The radical notion that women like good movies
Let’s Keep Goin’: On Horror, Magic, Female Friendship & Power in Thelma & Louise by Marisa Crawford If men didn’t rape, Louise wouldn’t have shot the rapist. If the system didn’t blame rape victims, they wouldn’t have gone on the run. If men didn’t rape, they could have driven through Texas. If the system didn’t … Continue reading “Travel Films Week: The Roundup”
The story of Carrie, Miranda, Charlotte, and Samantha continued in Sex and the City 2 (2010) This is a guest post by Emily Contois. I’m not embarrassed to admit it. I totally own the complete series of Sex and the City—the copious collection of DVDs nestled inside a bright pink binder-of-sorts, soft and textured to … Continue reading “Travel Films Week: ‘Sex and the City 2’: Hardcore Orientalism in the Desert of Abu Dhabi”
Gender, Family and Globalization in ‘Eat Drink Man Woman’ by Emily Contois Foreign Film Week: Red, Blue, and Giallo: Dario Argento’s ‘Suspiria’ by Max Thornton Sexism in Three of Bollywood’s Most Popular Films by Katherine Filaseta BFI London Lesbian and Gay Film Festival Realistic Depictions of Women and Female Friendship in ‘Muriel’s Wedding’ by … Continue reading “Foreign Film Week Roundup”
Chef Chu and his “middle daughter” Jia-Chien in Eat Drink Man Woman Guest post written by Emily Contois. A version of this post previously appeared at her blog. In Eat Drink Man Woman (1994), director and co-writer Ang Lee expertly tells the story of changing family dynamics in Taipei, Taiwan during a time of rapid … Continue reading “Foreign Film Week: Gender, Family and Globalization in ‘Eat Drink Man Woman’”
Pop-Tarts and Pizza: Food, Gender, and Class in Gilmore Girls by Brianna Low While it could be argued that it is somewhat progressive of the Gilmore Girls series to portray two women who have no hang-ups about publicly consuming large amounts of food, it is important to remember that despite their voracious appetites, Rory and … Continue reading “Gender and Food Week: The Roundup”
Diane Keaton in Something’s Gotta Give Guest post written by Emily Contois, originally published at her blog. Cross-posted with permission. Nancy Meyers’ “older bird” chick flicks, Something’s Gotta Give (2003) and It’s Complicated (2009), provide both escape and hope to middle-aged female audiences, whose views on love, sex, and relationships are both informed and complicated … Continue reading “Gender and Food Week: Trophy Kitchens in Two Nancy Meyers’ Films, ‘Something’s Gotta Give’ and ‘It’s Complicated’”
