Are You Ready to Get Ridiculous?

div style=”text-align: justify;”>In response to my previous post about pay discrimination in Hollywood, an anonymous commenter pointed out the following: “Although I agree that women should be paid the same in all industries, your breakdown of the top grossing movies fails to recognise that apart from Sex and the City there were major male actors … Continue reading “Are You Ready to Get Ridiculous?”

‘Neighbors 2’ May Not Be Feminist in Name, But It’s Feminist in Nature

‘Neighbors 2’ doesn’t explicitly state that sororities are misogynist, but the goal of the alternative sorority (essentially an all-female share house, right?) at its center to create a space where the women can make their own fun outside of the patriarchy — that wants them to be well behaved and perform their sexuality for men — is feminist, whether the movie states it or not.

Prom and Female Sexual Desire in ‘Pretty in Pink’ and ‘The Loved Ones’

In this piece we focus on prom as a densifying trope for teenage female sexual desire in many cultural representations (think of ‘Carrie,’ ‘She’s All That,’ ‘My-So-Called Life,’ or ‘Glee,’ to name just a few). We are doing so by complementing John Hughes’ rather classic romantic-comedy and “Brat Pack” movie ‘Pretty in Pink’ with the horror/torture movie with comedy elements ‘The Loved Ones’ directed by Sean Byrne – two examples of female desire as imagined by male writers.

Wedding Week: Why We All Need to See ‘Bridesmaids’

Movie poster for Bridesmaids This guest post by Molly McCaffrey previously appeared at her blog I Will Not Diet and is cross-posted with permission.  I keep hearing people say they aren’t going to watch Bridesmaids because it’s a rom-com or a chick flick, and since this is really an important movie for women, I want … Continue reading “Wedding Week: Why We All Need to See ‘Bridesmaids’”