Adventure Time – Bitch Flicks

Children’s Television: The Roundup

Check out all of the posts for our Children’s Television Theme Week here.

The Feminism of Sailor Moon by Myrna Waldron

This has been a post I’ve been meaning to write for a long time. I’m an absolutely die-hard fan of Sailor Moon, and part of that is because it served as my childhood introduction to feminism. That might be a little bit hard to believe, considering the superheroines of the show are known for outfits not much more revealing than Wonder Woman’s. Silly outfits aside (you get used to them), this show was absolutely groundbreaking. Its protagonists are 10 realistically flawed, individual and talented teenage girls (and women) who, oh, you know. Save the world.

Why Jessie is the Worst Show on Disney Channel by Katherine Filaseta

For those who don’t know, this is a Disney Channel series about a girl from Texas who moves to New York City and becomes nanny for a Brangelina couple with four adopted children from around the world. If done well, it could allow for very educational programming for children about diversity and identity. Spoiler alert: it hasn’t been done well. It’s been done terribly.

Was Jem and the Holograms a Good Show for Little Girls? by Amanda Rodriguez

Though the show’s focus on romantic love, fashion, and female rivalry are of dubious value, there are definitely a lot of good things going on with Jem & the Holograms: the notion that fame and fortune should be used for philanthropic means, that female friendships can be strong and form an important network of support, and that a sense of community is crucial.

She-Ra: Kinda, Sorta Accidentally Feministy by Amanda Rodriguez

She-Ra: Princess of Power represents a network of powerful women who not only like each other, but they support each other, organize a rebellion against an oppressive patriarchal regime, and get shit done. The example this powerful group of women set for impressionable girls like myself is tremendous.

Why I Love Adventure Time by Myrna Waldron

Adventure Time is a Cartoon Network animated series that combines surrealistic comedy, fantasy and science-fiction. Based on a 2008 short by Pendleton Ward that went viral, it parodies the tropes, archetypes and cliches of fairy tales, video games and childhood action figure battles. The basic premise is about Finn, the last remaining human, and his best friend/adoptive brother Jake (a shape-shifting dog), going on your typical slay-the-monster-save-the-princess adventures. Now in its fourth season, it’s an enormous hit with all genders and age groups and shows no signs of slowing down. And let me tell you, as a feminist, why I am absolutely celebrating this show.

Anne of Green Gables: 20th Century Girl by Ren Jender

What makes good television programming “for children” is elusive. No demographic is unanimous in its tastes, but children differ from one another more than other groups: what fascinates a 4-year-old can bore an 11-year-old and vice versa. Add to this problem that most critics and programming creators are not children themselves, and we can see why most children’s programming is so terrible: because it, even more than other types of art, is based on, to quote Jane Wagner “a collective hunch.” Still, like a Supreme Court justice famously said about pornography, most of us, even those of us who don’t have children, can recognize excellent children’s programming when we see it, like the 80s made-for-television Anne of Green Gables, based on the book by Lucy Maud Montgomery.

Hey Arnold! A Bold Children’s Show by Nia McRae

Hey Arnold! taught life lessons without the viewer realizing it. An episode called “Stoop Kid” taught kids about the benefits of getting out of their comfort zone. The episode “Chocolate Boy” humorously analogized drug addiction. Arnold’s closeness with Gerald alongside Helga’s rapport with Phoebe highlighted the importance of friendship. The wrongness of first impressions was a reoccurring lesson; a dumb character would have moments of wisdom or a snobby character would have moments of vulnerability or a seemingly lucky rich kid would be shown as unhappy and/or overstressed. My favorite example of this message is in the episode “Ms. Perfect”, which introduced the character of Lila. Her popularity caused female students to envy her at first. But once they learned about Lila’s troubled life, the girls apologized and accepted her.

Gravity Falls: Manliness, Silliness, and a Whole Lot of Awesome by Max Thornton

Figuring out who you are in the face of societal pressures that buffet you every which way is the trial of growing up, and helping people to do that is one of feminism’s goals. It’s also at the heart of Gravity Falls, which helps cement this for me as an exciting show.

Celebrating Sesame Street by Leigh Kolb

So what does idealistic, feminist children’s television look like? It looks like Sesame Street, which over the course of its 45-year run has won more than 120 Emmy Awards. Sesame Street‘s frank and honest treatment of race, women’s rights, adoption, breastfeeding, death, childbirth, incarceration, divorce, HIV, health, bilingualism, and poverty throughout the years has added a dimension of social understanding to a show that also deals with teaching children their ABC’s and 123’s.

Adventure Time – Why Lumpy Space Princess is Important by Gaayathri Nair

LSP’s character design can barely be called feminine in the ways that we as a society code things feminine. This is especially true if you compare her to other female characters on Adventure Time such as Flame Princess and Princess Bubblegum. Her gender markers are the fact that her name is Lumpy Space Princess, the fact that she is pink, and that her speech takes on the patterns and vernacular of a valley girl although her actual voice is low and not immediately parse-able as feminine. The other main gender marker of LSP is the fact that she is into traditionally feminine things such as shopping and make up.

Steven Universe: A Superhero Team We Can Believe In by Megan Wright

Steven Universe embraces non-traditional families. Steven is a perfectly happy kid, who is raised by three women who love him. The Gems are wonderful guardians for Steven, acting as mothers, sisters, and leaders to him. Even though the Gems and Steven don’t always see eye to eye, they always try to step beyond their comfort zones for one another. The Gems may not understand the concept of video games, but if Steven wants to go to an arcade, then they’ll go. If Steven wants to throw them several birthdays for the thousands of ones they haven’t celebrated, they’ll let him dress like a clown and play party games with them, because even though they don’t understand it, it clearly means a lot to Steven.

Friendship Is More Than Magic: Feminism and Relationships in Puella Magi Madoka Magica by Kathryn Diaz

Imagine a world where young girls are trapped in a system that sees them as commodities. Imagine that any girl could be tricked into giving herself up to a life that is by all appearances filled with magic, beauty, excitement, and good, but exists to feed off the energy of their spirit. The girls are purposely pushed to their limits. When they have become too cynical or burdened, the system condemns them and sends in younger counterparts to pick them off. Imagine that these girls are pitted against each other, that once they have been lured in with heroic, fairy tale trappings, they are encouraged to turn around and use the power that they should be grateful for to use and destroy each other. At the top of this system sits a small white creature. He just can’t understand why girls get so upset when they learn the facts of life they signed up for.

…..That wasn’t very hard to imagine after all, was it?

The Magic Garden: Female Leaders In Children’s Television by Hayley Krischer

With their soft voices and pigtails Paula and Carole had a purpose: they created a serene little oasis while sitting on swings and singing, calling kids to “come and see our garden grow.” In The Magic Garden, there was a garden of make-believe where the “magic tree grows lollypop sticks.” Paula picked on her guitar and Carole encouraged you to stamp your feet or clap your hands on the “pop” during “Pop Goes the Weasel” without sounding like a droning fire alarm. Watching an episode of The Magic Garden was like going to a music class—the women pushed kids to sing faster and faster with the speed of the music, harmonizing and smiling, their easy melody a break of sorts to all of the outside noise.

Better Than Two: Female Power Trios in Children’s TV by Emanuela Betti

Power Trios in children’s TV, like duos, are still composed of oversimplified types and characters, yet they also suggest that femininity is not so black and white. Three character ensembles introduce characters types than are on a greyer scale than the polar-extremes of the Light/Dark Feminine trope. In the case of female Power Trios, the formula consists of three characters that respectively represent beauty, brains, and strength. Characters representing beauty are usually ditzy and childish, but they are also sensitive and the mediators (so if they happen to be “dumb” they’re at least depicted with a good heart); characters representing brains are sometimes the group leaders, but also rational without being distant or cold; finally, characters representing strength are usually impulsive and hot-headed, but their rash tendencies are balanced out with a loyal nature.

The Imaginary World of Mona the Vampire by Elizabeth Kiy

The series chronicled the adventures of Mona Parker, a young girl who enjoys dressing up like a vampire and sees saving her town from monsters as her mission in life. The stories are Buffy-lite: a giant bug substitute teacher, a robot babysitter, doppelgängers, a computer virus with mind-control powers, and new cafeteria cooks who aim to poison the school with salmonella. Though the show often pulls out from Mona’s fantasies to reveal the reality of the situation, Mona’s fights against the forces of darkness, usually end up somehow solving the crime or prank, exposing a conspiracy or locating the lost item anyway.

Exploring Imagination and Feminine Effacement in Cartoon Network’s Foster’s Home for Imaginary Friends by Jenny Lapekas

Why examine this offbeat show through a feminist or ethical lens? Because Foster’s Home for Imaginary Friends (Craig McCracken, 2004-2009) is wildly inventive and subversive. Its plot, which explains that children’s imaginary friends must eventually go live at Madame Foster’s zany orphanage after he or she has outgrown their friend, insists that a child’s imagination has the power to make something real, whether adults believe it or not. At this home, young children are welcome to come and “adopt” one of the friends who is housed there. In this way, the friends are concepts that are “recycled” in order to accommodate children as they grow up.

Adventure Time vs Regular Show by Amanda Lyons

There is one thing that, for me, gives Adventure Time a bit of an edge over Regular Show, and it’s been compounded after sitting through a two-hour back-to-back marathon of both shows over the weekend. It boils down to this: while both cartoons are awesome, Regular Show is pretty much a bro-zone while Adventure Time has a bit more room for the ladies.

Pepper Ann: Pepper Ann Much Too Cool Not To Be On DVD: A Letter to Disney by Janyce Denise Glasper

Behind black rounded glasses is Pepper Ann–a puffy red haired chick wearing eccentric style complete with black and white sneakers. An overall normal girl living in a normal world. In the town of Hazelnut, this humorous hip nerd lit up our shared television screen over vast bowls of high sugared cereal bowls. Like my sister, tomboy Pepper Ann played video games, adored roller blades, and sports while Pepper Ann’s precocious best friend Nicky loved books and had an indie spirit vibe like me. Wide range of diverse characters included Pepper Ann and Nicky’s other bff Hawaiian Milo, a rotund Swiss boy, typical popular blond chicks, and African American twins. There seemed to be a treat for everyone.

Pokemon: Escapist Fantasy for the Budding Feminist Child by Nia McRae

Should a writer depict a world that mirrors reality and show the problems within it or should s/he depict the ideal world we want to live in? Pokemon leans more to the latter. Pokemon, just like Star Trek, depicts a world that’s egalitarian or at the very least, very close to it. It’s a world where gender, race, and sexual orientation appear to be irrelevant. As a kid, I couldn’t articulate very well why I loved Pokemon so much but now I can. My joy was due to many things in the show; the adventures which encouraged my love of travel, the fun and catchy songs and most notably, the strong presence of dynamic, ambitious, and fun female characters.

‘Adventure Time’ vs. ‘Regular Show’

There is one thing that, for me, gives ‘Adventure Time’ a bit of an edge over ‘Regular Show’, and it’s been compounded after sitting through a two-hour back-to-back marathon of both shows over the weekend. It boils down to this: while both cartoons are awesome, ‘Regular Show’ is pretty much a bro-zone while ‘Adventure Time’ has a bit more room for the ladies.

This cross-post by Amanda Lyons appears as part of our theme week on Children’s Television.

I probably wouldn’t know anything about either Adventure Time or Regular Show, both awesome cartoons, if I didn’t have a young niece and nephew. Happily, I do, and they have brought these shows into my life. That’s one of the things that’s so great about having children around; they keep you young.

And I don’t think there has to be a winner and a loser – there’s room for more than one at the top, y’know? It doesn’t have to be one or the other. Besides, both of these shows are awesome. They’re funny, hip, contemporary, relevant; great for kids but stuffed with adult references and jokes as well, and the animation is really great.

(Also, as an aside, Mr. Meows and young nephew Meows both insisted, before I had seen Regular Show, that I am just like Pops. This troubled me; was this a good thing or a bad thing? Were they making fun of me? When I finally saw it, I still wasn’t sure, but I can tell you one thing: they are right! BTW Pops on sugar is analogous to me on coffee)

BUT. There is one thing that, for me, gives Adventure Time a bit of an edge over Regular Show, and it’s been compounded after sitting through a two-hour back-to-back marathon of both shows over the weekend. It boils down to this: while both cartoons are awesome, RS is pretty much a bro-zone while AT has a bit more room for the ladies.

Don’t get me wrong – RS is great, and I do love it. It’s apparently PG-rated and is often required by the Cartoon Network to be toned down. As far as cartoons go, it’s edgy for sure, definitely the hipster older brother of cartoon shows. It’s packed with knowing references to the 80’s and popular culture that may fly over the heads of my niece and nephew (while still making them laugh) but hit my sense of humor square on the target.

But over an hour of watching RS, though I really enjoyed it and laughed a lot, I also felt more and more left out. RS is hip, magical and weird, but all of this comes from men only. Women are marginal and disappointingly, exist only as glorifed T&A with typical cartoon long lashes. Bros get all the funny lines and all the adventures. Women are passive, side-line decoration.

This is thrown into stark relief when you look at the cast of characters. There’s only one (kind of) significant female, Margaret the red-breasted (huh, huh) robin. She’s a secondary character, and pretty much solely exists as a babe that Mordecai has a crush on. They take this pretty far sometimes – check out this clip – fairly hot and heavy for what is, at the end of the day, a kid’s show. (Update: in the newer episodes, Margaret features more and gets to do more stuff so she seems more rounded. They have also added in her utterly adorable friend Eileen and Muscle Man’s girlfriend Starla who’s pretty bitchin’, although she conforms to that weird cartoon law that boyfriend/girlfriend characters have to look more like brother/sister. At the end of the day though, these females are all secondary and important more for how they relate to the main male characters as girlfriends/love objects rather than characters in their own right.)

I’ve addressed this kind of thing before, in my post about The Hunger Games. Maybe some of you will think I’m being whiny and nit-picky. But I find it really disappointing because I want young girls today to have a different experience from the one I had – in which the world reflected back to me was for men only; where they had all the main roles, made all the jokes, solved all the problems, went on all the adventures, while women/girls just looked on adoringly and batted their eyelashes. And it’s not only girls who are affected by this – think of all the debates recently over whether women can be funny, whether they can possibly be authentic participators in geek culture, whether they can be effective leaders in the business world, blah blah blah ad infinitum. Why is this (still) happening? Because both men and women are affected by a severe lack of positive female role models in our culture – or should I say, exposure of said role models, because they’re there, they just don’t get the air time. As documentary Miss Representation states, “You can’t be what you can’t see.” These cartoon representations may be fictional, but they affect us in our real lives, how we act and how we perceive other people – both boys and girls.

Watching RS I’m taken back to my childhood, to pretend play, and how I would always have to ‘be’ the male characters because they were the ones who were active and funny, they were the ones I admired. RS is the same – I mean, who would want to ‘be’ Margaret?? Sure, she’s cool and all, but she doesn’t do anything except get her norks out!! It worries me the kind of takeaway that kids are going to get from that, and it worries me that kids may already be encouraged to view females as sexualized bodies – it’s all around them already, do we have to put it in cartoons as well?

Oh yeah, there’s also this little gem, from an episode in which Mordecai goes on a series of bad dates. It’s your typical montage of bad date situations, but buried in there is a humorless-looking, unsmiling woman who aggressively asserts, “Oh, so you agree that women are misrepresented in most forms of popular media?” I get that the joke is about people who press their political views on you at inappropriate times, but I feel it’s telling that the writers chose to use a feminist viewpoint, and one that I would consider fairly uncontroversial at that. (Especially as this is a complaint I feel RS could do with taking under consideration – is someone feeling a little defensive? Or worse, do they consider this question annoying or irrelevant?) I also felt like it was a “joke” which had been discarded as passe by 1988, and it was perplexing and disappointing to see it come up in a kid’s cartoon. Do we want to train a new generation of kids to laugh off legitimate feminist concerns as a joke? One wonders how this would come across if they were to replace this “uptight” woman with like, a humorless civil rights activist. Not gonna lie, that did really annoy me (just call me a feminist killjoy) and RS definitely loses a few points for that one.

Princesses: Gotta Catch 'Em All — Princesses: Gotta catch ’em all

Conversely, Adventure Time is much more female-inclusive. The main two characters are still guys, but at least in their land there are a whole lot of females that get to be a significant part of the story – there are heeeeaps and heeeeaps of Princesses with a range of looks and voices. They are rulers and they have far more characteristics than their physical appearance. There’s also a parallel-universe episode where the main characters swap genders – only a one-shot (well, several-shot) but a fascinating idea, and not just done in the name of cheap gender-jokes, but executed in a way that makes it clear the opposite-gender versions of the characters are every bit the equal of the originals – althoooough the Fionna and Cake stories I’ve seen so far have tended to have a bias towards more romantic story lines, but then Finn isn’t without this either – it’s just that because he’s the main man, he gets more variation, as well.

AT is perhaps not as hip as RS, but it is just as magical – perhaps slightly more so. It’s definitely just as weird, existing in a deliciously surreal and at times kind of disturbing universe.

So, at the end of the day, while I raucously enjoy Regular Show (and identify to a worrying degree with Pops) it’s Adventure Time that really has my heart. Keep representing and taking us on your quests, Adventure Time! I love you for it.

‘Adventure Time’: Why Lumpy Space Princess is Important

LSP’s character design can barely be called feminine in the ways that we as a society code things feminine. This is especially true if you compare her to other female characters on ‘Adventure Time’ such as Flame Princess and Princess Bubblegum. Her gender markers are the fact that her name is Lumpy Space Princess, the fact that she is pink, and that her speech takes on the patterns and vernacular of a valley girl although her actual voice is low and not immediately parse-able as feminine. The other main gender marker of LSP is the fact that she is into traditionally feminine things such as shopping and make up.

Written by Gaayathri Nair as part of our theme week on Children’s Television.

Thanks to my friend Kaz whose thoughts added much to this post.

Adventure Time has long been admired by feminists and for good reason. On its face, the show is just another buddy comedy type cartoon with its lead protagonists–Jake the dog and Finn the human–two dudes who go on adventures together that are often bizarre and hilarious. However, that description denies the complexity of the show, which deals with themes as diverse as depression, trauma, temporary disability, bullying, dating, relationships, and so much more. The show has many interesting and diverse female characters. One of the most interesting characters on the show is Lumpy Space Princess, commonly known as LSP.

One of her defining characteristics is that LSP is completely unapologetic, often rude, and sometimes vulgar. LSP seems to personify all the negative things we are supposed to believe about women in that she is shallow, vain, not interested in serious things like actually ruling her kingdom, and boy crazy. On top of all that she does this without having any of the things we are supposed to think of as “womanly virtues” like being kind, or gentle, or compassionate. In a traditional fairy tale or even in more contemporary narratives, LSP would automatically be coded as a villain. She ticks all the boxes – she is confident, obsessed with her appearance, and not very nice.

However in Adventure Time, LSP is not a villain, she is a friend of Finn and Jake. Sometimes they don’t really get her but that’s cool, people can be different from each other and still be friends. She sometimes manages to help them out but often screws things up because she is really selfish and also not very self-aware. For this reason, LSP is a pretty polarizing character in the fandom. People seem to either love her or hate her and to be fair her self-centeredness does lead her to do some awful things. For example in a recent episode Finn decided he wanted to try and cope with his depression over losing his arm by trying to “make out” with lots of people. One of these people is LSP but she is unsatisfied with Finn’s definition of “making out,” which is a chaste kiss on the lips and she forcibly pulls Finn into a deeper kiss when he explicitly told her he didn’t want to. The show doesn’t really process this; it seems to further cement Finn’s depression and make him question whether “making out” is the best way for Finn to cope with not really being able to feel things. It would have been better had the show found a way for Finn to communicate to LSP that her behavior was not acceptable even though they are friends, but it makes sense for that not to happen because Finn was conflicted about his own behavior and just generally numb about what is going on in his life.

I find interesting, however, that LSP often attracts so much vitriol as the male version of her character, a male person who is self- absorbed, confident, brash and horrible to the people around him is often a very celebrated trope. Think about characters like House or Sherlock—of course these characters have an additional quality as they are imbued with the traditionally masculine virtue of being brilliant or incredibly talented/gifted.

LSP gets no such pass because she is not brilliant, she is just vain and annoying and a lot of the hate she gets boils down to “she thinks she’s so awesome but she’s not.” Even if she was brilliant at something in the way that Princess Bubblegum is, I don’t think she would be embraced in the same way a male character with her disposition would. Look at Meryl Streep’s character in The Devil Wears Prada; despite being imbued with pretty much all of the same qualities as the male characters I discussed earlier she is automatically coded as villainous. While we begin to understand more about her as the movie progresses, she never really loses that shadow of villainy.

I think the existence of LSP is an great thing. To have an unlikeable female character who is not immediately cast as a villain is so rare but I sometimes worry that the joke is meant to be exactly what a lot of people think about LSP, that she thinks she’s so great when it is clear to us as the viewers that she is not actually. I want the joke to be LSP is as exactly as awesome as she thinks she is, but she needs to learn how to learn how to be a better friend and respect other people’s boundaries. That is something that I find much more compelling–everyone needs to learn things as we grow up and LSP is no exception. This doesn’t mean her personality needs to change completely; she just needs to learn how to be more considerate. I hope the writers choose to go in this direction rather making LSP a two-dimensional joke.

Gaayathri Nair is currently living and writing in Auckland, New Zealand. You can find more of her work at her blog A Human Story and tweet her @A_Gaayathri.

Why I Love ‘Adventure Time’

‘Adventure Time’ is a Cartoon Network animated series that combines surrealistic comedy, fantasy and science-fiction. Based on a 2008 short by Pendleton Ward that went viral, it parodies the tropes, archetypes and cliches of fairy tales, video games and childhood action figure battles. The basic premise is about Finn, the last remaining human, and his best friend/adoptive brother Jake (a shape-shifting dog), going on your typical slay-the-monster-save-the-princess adventures. Now in its fourth season, it’s an enormous hit with all genders and age groups and shows no signs of slowing down. And let me tell you, as a feminist, why I am absolutely celebrating this show.

This repost by Myrna Waldron appears as part of our theme week on Children’s Television.

Title screen for Adventure Time

Warning: Spoilers up to the end of Season 3

The main cast of Adventure Time

Almost every female character is a princess, but the typical cliche Damsel In Distress and/or romance-obsessed girly-girl are parodied and subverted for all they’re worth. In several instances, the princess characters (Bubblegum especially) show little interest in romance, and far more interest in their own personal hobbies. Even more encouraging is that often the female characters are completely able to rescue themselves, and don’t need Finn and Jake’s help.

The characters are given genuine honest-to-goodness flaws. Finn is heroic, but has a terrible bad temper and an impulsive streak. Jake is easygoing, but not nearly as clever or level-headed as he thinks he is. Princess Bubblegum is a scientific genius, but can be incredibly callous about the feelings of others. Marceline is a talented musician, but also has deep insecurities about how her friends perceive her. Flame Princess is astoundingly powerful, but also has dangerously passionate emotions. In all of these cases, there’s no black and white morality. It’s an important lesson for children (since this is a children’s show) to present morality as it really is – in shades of grey.

I love all the female characters, including the gender flipped versions of Finn and Jake, Fionna and Cake. My main complaint with the series is that the female characters don’t appear nearly often enough, and especially not together. We eventually do get some Bechdel Test passing goodness (Bubblegum and Marceline don’t get along too well – and people have naturally interpreted this as sexual tension) but so far the three main female characters have not yet all appeared in the same story together. I suspect that the main reason for this is because each story is about 11-12 minutes in total, and there’s only so much time for introducing characters and conflicts.

Jake stretching around the other main cast members

Speaking of Fionna and Cake, I can see now why that episode is so astoundingly popular amongst the fandom. It’s easily my favourite one of the series. Fionna is an absolutely adorable character – slightly chubby instead of unrealistically slender, tomboyish instead of traditionally feminine, and she still retains her male counterpart’s bravery and heroicism. She still fights with a sword. For my fellow gamers, think of all the games you’ve played in which a female character is a sword fighter. Not very many, right? But there’s no reason they can’t, and this is one thing I really love about the gender flip episode. I also practically exploded with joy at the final scene where Fionna talks about how she has lots of guy friends, but isn’t interested in/isn’t ready to date them, and that there’s nothing wrong with that. THANK YOU. It’s incredibly frustrating how many people think that somehow something is missing if you don’t have an official romantic partner, or that men and women can’t have a platonic friendship. Shippers could do well to remember this – you can like someone without wanting to bang them. (Also, as a Sailor Moon fan, you can’t imagine my joy at seeing Fionna’s ballgown homage to Princess Serenity’s outfit) At any rate, I hope the Gender Swap episodes happen on a regular basis, rather than a once-a-season deal. Wouldn’t it be nice if we had more shows about an ass-kicking girl and her feline best friend? (*coughcoughSailorMooncoughcough*)

This is a fairly obvious point, but I really love how Princess Bubblegum’s interest in science is depicted. She’s an absolute genius – shattering the still pervasive stereotype that the sciences are the domain of men – and she also bucks the stereotype that nerdy/geeky people are unable to have fun or to relate to others. Similarly, Marceline’s interest in punk/indie rock also combats the stereotype that rock is a genre made by and for the enjoyment of men. Girls like to headbang too!

The Christmas special, which reveals that pseudo-antagonist Ice King was actually a human antique dealer driven insane by his find of a magic crown, is an interesting way of approaching and explaining his very archetypal tendency to kidnap and try to marry princesses. In the Ice King’s case, it’s not so much a wanting to stick to traditional fairy tale gender roles, but a manifestation of his grief over losing the fiance he used to nickname “Princess.” The Ice King is primarily a comic character, but this episode finally established him as being tragic.

Fionna and Cake

I appreciated that, for once, romantic tensions are resolved rather than dragged on, and on, and on, and on. They make it clear that while Princess Bubblegum likes Finn as a person, she feels she’s too old for him, and her sometimes callous treatment of his feelings proves that she isn’t the right partner for him. Flame Princess isn’t the perfect girlfriend either, but at least in their case, Finn and Flame got together very quickly, changing the romantic plotline from “Will they or won’t they?” to “What happens now they’ve got together?” I also like that Jake and Lady Rainicorn’s relationship is loving, positive, literally interracial, and well…adult. (Lady Rainicorn’s dialogue is only in Korean, and bilingual viewers have revealed she says some incredibly raunchy things that only Jake can understand)

In the “Memory of a Memory” episode, Marceline’s (ex) boyfriend tries to bully her into traditional gender roles. He even pulls the “Go back in the kitchen and make me a sandwich” bit. She finds out he tried to trick her, and kicks his ass. (Also, dear men who think this joke is funny: Wow. You’re original. YES I AM GOING TO GO IN THE KITCHEN AND I’M GOING TO MAKE LOTS OF DELICIOUS FOOD WHICH YOU CAN’T HAVE.)

In some ways, other than Marceline, Lumpy Space Princess is my favourite character. She is absolutely hilarious as a sassy valley girl type who, by most accounts, should not be as confident about her body and her sexiness as she “should” be. After all, she’s literally a purple ball of lumps. But this is an important message – you DON’T have to match cultural standards of beauty to be sexy. It’s all about confidence. I’m a fatass, and I’m friggin’ sexy if I do say so myself. And in her own way, LSP is sexy too. At least to fellow Space Lumps.

Finn

The show just keeps getting better every season. The quality of animation has spiked, the character arcs are realistic and well-defined, and the storylines are mature without losing their comedic edge. I’m absolutely hooked on this series, and it’s a refreshing feeling that this year, along with Gravity Falls, I got to watch some great new children’s shows that deserve every bit of praise they receive.

Lastly, I love the sense of humour in the show. I’ve always been a fan of surrealism, as well as referential humour. And I’m also a big fan of fart jokes, like the one where Jake morphs himself into a farting cheetah. I’m 25 years old, and fart jokes are still funny.

Myrna Waldron is a feminist writer/blogger with a particular emphasis on all things nerdy. She lives in Toronto and has studied English and Film at York University. Myrna has a particular interest in the animation medium, having written extensively on American, Canadian and Japanese animation. She also has a passion for Sci-Fi & Fantasy literature, pop culture literature such as cartoons/comics, and the gaming subculture. She maintains a personal collection of blog posts, rants, essays and musings at The Soapboxing Geek, and tweets with reckless pottymouthed abandon at @SoapboxingGeek.

Why I Love ‘Adventure Time’

Title Screen for Adventure Time

Warning: Spoilers up to the end of Season 3

The main cast of Adventure Time

Almost every female character is a princess, but the typical cliche Damsel In Distress and/or romance-obsessed girly-girl are parodied and subverted for all they’re worth. In several instances, the princess characters (Bubblegum especially) show little interest in romance, and far more interest in their own personal hobbies. Even more encouraging is that often the female characters are completely able to rescue themselves, and don’t need Finn & Jake’s help.

The characters are given genuine honest-to-goodness flaws. Finn is heroic, but has a terrible bad temper and an impulsive streak. Jake is easygoing, but not nearly as clever or level-headed as he thinks he is. Princess Bubblegum is a scientific genius, but can be incredibly callous about the feelings of others. Marceline is a talented musician, but also has deep insecurities about how her friends perceive her. Flame Princess is astoundingly powerful, but also has dangerously passionate emotions. In all of these cases, there’s no black and white morality. It’s an important lesson for children (since this is a children’s show) to present morality as it really is – in shades of grey.

I love all the female characters, including the gender flipped versions of Finn and Jake, Fionna and Cake. My main complaint with the series is that the female characters don’t appear nearly often enough, and especially not together. We eventually do get some Bechdel Test passing goodness (Bubblegum and Marceline don’t get along too well – and people have naturally interpreted this as sexual tension) but so far the three main female characters have not yet all appeared in the same story together. I suspect that the main reason for this is because each story is about 11-12 minutes in total, and there’s only so much time for introducing characters and conflicts.

Jake stretching around the other main cast members

Speaking of Fionna and Cake, I can see now why that episode is so astoundingly popular amongst the fandom. It’s easily my favourite one of the series. Fionna is an absolutely adorable character – slightly chubby instead of unrealistically slender, tomboyish instead of traditionally feminine, and she still retains her male counterpart’s bravery and heroicism. She still fights with a sword. For my fellow gamers, think of all the games you’ve played in which a female character is a sword fighter. Not very many, right? But there’s no reason they can’t, and this is one thing I really love about the gender flip episode. I also practically exploded with joy at the final scene where Fionna talks about how she has lots of guy friends, but isn’t interested in/isn’t ready to date them, and that there’s nothing wrong with that. THANK YOU. It’s incredibly frustrating how many people think that somehow something is missing if you don’t have an official romantic partner, or that men and women can’t have a platonic friendship. Shippers could do well to remember this – you can like someone without wanting to bang them. (Also, as a Sailor Moon fan, you can’t imagine my joy at seeing Fionna’s ballgown homage to Princess Serenity’s outfit) At any rate, I hope the Gender Swap episodes happen on a regular basis, rather than a once-a-season deal. Wouldn’t it be nice if we had more shows about an ass-kicking girl and her feline best friend? (*coughcoughSailorMooncoughcough*)

This is a fairly obvious point, but I really love how Princess Bubblegum’s interest in science is depicted. She’s an absolute genius – shattering the still pervasive stereotype that the sciences are the domain of men – and she also bucks the stereotype that nerdy/geeky people are unable to have fun or to relate to others. Similarly, Marceline’s interest in punk/indie rock also combats the stereotype that rock is a genre made by and for the enjoyment of men. Girls like to headbang too!

The Christmas special, which reveals that pseudo-antagonist Ice King was actually a human antique dealer driven insane by his find of a magic crown, is an interesting way of approaching and explaining his very archetypal tendency to kidnap and try to marry princesses. In the Ice King’s case, it’s not so much a wanting to stick to traditional fairy tale gender roles, but a manifestation of his grief over losing the fiance he used to nickname “Princess.” The Ice King is primarily a comic character, but this episode finally established him as being tragic.

Fionna and Cake

I appreciated that, for once, romantic tensions are resolved rather than dragged on, and on, and on, and on. They make it clear that while Princess Bubblegum likes Finn as a person, she feels she’s too old for him, and her sometimes callous treatment of his feelings proves that she isn’t the right partner for him. Flame Princess isn’t the perfect girlfriend either, but at least in their case, Finn and Flame got together very quickly, changing the romantic plotline from “Will they or won’t they?” to “What happens now they’ve got together?” I also like that Jake and Lady Rainicorn’s relationship is loving, positive, literally interracial, and well…adult. (Lady Rainicorn’s dialogue is only in Korean, and bilingual viewers have revealed she says some incredibly raunchy things that only Jake can understand)

In the “Memory of a Memory” episode, Marceline’s (ex) boyfriend tries to bully her into traditional gender roles. He even pulls the “Go back in the kitchen and make me a sandwich” bit. She finds out he tried to trick her, and kicks his ass. (Also, dear men who think this joke is funny: Wow. You’re original. YES I AM GOING TO GO IN THE KITCHEN AND I’M GOING TO MAKE LOTS OF DELICIOUS FOOD WHICH YOU CAN’T HAVE.)

In some ways, other than Marceline, Lumpy Space Princess is my favourite character. She is absolutely hilarious as a sassy valley girl type who, by most accounts, should not be as confident about her body and her sexiness as she “should” be. After all, she’s literally a purple ball of lumps. But this is an important message – you DON’T have to match cultural standards of beauty to be sexy. It’s all about confidence. I’m a fatass, and I’m friggin’ sexy if I do say so myself. And in her own way, LSP is sexy too. At least to fellow Space Lumps.

Finn

The show just keeps getting better every season. The quality of animation has spiked, the character arcs are realistic and well-defined, and the storylines are mature without losing their comedic edge. I’m absolutely hooked on this series, and it’s a refreshing feeling that this year, along with Gravity Falls, I got to watch some great new children’s shows that deserve every bit of praise they receive.

Lastly, I love the sense of humour in the show. I’ve always been a fan of surrealism, as well as referential humour. And I’m also a big fan of fart jokes, like the one where Jake morphs himself into a farting cheetah. I’m 25 years old, and fart jokes are still funny.