Vintage Viewing: Lois Weber, Blockbusting Boundary-Pusher
Thanks to Alice Guy and Lois Weber, filmmaking was once almost unique in its gender equity, before a centralized studio system eliminated the female directors.
The radical notion that women like good movies
Thanks to Alice Guy and Lois Weber, filmmaking was once almost unique in its gender equity, before a centralized studio system eliminated the female directors.
Pahuja sees the film as going beyond the issues of women’s rights; according to her, the film is about India, and what’s happening there, and the fear about the future as the culture of the country goes through extreme changes. She adds that, through the film, she would like to showcase the kind of “hatred being taught in the camps in the guise of patriotism.”
I don’t necessarily recommend Mae West’s narcissistic seductress as a role model for all women, but I strongly recommend her as Laverne Cox’s definition of a “possibility model”; Mae is a reminder that we define our own roles and culture is created partly by our consent.
Nothing is glaringly wrong with this ‘Cinderella,’ but if our sole criteria for these middling, dull, straight-guy directors and writers is that they didn’t fuck up too much, we’re in trouble. This affirmative action for mostly mediocre, mostly white guys could also help explain the selection of this year’s Oscar nominees–and why the ratings for the ceremony, along with audience attendance at theaters, is rapidly shrinking.
Thank goodness for well-placed billboards in Hollywood. I was driving through West Hollywood and saw a spectacular billboard of the Algerian-born actress Sofia Boutella, who plays Jackson’s villainous side-kick, Gazelle. She was leaping in the air, her two bladed prosthetic legs in mid-splits. Now I was curious. A fellow cinefile suggested we go check it out. “But the trailer was so boring,” I whined. “The young hero looks like a snarky dudebro brat with a cockney accent.” I thought about that Sofia Boutella billboard again. She looked so… badass.
The filmmakers (director Jean-Marc Vallée and screenwriter Nick Hornby) profess to be fans of Strayed’s work, but they were apparently so busy patting themselves on the back for not making this story of a woman alone into some kind of boy-meets-girl rom-com that they forgot to include everything else that makes the book distinctive.
The filmmakers (director Jean-Marc Vallée and screenwriter Nick Hornby) profess to be fans of Strayed’s work, but they were apparently so busy patting themselves on the back for not making this story of a woman alone into some kind of boy-meets-girl rom-com that they forgot to include everything else that makes the book distinctive.
Rural poverty and urban poverty are not the same. Individual racism and institutional racism are not the same. However, these forces are woven together as they are fiercely kept separate in our common mythologies of what America means. We avoid difficult stories that disrupt the narratives we’ve come to understand.
Check out all of the posts for our Demon/Spirit Possession Theme Week here.
Check out all of the posts for our Female Friendship Theme Week here.
Now whilst this seems like an odd collection of friendships, it is an important selection of lessons. It fosters the idea that girls working together will always be better than scheming men, and will always sort things out even if they do need help. Girls are fearless: willing to steal, blow up iron bars, fight back against creeps, and speak out. And most importantly, it’s OK to make mistakes. The girls also enjoy themselves doing it.
Even you’re not in school, September feels like a time for beginnings. It’s when you met the people who would become your close friends, bought new school shoes, and settled into a new year. With that in mind, I decided to look at a selection of coming of age films loosely based around school and learning. As an extra bonus, all five films come from female writer-directors.