Search Results for: but i'm a cheerleader

My Love-Hate Relationship With Joss Whedon

It started when I was 13. Some friends and I went to see Buffy the Vampire Slayer. It sounded like a lovely idea. A movie with a cheerleader as lead for my more “girly” friends, a vampire flick with a female heroine for me and the guy friends who were dragged along on this group “date” and just wanted to see vampires. It wasn’t like we had a choice–none of us had a car, and this was the only thing playing that we were old enough to watch at the theater our parents dropped us off at. I thought it would be perfect until it occurred to me in the lobby, while procuring nachos and popcorn, that this film was devised to please everyone, and usually when movies set out to please everyone, they pleased no one. But, it was a movie, and on a hot summer day that meant air conditioning; plus, there would be vampires, a female heroine and that was all I needed to give it a try.

‘Pacific Rim’s Raleigh Becket Is a Strong Female Character, and That’s Great

So, yes. Raleigh Becket is a Strong Female Character. Sure, he’s not female, but as far as our understanding of SFCs goes–which here means well-written female and feminine characters–he’s aces. Raleigh Becket is supportive, sweet, intuitive, and loving, and there is absolutely nothing wrong with that. Not a damn thing.

Women of Color in Film and TV: A Post About ‘Community’s; Shirley? That’s Nice.

Written by Lady T.  Yvette Nicole Brown as Shirley Bennett on Community Anyone who has absorbed even a little bit of pop culture can see that the “sassy ethnic woman” archetype is ubiquitous in television and film. Women of color – particularly black and Latina women – are often used as sassy, finger-snapping side characters … Continue reading “Women of Color in Film and TV: A Post About ‘Community’s; Shirley? That’s Nice.”

A Post About ‘Community’s Shirley? That’s Nice.

Written by Lady T.  Yvette Nicole Brown as Shirley Bennett on Community Anyone who has absorbed even a little bit of pop culture can see that the “sassy ethnic woman” archetype is ubiquitous in television and film. Women of color – particularly black and Latina women – are often used as sassy, finger-snapping side characters … Continue reading “A Post About ‘Community’s Shirley? That’s Nice.”

The Great ‘Freaks and Geeks’ Rewatch of 2012

Written by Max Thornton. There is a delightful Freaks and Geeks special in Vanity Fair this month, with set photos, a cast reunion, and an interview in which creator Paul Feig discusses what would have happened had the show not been canceled. I recommend savoring all of it, but be warned – you may find yourself … Continue reading “The Great ‘Freaks and Geeks’ Rewatch of 2012”

Horror Week 2012: Portrait of the Artist as the Demon’s Best Friend Forever

Jennifer’s Body (2009) This is a guest post from Erin Blackwell. Jennifer’s Body, the 2009 horror chick-flick that was a coming-of-age for sex goddess Megan Fox after hyper-lucrative, career-building toil under the aegis of Michael Bay’s teenage-boy-centric Transformers franchise, now enjoys a cult following outside the Transformers demographic. And yet, on release, Jennifer’s Body was … Continue reading “Horror Week 2012: Portrait of the Artist as the Demon’s Best Friend Forever”

Women and Gender in Musicals Week: The Roundup

Rock of Ages Warms Your 80s-Loving Little Heart With a Cheesy Two-Hour Music Video by Candice Frederick Even though its finest moments all boil down to well-intentioned, high energy karaoke numbers, and its script (co-written by Justin Theroux) left more cheese in the recipe than what was called for, Rock of Ages is still great … Continue reading “Women and Gender in Musicals Week: The Roundup”

Women and Gender in Musicals Week: ‘Glee!’

This review by Cali Loria previously appeared at Bitch Flicks as part of our Emmy Week 2011 series. Not since E! has any one thing on television been so damn exclamatory. Glee! celebrated its everyman song-and-dance style before its slushy flying face-offs ever aired. After a Journey-style breakthrough and myriad episodes featuring pop music gone … Continue reading “Women and Gender in Musicals Week: ‘Glee!’”

Women and Gender in Musicals Week: Glee!

This review by Cali Loria previously appeared at Bitch Flicks as part of our Emmy Week 2011 series. Not since E! has any one thing on television been so damn exclamatory. Glee! celebrated its everyman song-and-dance style before its slushy flying face-offs ever aired. After a Journey-style breakthrough and myriad episodes featuring pop music gone … Continue reading “Women and Gender in Musicals Week: Glee!”

Emmy Week 2011: Glee!

Not since E! has any one thing on television been so damn exclamatory. Glee! celebrated its everyman song-and-dance style before its slushy flying face-offs ever aired. After a Journey-style breakthrough and myriad episodes featuring pop music gone oh so right, the show ended its first Emmy award-winning season and began a second. Can the plotlines … Continue reading “Emmy Week 2011: Glee!”

Best Picture Nominee Review Series: Juno

This review by Amber Leab originally appeared at Bitch Flicks in October 2008.  Juno(2007) It took me a long time to see the film Juno. I was thrilled when Diablo Cody won the Oscar for Best Screenplay, but at the same time suspicious about her little movie being so lauded. To win an Oscar, the … Continue reading “Best Picture Nominee Review Series: Juno”

From the Archive: Movie Review: Juno

This review originally appeared at Bitch Flicks in October 2008. With Diablo Cody set to direct her first film, it’s interesting to go back and look at the film that launched her career. Juno(2007) It took me a long time to see the film Juno. I was thrilled when Diablo Cody won the Oscar for … Continue reading “From the Archive: Movie Review: Juno”