The radical notion that women like good movies
As McCarthy tousles with her own nemesis in the kitchen fight, Feig uses slow motion to let us savor the violence and bird’s eye shots to let us see the controlled swings of Cooper’s arms and legs as she fights. The violence is not slapstick. The violence is not played for laughs. The violence is just flat-out cinematically terrific.
The melding of feminism and marketing means that certain crappy, mainstream films try to convince us our duty is to shell out money for them just because they’re directed by women, written by women or star women. This marketing, of course, is the best way to kill movies directed by, written by or starring women once and for all, by force- feeding us films that are supposed to be “good” for women but which give us no pleasure when pleasure, or something like it, is why we go to movies in the first place.
The default body size also extends to actresses who are not meant to be “decorative.” In writer-director Andrea Arnold’s powerful, excellent ‘Red Road,’ from the UK, star Kate Dickie has a nude scene which is neither meant to be nor is erotic, but her body has as little fat as that of a professional marathon runner. When women see these bodies as “the norm” in films and TV even those of us fortunate enough not to hate our bodies (and even those of us who are not habitually called slurs because of our size) have to fight against the tendency to ask, “What exactly did my body do wrong to be so unlike that of nearly every woman I see onscreen?”
Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!
In real life, of course, women are wives and girlfriends and to deny the importance of the relationship many of us share with men, would be inaccurate and farcical. Yet, with a media landscape overwhelmingly dominated by films about men being men made by men for men, wife roles are often dim shadows of real women. But it’s hard to list well-written wife characters in male dominated movies; Jessica Chastain’s character, Anna Morales in ‘A Most Violent Year’ and Rose Byrne as Kelly Radner in ‘Neighbors’ are two successes I’ve come across recently.
However, in honor of some possible greatness, let us consider some more films that could also be equally amazing, or as roundly terrible. Enjoy.
Bridesmaids Guest post written by Laura A. Shamas. The rituals of contemporary female friendship are punctuated with food and drink as signifiers in the 2011 comedy hit Bridesmaids, directed by Paul Feig. Many of the key emotional moments of the film involve food and drink. Intimate aspects of female friendship are revealed while eating; … Continue reading “Gender and Food Week: ‘Bridesmaids’: Brunch, Brazilian Food, Baking, and Best Friends”
Kirsten Dunst in Sofia Coppola’s Marie Antoinette This post by Megan Kearns originally appeared at Bitch Flicks on March 27, 2012. Many chastised Sofia Coppola’s re-imagining of Marie Antoinette. Some critics complained about the addition of modern music while others thought it looked too slick, like an MTV music video (remember those??). But I think … Continue reading “Women in Politics Week: Sofia Coppola’s ‘Marie Antoinette’ Surprisingly Feminist”
While there are a lot of great female-fronted films, there aren’t nearly enough that showcase mothers and daughters, sisters bonding and female friendships. So last week we asked: What are your favorite movie moments between women? Here’s what you told us! —— Beaches — “Most of ‘Beaches’ Barbara Hershey and Bette Midler so good in … Continue reading “Weekly Feminist Film Question: What Are Your Favorite Movie Moments Between Women?”
Kirsten Dunst in Sofia Coppola’s Marie Antoinette Many chastised Sofia Coppola’s re-imagining of Marie Antoinette. Some critics complained about the addition of modern music while others thought it looked too slick, like an MTV music video (remember those??). But I think most people missed the point. Beyond the confectionary colors, gorgeous shots of lavish costumes … Continue reading “Biopic and Documentary Week: Sofia Coppola’s ‘Marie Antoinette’ Surprisingly Feminist”
X-Men First Class, 2011, Matthew Vaughn =”center”> The X-Men franchise. I’ve been a fan of this ragtag team of mutants since the first movie was released (afterwards diving into the world of comics). The movies, along with their source material, have always been clear in their metaphorical status: These are not just mutants, these are … Continue reading “Guest Writer Wednesday: ‘X-Men First Class’: I Like it, but WTF?”
Check out the Emmy-nominated women below. I haven’t included all categories, but you can check out the entire list of Emmy nominees here. Outstanding Directing For A Comedy Series 30 Rock • Reunion • NBC • Broadway Video, Little Stranger, Inc. in association withUniversal Media StudiosBeth McCarthy, Director Outstanding Directing For A Miniseries, Movie Or … Continue reading “2009 Emmy Nominations”
