 1-4 now streaming on Netflix, and with the fifth season premiering sometime in 2012 (delayed while star Jon Hamm inked a 3-year, 8-figure deal), now is a good time to really look at the show. (Hint.)
Here is a cheeky little ad the FX network created for the show, highlighting feminist fave Peggy Olson.

If you haven’t seen Mad Men, how do you feel about this advertisement? If you’re familiar–or a fan–devoid of its context, doesn’t the ad appear to be promoting the very sexist ideology the show attempts to critique? (Oh, right, but it’s ironic, which excuses it from everything, am I right?)

*Stay tuned for our announcement and Call for Writers for Mad Men Week here at Bitch Flicks!