Cecil B. DeMille Award: presented to Jodie Foster
“Cecil B. DeMille Award Recipient Jodie Foster: Credibility Over Celebrity” by Robin Hitchcock
Lincoln: nominated for Best Picture, Drama; Best Director, Steven Spielberg; Best Actor, Drama, Daniel Day-Lewis; Best Supporting Actress, Sally Field; Best Supporting Actor, Tommy Lee Jones; Best Screenplay, Tony Kushner; Best Original Score, John Williams
“In Praise of Sally Field as Mary Todd Lincoln” by Robin Hitchcock
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“Les Misérables: The Feminism Behind the Barricades” by Leigh Kolb
“Extreme Weight Loss for Roles Is Not ‘Required’ and Not Praiseworthy” by Robin Hitchcock
“Les Misérables: Sex Trafficking & Fantine as a Symbol for Women’s Oppression” by Megan Kearns
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“Too Many Hitchcocks” by Robin Hitchcock
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“On Sex, Disability, and Helen Hunt in The Sessions“ by Stephanie Rogers
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“The Master: A Movie About White Dudes Talking About Stuff” by Stephanie Rogers
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“Can Hope Springs Launch a New Era of Smart, Accessible Movies About Women?” by Molly McCaffrey
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“Cloud Atlas Loses Audience” by Erin Fenner
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“‘I’m Not Very Good at Making People Like Me’: Why The Hunger Games‘ Katniss Everdeen Is One of the Most Important Heroes in Modern Culture” by Molly McCaffrey
“The Hunger Games Review in Conversation: On Jennifer Lawrence, Female Protagonists, Body Image, Disability, Whitewashing, Hunger & Food” by Megan Kearns and Amber Leab
“The Princess Archetype in the Movies” by Laura A. Shamas
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“Skyfall: It’s M’s World, Bond Just Lives in It” by Margaret Howie
“The Sun (Never) Sets on the British Empire: The Neocolonialism of Skyfall“ by Max Thornton
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“The Princess Archetype in the Movies” by Laura A. Shamas
“Will Brave‘s Warrior Princess Marida Usher In a New Kind of Role Model for Girls?” by Megan Kearns
“Why I’m Excited About Pixar’s Brave & Its Kick-Ass Female Protagonist … Even If She Is Another Princess” by Megan Kearns
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“Wreck-It Ralph Is Flawed, But Still Pretty Feminist” by Myrna Waldron
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“Anna Karenina, and the Tragedy of Being a Woman in the Wrong Era” by Erin Fenner
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“The Power of Narrative in Django Unchained“ by Leigh Kolb
“From a Bride with a Hanzo Sword to a Damsel in Distress: Did Quentin Tarantino’s Feminism Take a Step Backwards in Django Unchained?” by Tracy Bealer
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“Girls and Sex and the City Both Handle Abortion With Humor” by Megan Kearns
“Lena Dunham’s HBO Series Girls Preview: Why I Can’t Wait to Watch” by Megan Kearns
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“‘Pregnancy Brain’ in Sitcoms” by Lady T
“2011 Emmy Analysis” by Amber Leab
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“Seeking the Alpha in Breaking Bad and Sons of Anarchy“ by Rachel Redfern
“‘Yo Bitch’: The Complicated Feminism of Breaking Bad“ by Leigh Kolb
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“Boardwalk Empire: Margaret Thompson, Margaret Sanger, and the Cultural Commentary of Historical Fiction” by Leigh Kolb
“Max’s Field Guide to Returning Fall TV Shows” by Max Thornton
“Boardwalk Empire“ by Amanda ReCupido
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“A Gilded Cage: A Feminist Critique of the Downton Abbey Christmas Special” by Amanda Civitello
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“The Best of 2012 (I Think)” by Rachel Redfern
“Homeland‘s Carrie Mathison” by Cali Loria
“Homeland‘s Carrie Mathison: A Pulsing Beat of Jazz and ‘Crazy Genius'” by Leigh Kolb
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“Emmy Week 2011: Mad Men Week Roundup” [includes links to 9 pieces written about Mad Men]
“Mad Men and The War on Women, 1.0″ by Diana Fakhouri
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“Why I’ve Fallen in Love with New Girl“ by Lady T
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“Max’s Field Guide to Returning Fall TV Shows” by Max Thornton
“The Casual Feminism of 30 Rock“ by Peggy Cooke
“Liz Lemon: The ‘Every Woman’ of Prime Time” by Lisa Mathews
“Jane Krakowski and the Dedicated Ignorance of Jenna Maroney” by Kyle Sanders
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“Political Humor and Humanity in HBO’s VEEP“ by Rachel Redfern
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“Why We Need Leslie Knope and What Her Election on Parks and Rec Means for Women and Girls” by Megan Kearns
“Max’s Field Guide to Returning Fall TV Shows” by Max Thornton
“Ann Perkins and Me: It’s Complicated” by Peggy Cooke
“I Want to Establish the Ron Swanson Scholarship in Women’s Studies” by Amanda Krauss
“Parks and Recreation Seasons 1 & 2″ by Amber Leab
“Leslie Knope” by Diane Shipley
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“Listening and the Art of Good Storytelling in Louis C.K.’s Louie“ by Leigh Kolb
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“Too Many Hitchcocks” by Robin Hitchcock
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Argo: nominated for Best Picture, Drama; Best Director, Ben Affleck; Best Supporting Actor, Alan Arkin; Best Screenplay, Chris Terrio; Best Original Score, Alexandre Desplat
“Does Argo Suffer from a Woman Problem and Iranian Stereotypes?” by Megan Kearns
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“An Open Letter to Owen Wilson Regarding Moonrise Kingdom“ by Molly McCaffrey
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“The Deep Blue Sea“ by Eli Lewy
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“The Evolution of The Big Bang Theory“ by Rachel Redfern
“Big Bang Bust” by Melissa McEwan
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“Jessica Chastain’s Performance Propels the Exquisitely Sharp But Aloof Zero Dark Thirty“ by Candice Frederick
‘Zero Dark Thirty’ Raises Questions On Gender and Torture, Provides No Easy Answers by Megan Kearns
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“The Newsroom: Misogyny 2.0″ by Leigh Kolb
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“‘I Misbehave’: A Character Analysis of Irene Adler from BBC’s Sherlock” by Amanda Rodriguez
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“It’s ‘Impossible’ Not to See the White-Centric Point of View” by Lady T
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“Silver Linings Playbook, or, As I Like to Call It: fuckyeahjenniferlawrence” by Stephanie Rogers