Kaley Cuoco – Bitch Flicks

This guest post by Scarlett Harris appears as part of our theme week on Women and Work/Labor Issues.

Despite all the midriff tops and high heels worn while fighting supernatural beings, and despite the damaged household items, buildings and cars which seem to miraculously be fixed by the next episode, if not before, Charmed is a lesson in work/life balance.

Throughout the eight seasons, which culminated in 2006, the Halliwell sisters struggle to balance demon fighting with romance, employment, study, and family.

Oldest sister Prue (Shannen Doherty) was killed off at the end of season three but not before she ditched her demon-dwelling auction house job at Buckland’s for freelance photography and bowed out of the dating game to focus on magic. As the head of a household whose mother died young, Prue was a maternal figure to her sisters, always concerned with putting family first, at the detriment to her love life and, ultimately, her actual life.

In “Which Prue Is It, Anyway?” from season one, Prue casts a spell to produce two carbon copies of herself, which carry out tasks such as dealing with her ex-boyfriend and cop on her case, Andy, while another one works on a spell with Piper and Phoebe, and yet another goes to Buckland’s to finish up some work. Talk about being a Superwoman!

Prue, Prue, Prue — Prue, Prue, and more Prue

Piper (played by Holly Marie Combs), who turns out to be the most level-headed and conventionally “normal” of the three sisters, gets fed up with being walked over in her season one job as manager of Quake restaurant and quits to open her own club, P3. She then gets seriously involved with whitelighter Leo, whom she marries in season three, and has two children with him, Wyatt and Chris. They then separate, Piper dates other people, they get back together again… Apart from the anguish of knowing their firstborn, Wyatt, grows up to be evil, Piper’s depiction as a frazzled “working mum” with a supernatural side really is the most realistic of the four Halliwell/Matthews sisters.

Which brings us to Phoebe (Alyssa Milano), the youngest of the original Charmed Ones until Paige comes along in season four. She enters the show as a free-spirit with a flawed perception of the future, or so we are led to believe by Prue, who’s had her issues with Phoebe in the past. In the first season alone she works as a hotel psychic, Prue’s assistant at Buckland’s and a real estate agent. After she casts a smart spell in “The Painted World” early on in season two, Phoebe decides to expand her knowledge for good and goes back to college. After graduating in season three (I wish I graduated college that quickly!), she goes on to write a successful advice column for The Bay Mirror newspaper, which fellow independent woman Elise edits.

We can’t forget Phoebe’s tumultuous personal life–her intense connection with Cole/Balthazar turn her into the queen of the underworld and the prospective mother of his demon spawn, she moves to China with millionaire boss Jason, becoming an aunty to Wyatt and Chris and, later, a mother to her own kids and taking a sabbatical from the newspaper because she’s feeling disconnected from her work. After Prue’s death, Phoebe takes on her longing for a less magical life which becomes somewhat of a reality for her in passing on the Charmed Ones’ knowledge to rookie witch Billie (a post-8 Simple Rules but pre-Big Bang Theory Kaley Cuoco) and the next generation of Halliwell witches.

Phoebe's column becomes famous — Phoebe’s column becomes famous

Half-sister Paige Matthews, played by Rose McGowan, enters Piper and Phoebe’s life as a social worker at the beginning of season four. She is unreceptive to being magical at first, and spends most of the first season trying to maintain a “normal life,” with a job, a boyfriend, and a new family who happens to be supernatural. (She, like Prue, later leaves the paid workforce to focus on witch duties full-time.) Throughout her televised tenure as a Charmed One, Paige dabbles in temp work with a magical twist, becomes a whitelighter and the principal of magic school, then marries and has kids.

Phoebe and Paige’s evolution through their working lives is particularly poignant to the millennial Charmed audience; many people I know grew up watching the three (or is it four?) sisters flitting from job to job in their quest to find purpose and fulfillment. And we don’t even have daily demon attacks to contend with! The support of their family is key in allowing the Halliwell’s to shun traditional careers in favor of part-time- and self-employment and working from home, much like Gen Y is able to save for house deposits and overseas gap years while living with their long-suffering parents.

After all, that is what Charmed is all about: family—sisters who just happen to be witches, and everything that goes along with both of those roles. While the manifestation of three fully groomed and immaculately dressed sister witches each morning in the Halliwell manor, who spend their days flitting about town vanquishing demons, protecting the innocent, working their day jobs, caring for their family, going on dates, maintaining a home, studying, managing their own businesses, etc., is extremely unrealistic, the sheer magnitude of what the Charmed Ones have to go through each day is somewhat of a metaphor for what working women—especially those with an extended family who all happen to live under the one roof—go through on a day-to-day basis. And sometimes, they manage to take it in stride, just as the Charmed Ones do.

Scarlett Harris is a Melbourne, Australia-based freelance writer and blogger at The Early Bird Catches the Worm (soon to be undergoing a revamp; stay tuned!).

Kunal Nayyar, Johnny Galecki, Jim Parsons, Simon Helberg, Kaley Cuoco

Written by Rachel Redfern.

The Big Bang Theory, the show that legitimizes the nerd in all of us and tickles that small (or large) part of us that gets the Star Trek jokes. The writers of the show are like geeky unicorns who can finally tell that nerdy joke you’ve been trying for years and who make you smile with superiority when you manage to understand one of the many scientific concepts thrown around.

For the second time, The Big Bang Theory has been nominated for a Golden Globe award in Best Television Comedy Series. This is also the second Best Actor in a Television Series-Comedy or Musical nomination for Jim Parsons, the hilarious actor who plays Dr. Sheldon Cooper, an award that he won back in 2011. Similarly, Johnny Galecki was nominated for the same award in 2012.

Instead of just being another rendition of ‘Friends’ and ‘How I Met Your Mother,’ The Big Bang Theory has a unique foundation in its scientist main characters. The main characters Leonard Hofstadter (Johnny Galecki) and Sheldon Cooper (Jim Parsons) are brilliant, but struggle socially, embodying the traditional nerd stereotype in their love of science fiction shows, fantasy card games, comic book mania, and gamer lifestyle. In the typical sitcom, these kinds of characters are usually background extras that provide the comedic situation for a bad date; while definitely quirky, each of The Big Bang Theory characters’ intelligence and desperate need for affection provide the necessary comedic relief.

The show’s contrasting use of pop culture and advanced scientific concepts is engaging and is augmented by guest appearances from Star Trek alums LeVar Burton, Will Wheaton, and a voice-over by the unparalleled Leonard Nimoy, as well as scientific celebrities Stephen Hawking and Neil DeGrasse Tyson, to name a few.

However, despite the unique nature of the show and it’s legitimately hilarious dialogue there are problematic elements to The Big Bang Theory and it’s a problem I’ve mentioned before: the use of stereotypes. Stereotypes are obviously an important part of comedy; the stereotype is a relatable way to demonstrate a familiar funny situation (or an unfamiliar one since I know few people as smart and neurotic as Sheldon Cooper). However, the stereotypes used in The Big Bang Theory often pigeon-hole women who aren’t physically appealing into socially awkward nerds with latent lesbian tendencies and traditionally beautiful women into uneducated sluts with bad taste in men.

Kaley Cuoco plays Penny, the third main character on The Big Bang Theory, who is a beautiful, young waitress and a bit of an airhead. There are a few disturbing moments on the show when Penny is condescended to by the male characters and is given lines to reflect an “I’m hot but stupid” mentality. Now, this isn’t to say that there aren’t some people in the world who are probably like this, but perhaps it wouldn’t be so noticeable on The Big Bang Theory if it wasn’t used so often with it’s female characters.

Kunal Nayyar, Melissa Rauch, Simon Helberg, Jim Parsons, Mayim Bialik, Johnny Galecki, Kaley Cuoco

In the first three seasons it’s especially noticeable as all of Penny’s beautiful friends are given similar characteristics, as are the beautiful women that the boys date. Even Bernadette (Melissa Rauch), Howard Wolowitz’s fiancé, who has a Ph.D in microbiology, is often typecast as an airhead who doesn’t understand a common sense principle as well as the boys.

Perhaps this is a good transition into the sexist mess that was the early Howard Wolowitz character. One of Sheldon and Leonard’s close friends, for the first four seasons Howard played the role of a disgusting, probably should be on a sex offender list somewhere, horny aerospace engineer. His goal was to get laid and so he lied to women, hired prostitutes, chased them down in a park, and was in general, completely repugnant for laughs. While the character has improved since the introduction of the Bernadette character and their marriage, for the first four seasons, Howard’s character ran rampant through the show, completely unchecked and without any repercussions for his behavior. If anything, there was a congratulatory sense to his actions, as if him hiring a prostitute and going back to his old ways of disrespecting women after a small breakup was something the audience should be sympathetic toward.

Howard’s character displays what I like to call the ‘Mad Men Principle:’ is a show sexist because it portrays sexist situations, or is it instead brilliantly self-aware and exposing sexism? In the case of Mad Men I would argue that yes, it is self-aware and exposing the massive amounts of sexism that was commonplace in the 1960’s. Does the same hold true for The Big Bang Theory?

I would say that in the early years of the show, no, it was sexist. For instance, take the episode “The Killer Robot Instability,” during this episode the sexually rapacious and unethical Howard Wolowitz says something incredibly inappropriate, wildly sexual and completely disrespectful to Penny for about the millionth time, yet when she tells him off, she’s the one who has to apologize for being rude. Despite the fact that Penny has now put up with Howard’s constant pick-up lines and overt sexual come-ons, when she finally stands up for herself and informs him that his behavior is inappropriate, she is the one in the wrong; this action validates Wolowitz’s inappropriate behavior and paves the way for him to continue being disgusting without consequences.

Or again, how Wolowitz treats his mother badly and demands that his girlfriend and wife cook and clean and care for him: the lovely Bernadette looks confused by his constant insistence that she do so, but continues to participate in his illusions about how she’s going to behave.

However, the show has gotten better the past few seasons; the characters feel more well-rounded, there are fewer jokes at Penny’s expense, and the “quick, try to bone every woman in sight” attitude from Wolowitz has subsided since his involvement with the Bernadette character. In fact, there was a moment of acknowledgment and apology for his past behavior in season five, an act of redemption that has put the show on the good side of the ‘Mad Men Principle’ for me.

Simon Helberg, Jim Parsons, Johnny Galecki, Kunal Nayyar

In fact, the season four episode, “The Roommate Transmogrification,” started a clever role reversal featuring Wolowitz and Bernadette as she is offered a high-paying job at a pharmaceutical company. This job will make Bernadette the main ‘breadwinner’ in their relationship and spawns a situation where Bernadette treats him like a trophy wife. Similarly, in season five’s “The Shiny Trinket Maneuver,” Bernadette tells Wolowitz that she’s not sure she wants children, a problem that’s resolved by her compromise to have children if Wolowitz will stay home with them so she can continue her career. It’s obvious that this compromise is unacceptable to him, a fact that I appreciated since it was automatically assumed in the episode (as it so often is in life) that it’s the wife’s duty to give up her career and stay home with her children.

It seems glaringly obvious to make this point about a show who’s title references evolution, but the great evolution and development of The Big Bang Theory makes it, in my opinion, a well-thought out and intelligent sitcom. I’m hopeful that this deserving show will win a golden globe this year and that I’ll continue to laugh like the giant geek I am at every brilliant Star Trek joke that Sheldon Cooper makes.

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Rachel Redfern has an MA in English literature, where she conducted research on modern American literature and film and its intersection, however she spends most of her time watching HBO shows, traveling, and blogging and reading about feminism.

Tag: Kaley Cuoco

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