Top 10 Posts of 2015
Counting down from 10 to 1, here are the 10 most-read posts in 2015 that were written in 2015.
The radical notion that women like good movies
Counting down from 10 to 1, here are the 10 most-read posts in 2015 that were written in 2015.
The traditional family is marked as a hostile space of enforced hypocrisy.
From the GBF to the pretty-ugly conformist-nonconformist girl, from positional superiority to “Hubble,” ‘My Best Friend’s Wedding’ expertly raises every clichéd plot twist and trope in the romcom playbook, before stripping them bare in favor of honesty, moral courage and the belief that life really does go on without a man. Surely that’s a message we can get behind?
Born Elizaveta Schnitt in 1900, she became an editing assistant for Pathe in Moscow at the age of just 14. By 1918, she was editing feature films at Goskino, the Soviet state cinema, and from 1922 to 1924 she was their chief editor. Thrilled by Vertov’s dynamic early documentary reels with the agit-propaganda trains, she would be his most vigorous champion toward mainstream support and feature documentaries. In 1922 she joined the Kinoglaz group, serving as chief editor and later assistant director on Vertov’s films.
Check out all of the posts from our Violent Women Theme Week here.
Pier Paolo Pasolini’s 1969 film ‘Medea’ was created in the aftermath of Italian fascism, another masculine cult of personal self-sacrifice in the interests of the state. Utilizing the operatic charisma of the legendary Maria Callas in a non-singing role, he harnesses the pitiless woman as an agent of chaos, rebelling against the dictates of the masculine state that urges her husband to discard her, in favor of a politically advantageous match.
There is a deeper truth here: by setting high expectations of men and offering models of liberated behavior that can be imitated, a strong male role model can be a young girl’s best mental defense against patriarchal conditioning. In the absence of one, Elizabeth has created an imaginary friend who models her mental resistance, gendering her own inner anarchic impulses as male.
Nollywood, the Nigerian film industry, has overtaken Hollywood in terms of its volume of output, and is now second only to Bollywood. What were once dismissed as stilted, static, and amateurish films made on home video, have now developed into their own distinctive visual style and genres, which are popular and influential across Africa and the African diaspora worldwide.
A student of journalism and political science at Syracuse University, Deren was politically engaged. Her master’s, however, in English and symbolist poetry, point to her contrasting impulses towards abstraction and the poetic. Touring and performing across the USA with the Katherine Dunham Dance Company, Deren met the Czechoslovakian filmmaker Alexander Hammid in Los Angeles, and produced her first and best-known experimental film in collaboration with him: ‘Meshes of the Afternoon.’
However, comparing Wood’s deeply personal product with the Wachowskis’ deeply polished one, ‘Glen or Glenda’s explicit gender dysphoria with ‘The Matrix’s allegorical dysphoria reveals parallels that illuminate both films.
Check out all of the posts from our Sex Positivity Theme Week here.
But how can female arousal be visually expressed? If women stereotypically prefer to read literary erotica over watching porn, with erotica’s descriptions of the interior sensations of female arousal, is that because many women imagine that female performers of porn are uncomfortably simulating their pleasure? Can there be a clitoral cinema of female arousal, and what would it look like?