Bitch Flicks’ Weekly Picks

The Feministing Five: Melissa Silverstein and Kathryn Kolbert, Athena Film Festival Co-Founders by Anna Sterling via Feministing

‘Won’t Back Down’ Causes Mixed Feelings

Viola Davis and Maggie Gyllenhaal in “Won’t Back Down”
On September 28, 2012, Won’t Back Down will hit the theaters. This is a movie starring two well-known, respected actresses, Maggie Gyllenhaal and Viola Davis. It has two female characters. One of them is a woman of color. They are two characters who work together in the pursuit of a common goal. They have lives that do not revolve around men. Their eventual triumph is a triumph of female collaboration.
This movie sounds like a feminist’s dream come true. It will probably pass the Bechdel test with flying colors and show a realistic portrayal of two women who become close as they fight a common enemy. And this common enemy is one of the greediest, most evil foes in American history: the teachers’ union.
*sigh*
I really shouldn’t be surprised. We live in the age of Corporations Are People, so of course a film financed by a conservative activist is going to portray a teachers’ union as the villain. After all, Waiting for Superman didn’t succeed enough in its propaganda to demonize unions and public schools, so the producers have no choice but to try their hand at fiction instead.
This is not exaggeration. An February article from The New York Times, “In Reality and Film, a Battle for Schools,” states the following:
“For Walden, the film is a second shot at an education-reform movie. With Mr. Gates and the progressive-minded Participant Media, Walden was among the financial backers of the documentary ‘Waiting for ‘Superman.’ ”
 
That film, released in 2010, advocated, as potential solutions to an education crisis, charter schools, teacher testing and an end to tenure. But it took in only about $6.4 million at the box office and received no Oscar nominations after union officials and others strongly attacked it. 

‘We realized the inherent limitations of the documentary format,’ said Michael Bostick, chief executive of Walden. Now, he said, the idea is to reach a larger audience through the power of actors playing complicated characters who struggle with issues that happen to be, in his phrase, ‘ripped from the headlines.'”
“Ripped from the headlines.” That’s an accurate description, as the story of the film is ripped from several different headlines about parent trigger laws (laws that allow parents to overturn public schools if they get enough signatures on a petition – 51%). “Inspired by a true story” also leads the audience to believe that this is a fictionalized version of a successful implementation of the parent trigger law – except that’s not the case. The parent trigger law has never been successfully been implemented, and moreover, Won’t Back Down takes place in Pennsylvania – a city that doesn’t have such a law in the first place.
But that’s not the only reason why Won’t Back Down appears to be problematic. Take a look at the trailer:
It’s only two and a half minutes long but I can’t keep count of all the cliches in such a short amount of time. I do think it’s interesting that the trailer only shows us two teachers – Maggie Gyllenhaal’s daughter’s Bad Teacher and Viola Davis’s Good Teacher – and we’re immediately led to believe that Davis’s character is the exceptional, rare Good one while the cartoonish Bad Teacher is indicative of most of the people at that school. 
Of course, I haven’t yet seen the film myself. Other former teachers have, though, and they point out the way the film portrays teachers and unions as villains. Sabrina Stevens, in “Why ‘Won’t Back Down Just Doesn’t Stack Up’,” writes:
“I personally remember lots of overstuffed rolling tote bags (an especially popular option among teachers who needed to bring work home after school ended) and reusable coffee mugs (popular among us newbies who often worked such long hours we barely saw daylight during the fall and winter months) in the school I worked in. Likewise, the school day itself was often a whirr, with teachers bouncing around among 25, 30 or more students at a time during lessons; moving in and out of meetings, planning and professional development sessions; and making calls and handling other daily logistics during “free” periods.

Yet in the movie, it is repeatedly asserted that the union contract prevents exactly this kind of work from taking place. (I suppose all those graded papers, lesson plans, letters of recommendation and after-school activities just happen by magic?) In this school, the contract and the union that backs it are blamed for teachers not helping kids and refusing to work after school. And except for the two teachers closest to the desperate mother played by Maggie Gyllenhaal, these teachers don’t appear to do all that much during the school day, either. The dour, bitter teachers on display during the first two-thirds of this movie looked very little like the committed, passionate teachers I know– though I suppose it’s easy for a screenwriter to misread teachers’ bouts of fatigue or frustration as bitterness if they don’t understand where that frustration comes from. Managing 30 or so people at once requires a constant stream of attention and thousands of split-second decisions every day. Add to that inadequate resources and escalating demands, and formerly bright smiles will indeed begin to dim.”

The film seems to have an overwhelming anti-union message. So what does that have to do with feminism?
Well, frankly, I’m really annoyed that there’s a movie with two women in the lead roles – three, if you include Holly Hunter’s antagonistic eeeevil union leader – and I can’t go see it because of the teacher-bashing.
I like to see movies with women in the lead roles. I especially like to see movies that have two women in the lead roles. I want to financially support movies that give women storylines that don’t revolve entirely around men. And now there seems to be such a film, that also happens to be dedicated to kicking a group that’s already down.
I feel like Hollywood bought me a kitty cat, made me fall in love with that kitty cat, and then crept into my room at night and punched me in the face.
Thanks, Hollywood. Thanks a lot.

Quote of the Day: Viola Davis on Women of Color, Dreams & Her Life’s Mission

Viola Davis at the 81st Academy Awards
Viola Davis at the 81st Academy Awards (Photo credit: Wikipedia; Image by: Chrisa Hickey )

The internet has been abuzz over Meryl Streep’s badass statement at Women in Film (WIF)’s Crystal + Lucy Awards condemning the “underrepresentation of women” in film and Hollywood’s preoccupation with “big tent-pole failures.” She went on to question, “Don’t they want the money?” since women’s films like The Devil Wears Prada and Mamma Mia have been box-office blockbusters. And the divine Streep couldn’t be more right. We desperately need more women on-screen (and behind the camera), especially considering women comprise only 33% of speaking roles in film.

Streep presented Viola Davis with the 2012 Crystal Award for Excellence in Film. Journalists and bloggers have also been busy reporting on the sisterly camaraderie and “love fest” between the two friends at the awards ceremony.
But what the media seems to have overlooked is the ever poised and articulate Viola Davis’ moving acceptance speech. Davis spoke about her mom, acting as a vehicle for expressing the pain and joy in her life, women of color’s dreams, and the legacy she hopes to leave:
“I realized I spent my entire life trying to be better than my mom. That I am the daughter and the granddaughter and the great-granddaughter and the great-great-great-granddaughter of so many women whose dreams are in the graveyard. They’re women of color who worked in the tobacco fields and the cotton fields and had children by the time they were 15, left school in the 8th grade and a dream was just ambiguous to them. 
“And I realized that I wanted to have a dream. And I think that I chose acting because all my life has been filled with stories of people of color that have been filled with so much complexity and duality. And so much of my life has been filled with so much pain and humor and joyous moments that I felt the need to express that. And I couldn’t do it in a 9 to 5 [job]. 
“I believe unlike my mom and my grandmother and my great-grandmother that the privilege of a lifetime is being who you are, truly being who you are. 
“And I’ve spent far too long apologizing for that — my age, my color, my lack of classical beauty — that now at the age of…well at the age of 46 I’m very proud to be Viola Davis, for whatever it’s worth. 
“And I never want to look in the face of a young actress of color and think to myself, “What’s out there for her?” The only thing worse than a graveyard, artistic graveyard, filled with women…[Davis undoubtedly said something awesome here but the video cut out]
“The higher purpose of my life is not the song and dance or the acclaim, but to rise up, to pull up others and leave the world and industry a better place.” 
Words cannot capture just how much I adore this woman. She is truly a role model and inspiration to us all.
 

Bitch Flicks’ Weekly Picks

Amber‘s Picks:

Southern Poverty Law Center Notes Misogynistic Sites from Fannie’s Room

The Future of Feminism: Rachel Maddow and Melissa Harris-Perry from Ms. Magazine Blog

Hot damn! Viola Davis to star in Barbara Jordan biopic from Feminéma

Dr. Who thing of the day: the feminist approach of Dr. Her from Flick Filosopher

Newspapers censor “Doonesbury” strips about abortion news from Feministing

Megan‘s Picks:

Women’s Film Festival 2012: Women Take the Reel via MIT

Geena Davis in Seattle, Calls for the ‘Next Women’s Movement’ via Humanosphere

Mad Men Remix: Don Loves Roger via Pop Culture Pirate

Bitter Irony: Most Women Genie Nominees Get Shafted on International Women’s Day via Her Film

Scarlett Johansson Desexualized in New Avengers Poster via FemPop

Sonja Sohn: Changing Baltimore Long After ‘The Wire’ via NPR

“Feminazi”: The History of Limbaugh’s Trademark Slur Against Women via MediaMatters

Stephanie’s Picks:

Women and Girls Lead Online Film Festival from ITVS

“Political Fictions: Power Corrupts Women Like Whoa” by Everett Maroon for Bitch Media

“Sexism? In my Superhero Movies? It’s More Likely Than You Think” by Claire Teasdale for Her Campus (at Emerson)

“Are Things Turning Around for Women Filmmakers?” by Rachel Fox for The Snipes

“How Lifetime Movies Helped Form My Feminism” by Elfity for Persephone Magazine

Leave your links in the comments!

2012 NAACP Image Awards Nominations

The 43rd NAACP Image Awards air Friday, February 17th

In the midst of awards season, it’s easy to become overwhelmed with which awards are happening and when, and it’s easy to start thinking that the same movies/shows/actors/directors are being nominated for all the awards (for example, there are striking similarities between this year’s Academy and Independent Spirit Award major category nominees). 

However, the Image Awards offer a break from the monotony of many other mainstream awards shows–and, more importantly, they highlight the cultural contributions of people of color, who are so often pushed aside, ignored, or rendered practically invisible by Hollywood and mainstream entertainment complexes. The Image Awards celebrate: 

the outstanding achievements and performances of people of color in the arts (television, recording, literature, motion picture and writing & directing), as well as those individuals or groups who promote social justice through their creative endeavors.

One could look at this year’s list of Academy Awards nominees and think that there are very few people of color acting in films, and even fewer writing or directing–and when you specify women of color, the list gets even shorter (the women of The Help are this year’s exception that proves the rule). While there is truth in that statement, the Image Awards show us people who are making movies (and making television, and writing books), and they also show us how these contributions still aren’t as culturally valued. 
Here are some nominations from a few of the film categories (find a complete list on their website, including awards for Television, Recording, Literature, Motion Picture, and Writing & Directing).
Outstanding Motion Picture
Jumping the Broom
The First Grader
Tower Heist
Outstanding Actress in a Motion Picture
Adepero Oduye for Pariah
Emma Stone for The Help
Paula Patton for Jumping the Broom
Viola Davis for The Help
Zoë Saldana for Columbiana

Outstanding Supporting Actress in a Motion Picture
Bryce Dallas Howard for The Help
Cicely Tyson for The Help
Kim Wayans for Pariah
Maya Rudolph for Bridesmaids
Octavia Spencer for The Help
Outstanding Independent Motion Picture
I Will Follow
MOOZ-lum
Kinyarwanda
The First Grader
Outstanding Directing in a Motion Picture
Alrick Brown for Kinyarwanda
Angelina Jolie for In the Land of Blood and Honey
Dee Rees for Pariah
Salim Akil for Jumping the Broom
Tate Taylor for The Help

The 43rd NAACP Image Awards air live on NBC this Friday, February 17th, at 8 PM EST. Will you watch?

Viola Davis Rules the Night: Women, Race & Gender at the 2012 SAG Awards

Viola Davis and the cast of ‘The Help’ at the 2012 SAG Awards
Lately, it seems awards shows vacillate between moments of cringe-inducing sexism and feminist clarity. And the Screen Actors Guild (SAG) Awards were no different. Stripped of pomp and circumstance, with no host, the SAG Awards focus strictly on acting in TV and films. As with most media I consume, some parts pissed me off while others delighted me.

When Christopher Plummer won Outstanding Male in a Supporting Role for his performance as a gay man coming out to his son in Beginners, he began his acceptance speech by saying he’s “had such fun in the world’s 2nd oldest profession.” Ah, a sex work joke. Then Plummer called the film’s female producers “girls.” Oh Christopher Plummer. Yeah, calling female producers “girls,” even if they are way younger than you, not cool. But he almost redeemed himself when he again thanked his wife of 43 years who “came to his rescue and saved his life.” Swoon!

Dick Van Dyke presented icon Mary Tyler Moore with a Lifetime Achievement Award. I’ll start with what I liked. I LOOOVE that Van Dyke mentioned that Mary Tyler Moore is an animal rights advocate!!! The vegan in me cheered with delight. Ah, but the feminist in me shook my head at this:

“She’s one of the few performers, women, who can do a flat out comedy scene, slapstick and still be beautiful, feminine and adorable.”

Sigh. I so wanted to like his touching speech but it pissed me off. What does her appearance or femininity matter? Who cares what the hell a woman looks like, Dick Van Dyke? And who the fuck cares if she’s “feminine?!” Ugh.

Now, I realize he’s old and comes from another era. Don’t care. When discussing someone’s work or talent, male or female, their looks shouldn’t be mentioned. Society focuses too much on women’s appearances. People often assume women can only embody one quality: smart or sexy, funny or beautiful. As if a talented woman isn’t a success unless she’s pretty and feminine too.

Luckily, the rest of the evening contained inspirational and humorous moments through a feminist lens.

When Octavia Spencer won Outstanding Female in a Supporting Role for The Help, she honored civil rights activist Medgar Evers in her poignant acceptance speech. She also said,
 

“Thank you for putting me in a category with so many beautiful women…It was really a privilege to work on a film that gave a voice to so many women…By honoring me, you honor them…

“I want to thank all the people out there who went to support this movie and, after watching it, felt something. You felt compelled to make a change in your lives. So I’m going to dedicate this to the downtrodden, the underserved, the underprivileged, the overtaxed, whether emotionally, physically or financially.”

I absolutely adore Spencer mentioned women’s voices as well as class. And I love that she’s getting all this attention. Just wish it wasn’t for The Help. Ugh. Regardless of my opinions of The Help, I hope this catalyzes Spencer’s career and she gets lots and lots and lots of roles. She deserves them.

Other great moments included winner Alec Baldwin giving a shout-out to Tina Fey for her witty writing on 30 Rock (damn straight) and winner Betty White thanking her 3 female co-stars, Valerie Bertinelli, Jane Leeves and Wendie Malick, on Hot in Cleveland. Loving the female camaraderie!

And speaking of female camaraderie…love, love, LOVE Maya Rudolph, Kristen Wiig and Melissa McCarthy as presenters!!! The comical trio sauntered on stage to present the clip of Bridesmaids, one of my favorite 2011 films, nominated for Outstanding Ensemble. In describing the film, Maya Rudolph said,

“Our cast tells the story of strong female friendships.”

Yes, yes it does. Hilarious, raunchy, bittersweet and touching, Bridesmaids depicted a group of women as friends and one woman trying to find her way in the world. It’s rare for a movie to feature a female protagonist. It’s even rarer for a film to contain multiple female characters where women aren’t portrayed as catty and competitive but actually like and respect each other. In the funniest part of the evening, the women alerted the audience to a Scorsese Drinking Game where you drink each and every time you hear Martin Scorsese’s name uttered. Kristen Wiig said,
“Do you think Scorsese saw Bridesmaids??”

If he’s smart, he sure as hell has.

When presenters Tina Fey and John Krazinski discussed advice given to actors, Fey hilariously said,

“And I believe it was the TODAY show’s fourth hour co-host Kathie Lee Gifford who said, ‘If drag queens love you, you’ll have the longest career in the world. They know phony and they know real.’”

Ha! One of the best quotes of the night. But the SAG Awards belonged to Viola Davis who completely stole the night.

When Viola Davis won Outstanding Female Actor in a Lead Role, the audience gave her a standing ovation. Davis is a phenomenal actor who makes the most of any role she plays. Whether on-screen for hours (The Help) or mere moments (Doubt), her quiet strength mesmerizes and enthralls. Christ she almost made Nights in Rodanthe watchable (almost). Davis shared how she decided to become an actress at 8 years old. Cicely Tyson inspired her, and she was thrilled she could see her idol sitting in the audience as she won her award. Davis said,

“What is there but a dream? You can’t trade in your dream for another dream…Dream big and dream fierce.”

While I wish awards shows weren’t based on a binary gender divide, I often worry and lament that if they weren’t, women might never win. However this year, 2 of the 5 films nominated for Outstanding Performance by a Cast, Bridesmaids and The Help, both boasted predominantly female casts. It’s a huge step in the right direction.

Bolstered by a female ensemble, The Help was the big winner of the evening. Not only did it win the two female acting awards. And I have to say that I’m ecstatic two unbelievably talented African-American women won. But it also won Outstanding Performance by a Cast. At first, I was pissed Bridesmaids didn’t win. Then I was even more pissed that The Help won; a film touted as showcasing black women’s experiences but actually revolving around a white woman “saving” black women. But then I let Davis’ eloquent and inspiring words wash over me.

After calling working on The Help “a labor of love,” Davis articulated:

“The stain of racism and sexism is not just for people of color or women. It’s all of our burden. It’s all of us. I don’t care how ordinary you may feel. We all of us can inspire change. Every single one of us.”

I sat in my living room and applauded. And cried. Davis’ speech contained THE best, most feminist declaration I’ve ever heard on any awards show. Period. Davis blew me away with her poise, grace and intelligence. I’m thrilled she addressed racism and sexism on a national platform. And she’s absolutely right.

Racism and sexism affect us all. More people must realize racism and sexism still exist, stripping people of equality. We need white allies and male allies working with people of color and women towards eradicating racial and gender discrimination. We must speak out whenever we see or hear prejudice or injustice if we ever hope to combat it. But all is not lost. We can all make a difference.

People often go to the movies for entertainment, to escape their mundane lives. But films can also inspire you to act boldly and dream big. And sometimes, awards shows can too.