Bitch Flicks’ Weekly Picks

Stephanie‘s Picks:

Must We Worry About the Boys of ‘Brave’? by KJ Dell’antonia via the New York Times

Why I Heart GIRLS & Lena Dunham’s Body via Virginia Sole-Smith

TV Trailer Watch: Steel Magnolias via Women and Hollywood

Nora Ephron, Prolific Author and Screenwriter, Dies at Age 71 by Adam Bernstein via the Washington Post

Image Based Harassment and Visual Misogyny by Anita Sarkeesian via Feminist Frequency

Helen Mirren Calls for More Female Film-makers by Ben Child via the Guardian

Megan‘s Picks:

The Fight Against Misogyny in Gaming Enlists Some Big Names by Katie JM Baker via Jezebel

Cross-Post: Oscar Flashback: Nora Ephron: by Sasha Stone via Women and Hollywood

Magic Mike: Old Sexism in a New Package by Carole Heldman via Sociological Images

Girl Power: What Happens When Thousands of Teen Girls Ask Seventeen to Stop Selling Them Out by Kaye Toal via UpWorthy

‘Love & Hip-Hop Atlanta’ Shouldn’t Embarrass Black and Brown Women by Akiba Solomon via ColorLines

Thank God Rachel Maddow Is Depressed by Lynn Beisner via Role/Reboot

Feminist with a Funny Bone by Michele Kort via Ms. Magazine Blog

Seventeen Magazine’s New Photoshop Policy Is the Same as The Old Photoshop Policy by Jenna Sauers via Jezebel

Louis C.K. Bucks Casting Trends with Susan Kelechi Watson by Latoya Peterson via Racialicious

‘Strong Female Protagonist’ Takes on Superhero Comics — and Occupy Wall Street by Alyssa Rosenberg via ThinkProgress

Amy Poehler Interviews Tiny Feminists, Inspires Us by Alanna Bennett via The Mary Sue 

Memo to Hollywood: Women Go to the Movies Too by Melissa Silverstein via The Washington Post

Bitch Flicks’ Weekly Picks

Stephanie‘s Picks:

Brave: Pixar’s Feminist Fantasy by Andrew O’Hehir via Salon

Nike Celebrates Women in Sport with Voices Film via nikeinc.com

Women’s Film Festivals (a new Tumblr!) via Marian Evans

How Girls Challenges the Masculine Expectations of “Good TV” by Todd VanDerWerff via A.V. Club

I Literally Cannot Stop Laughing at This; I Think My Brain Might Be Broken? by Melissa McEwan via Shakesville

Megan‘s Picks:

Quote of the Day: I Wanted to Give Girls Something To Look at and Not Feel Inadequate by Melissa Silverstein via Women and Hollywood

Hollywood to Black Mothers: Stay Home by Kimberly Seals Allers via The New York Times

An Open Letter to the Guys Who Told Me They Want to See Lara Croft Get Raped by Alyssa Rosenberg via ThinkProgress

Gretchen Carlson Walks Off ‘Fox and Friends’ After Brian Kilmeade’s Sexist Comment (Video) via The Huffington Post

Adam Carolla Thinks Women Aren’t Funny by Whitney Jefferson via BuzzFeed

Magazine Unconvincingly Defends Violent Editorial, Calls Critics Sexist by Jenna Sauers via Jezebel

Kelly MacDonald Talks Voicing Merida in Brave; Her Own Childhood Heroines by Susana Polo via The Mary Sue

Girls Season One Ends: Check Out This Interview with Lena Dunham by Melissa Silverstein via Women and Hollywood

Bitch Flicks’ Weekly Picks

Stephanie‘s Picks:

Christina Hendricks Talks Joan, Feminism, and Bitches in The Hollywood Reporter by Kelsey Wallace for Bitch Magazine

Is There a Male Equivalent to the Manic Pixie Dream Girl? by Elisabeth Rappe for Film

Emma Cowing: The Brave New World of Movie Feminism for Scotsman

‘Peace, Love, & Misunderstanding’: Finally, a Film Gets New Feminism by Chloe Angyal for The Atlantic

Woman: The Other Alien in Alien by Tom Shone for Slate

Ten Reasons NOT to See Snow White and the Huntsman by Natalie Wilson for Ms. Magazine

Crying Sexism as the Answer to an Under-Performing Film by Melissa Silverstein for Women and Hollywood

Quote of the Day: “Why? Why? Why? Don’t They Want the Money?” by Melissa Silverstein for Women and Hollywood

Study Confirms That TV Makes All Kids, Except Little White Boys, Feel Bad by Heather Klem for About-Face

Megan‘s Picks:

How Girls Challenges the Masculine Expectations of “Good TV” by Todd VanDerWerff for The AV Club

Audra McDonald Becomes First Black Actress to Win Five Tony Awards by Jorge Rivas for ColorLines 

Good Riddance, Offensive GoDaddy Commericals by Connor Simpson for The Atlantic Wire

Violence Against Women Disguised as Fashion by Jenna Sauers for Jezebel

Dear the Internet, This Is Why You Can’t Have Anything Nice: Antia Sarkeesian’s Project to Expose Stereotypes in Video Games Attracts a Maelstrom of Hate by Helen Lewis for The New Statesman

Reproduction & Abortion Week: ‘Girls’ and ‘Sex and the City’ Both Handle Abortion With Humor

(L-R): Hanna (Lena Dunham), Allison Williams (Marnie), Zosia Mamet (Shoshanna) in Girls
Vacillating between vitriolic condemnation and laudable praise, Lena Dunham’s Girls has dominated pop culture dialogue. I eagerly anticipated the serie’s premiere. Yes, the show depicts economically privileged characters. Yes, the incredibly white and homogenous cast should be more diverse. And yes, staff writer Lesley Arfin is absolutely a racist asshole who’s bullshit must be called out. All of these rightfully scathing critiques are not only valid but crucial. But a mere 2 episodes in, Girls portrays potentially nuanced female characters with candid dialogue on sex, friendship, aspirations and relationships. And abortion! Huzzah!
Many critics compare Girls with Sex and the City. Both HBO series revolve around 4 female friends in NYC who talk openly about sex, career goals and relationships. Dunham herself addresses the parallels. Although she feels SATC portrays aspirational female friendships whereas Girls, which is messier and more awkward (kind of like real-life), depicts nurturing friendships still fraught with “jealousy and anxiety and posturing.” It’s also hard not to compare as both trendy series tackled abortion.
In the latest episode of Girls, the hilariously titled “Vagina Panic” (which seriously sounds like something I would declare to my friends), centers around abortion, atrociously bad sex and STDs. When Hannah (Lena Dunham) tells Adam, the despicable douchebag she’s hooking up with that she’s accompanying her friend Jessa (Jemima Kirke, who’s had an abortion in real-life) to have an abortion (we found out she was pregnant at the end of the first episode), she says, “How big a deal are these things actually.” Hannah then talks about not having “sympathy” for people who don’t use condoms. Yet it’s great that she’s still supporting her friend.
Later in the episode, while sitting on a bench eating ice cream, Shoshonna (Zosia Mamet) whips out the book Listen, Ladies: A Tough Love Approach to the Tough Game of Love (yikes!) — a la SATC’s Charlotte and reminiscent of that bullshit book The Rules. Hannah says she “hate read” it and then they start hilariously debating who precisely constitutes “the ladies.” (Hmmm, should I stop calling my female friends “ladies??”) Irritated, Jessa tells Hannah:
I’m offended by all the supposed to’s. I don’t like women telling other women what to do or how to do it or when to do it. Every time I have sex, it’s my choice.”

Yes, yes, yes! It’s great Jessa says a proverbial fuck you to the things she’s supposed to do in life. She declares that what she does with her body is her choice. Hannah then asks Jessa if she’s scared or angry or sad. Jessa tells her she’s not some character from one of her novels and says eventually wants to have children and that she’ll be a great mother.
When the women go to the Soho Women’s Clinic to support Jessa, who’s blowing off her abortion by drinking White Russians at a bar, Hannah, Marnie (Allison Williams) and Shoshanna discuss STDs, the play Rent, infertility, condoms, abortion and virginity. Hannah tells Marnie, who’s pissed Jessa hasn’t shown up:
“You’re a really good friend and you threw a really good abortion.”

The effortless weaving of a frank discussion of sexuality with effacing humor on a topic like abortion felt authentic. Hannah gets an STD test at the clinic and veers off into an awkward, cringe-worthy yet weirdly humorous diatribe on fearing AIDs…and then wanting AIDS, so not funny. Meanwhile, Jessa makes out with a guy at the bar. When she tells him to put his hands down her pants, her tells her she’s bleeding. Girls which “pushes the envelope” the entire episode, ultimately cheats, evading the actual decision as Jessa either gets her period or has a miscarriage.
So how does this portrayal differ from SATC’s? Entertainment Weekly’s Hillary Busis writes:

SATC uses Samantha’s quest for a Birkin as comic relief after a lot of heavy abortion talk. But in Girls, the abortion talk is the comic relief.”
In SATC‘s “Shoulda, Woulda, Coulda,” one of my favorite episodes, Miranda (Cynthia Nixon) contemplates an abortion after an accidental pregnancy. While telling her friends, Samantha (Kim Cattrall) irreverently reveals she’s had two abortions while Carrie (Sarah Jessica Parker) had one when she was 22. Even though Miranda doesn’t go through with the procedure (and I totally wish she had), I liked that 2 out of the 4 characters had an abortion. Within that brief episode, we see multiple reactions to abortion. Miranda feels conflicted. Charlotte (Kristen Davis) grapples with infertility. Samantha exudes a casual nonchalance and forthright approach to abortion which I found refreshing. Carrie, who knows she made the right choice, lies to her boyfriend Aiden when he asks her if she’s ever had one, worried he’ll judge her for her choice.

Therein lies the difference between Girls and SATC. What SATC always excelled at was showcasing various perspectives on an issue, albeit from all from a privileged lens. But Girls doesn’t do that here.

While they support Jessa, Hannah and Marnie are critical of people’s choices and mistakes. Hannah apologizes for her seemingly “flippant” attitude towards abortion, saying it stems from her condemnation for people who don’t use contraception. Marnie appears to denounce abortion (all while rallying the women at the clinic) saying it’s “the most traumatic thing that can ever happen to a woman.” Really?? Although maybe from her character’s perspective it is. But the argument could easily be made that if we had seen the SATC characters 10 years younger, the age of Girls’ characters, perhaps we would have witnessed similar reactions. And maybe that’s the point. These young women make so many mistakes; maybe they’ll become less judgmental as they get older. But it still annoys me as it seems to reek of the “I’m pro-choice but I would never have an abortion” attitude that sometimes plagues pro-choice dialogue, playing into the stigma that abortion is bad.
I always adored SATC for the way the women transcended friendship, nurturing and validating each other, and became a family. Girlsmay be more realistic in its depictions of simultaneous annoyance yet support for friends. But ultimately, abortion, which 1 in 3 women have had, doesn’t occur on either show which is unfortunate. But at least SATCcontained 2 characters who had abortions in their early 20s, the same age as the characters on Girls. From what we know, and granted it’s still early on, the Girls characters have not. For a show that revels in bold candor and raw honesty, it would have been fantastic to witness an abortion.

Despite the ending, my friend Sarah at Abortion Gang deems Girls’ abortion plot a success as it engages in abortion dialogue:
 “But even if the ending of Jessa’s pregnancy is a copout, we still got close to thirty minutes of frank discussion of abortion. Which means Girls has given us, oh, twenty-seven more minutes of abortion talk than any other show this year, even shows that purport to be about the lives of women.”

Don’t get me wrong. It’s awesome to hear abortion uttered so many times on the show. While I’m delighted Girls talks about abortion so easily and frequently, I’m still pissed and annoyed an abortion never transpired. Choosing not to portray an abortion contributes to its insidious stigmatization.
Audiences don’t often expect weighty issues in comedy. Fem2pt0’s Christina Black asserts the difficulty in finding humor in serious topics like abortion and rape. Girls attempted humor on both issues in one episode; one successfully, the other not so much. But comedy — and other genres like sci-fi, horror, and fantasy — not only entertains. It can reflect our values and critique society.

I applaud Girls for raising the issue of abortion so early on, and I adore that Dunham, who wants to talk about feminism and point out misogyny and sexism (hells yeah!), says she’s excited “the feminism conversation could be cool again.” But I can’t help but feel cheated.

Media shapes our perception of social issues, relationships and ourselves. When film and television so rarely even mentions the full scope of reproductive health, I want abortion depicted honestly, without stigmatization or condemnation. Is that really too much to ask?

Bitch Flicks’ Weekly Picks

Amber‘s Picks:

Hillary’s Hair: More Newsworthy Than the Summit of the Americas? by Jenn Pozner for WIMN’s Voices

People on the Internet Can Be Hella Racist by Issa for xo Jane

We Heart: Funny or Die Counsels Rick Santorum on “Aborting” His Campaign by Lauren Barbato for Ms.

Why Everyone Is Losing Their Shit Over the Magic Mike Trailer by Kelsey Wallace for Bitch Magazine

Kristin Marcon & ‘The Most Fun You Can Have Dying’ by Wellywood Woman

Stephanie‘s Picks:

Pakistani Documentary Makers Nominated in Cannes Film Festival by Areeb Hasni for The News Tribe

Daenerys Targaryen and the Most Powerful Women in Television History by Judy Berman for The Atlantic

Joss Whedon Performs at Women’s Rights Event, Decries Sexism, Praises ‘Hunger Games’ by Jordan Zakarin for The Hollywood Reporter

Condescending Dude Review of Hunger Games by Fannie for Fannie’s Room

HBO’s ‘Girls’ Is All About Spoiled White Girls by Renee Martin for Womanist Musings

Girls That Television Will Never Know by Latoya Peterson for Racialicious

Megan‘s Picks:

When ‘Art’ Goes Wrong: Black Women’s Pain Is Not a Prop by Jamilah Lemieux for Ebony

Why We Need to Keep Talking About the White Girls on Girls by Dodai Stewart for Jezebel

Film Women Shining at Tribeca Fest by Associated Press for My San Antonio

Girls Just Want to Change the Needle On a Tired Media Record: Stop Telling Us We’re Fat by Roth Cornet for Hit Fix

The Other Girls and Diversity Goals for Pop Culture by Alyssa Rosenberg for Think Progress

Yes, I’m Buying the Katniss Everdeen Barbie For My Daughter by Hayley Krischer for Ms. Magazine 

Bitch Flicks’ Weekly Picks

Stephanie‘s Picks:

“Ashley Judd, Kate Winslet and Jennifer Lawrence vs. Our Toxic Misogynist Culture” by Sophia Savage for Thompson on Hollywood

“The Hunger Games, Hollywood and Fighting Fuck Toys” by Caroline Heldman for Ms. Magazine

“Talking to Lena Dunham About Being A ‘Girl'” by Kase Wickman for The Awl

“Film Corner” (On The Lucky One) by Melissa McEwan for Shakesville

“The Hunger Games’ Feral Feminism” by Katha Pollitt for The Nation

“The Five Most Pathetic Female Film Characters of All Time” by Lindy West for The Guardian

Amber‘s Picks:

Betty Draper Francis Needs Your … Ice Cream? A Few Notes on the Evil TV Ex-Wife by Sady Doyle for Tiger Beatdown

What to Make of Barbie’s Presidential Run by E. Cain for Gender Focus

“Pull up your skirt to prove you’re a real woman” by Elin Weiss and Hennie Weiss for The F Word

The Hunger Games Movie vs. The Book from Feminist Frequency

Future of Feminism: The Complete Works from Fourth Wave

We need to talk about women filmmakers: or, two cheers for the BFI’s Made in Britain season by Sophie Mayer for The F Word

Megan‘s Picks:

Why You Should Get Excited About Next Big-Screen Heroine — Sabrina The Teenage Witch by Alyssa Rosenberg for Think Progress

Interview with Vamps Director Amy Heckerling by Melissa Silverstein for Women and Hollywood

Tavi Gevinson: “Feminism is not a rulebook but a discussion” by Lori Adelman for Feministing

Lena Dunham Interview, Part One: What Girls Is Made Of by Jamie Poniewozik for Time

Lena Dunham Interview, Part Two: The Personal Factor by Jamie Poniewozik for Time

Are Evil Stepmothers the New Anti-Hero? by Erik Kain for Forbes

Lena Dunham’s HBO Series ‘Girls’ Preview: Why I Can’t Wait to Watch

(L-R): Jemima Kirke, Lena Dunham, Alison Williams in HBO’s ‘Girls’
I cannot tell you how ecstatic I am to see Lena Dunham’s new HBO series Girls. I mean, April 15th…hurry up and get here already damnit! After the first 3 episodes received rave reviews at SXSW, the buzz swirling around the indie darling’s new show has grown even louder. And with good reason.
From the trailer, here are just a few of the clever lines that made me laugh out loud:
“I’ve been dating someone who treats my heart like it’s monkey meat.”

 “I think I may be the voice of my generation. Or at least, a voice of a generation.”

“This is why you have no friends from pre-school.”
“I have a lot of friends from pre-school. I’m just not speaking to them right now.”

“You could not pay me enough to be 24 again.”
“Well, they’re not paying me at all.”

Created by the ridiculously talented Dunham, who wrote, directed and starred in Tiny Furniture, and executive produced by Judd Apatow and Jenni Konner, some have called Girls a “game-changer” and claim it “solidifies Dunham’s place as a bold new voice in American comedy.” Considering there’s so few leading roles for women, so few films or series that showcase female friendships and even fewer women in Hollywood write and direct, it’s refreshing to see Dunham spearhead an HBO series.
Explaining her motivation to create Girls, Dunham said:
“I felt like there wasn’t a pop culture mirror reflecting girl my age experiencing the trials and tribulations of being female at this specific time.”

Dunham plays editorial intern and aspiring writer Hannah, “a post-college Brooklynite with big if uncertain ambitions, a perpetual lack of money and a coterie of friends with personal lives as jumbled and complicated as her own.” While Dunham’s vision – she writes, directs and stars in Girls – this appears to be very much a female ensemble. The other female characters include Marnie (Alison Williams), Hannah’s “seemingly perfect,” “more put-together roommate” working at a PR firm looking to practice environmental law; Jessa (Jemima Kirke), a “headstrong,” “loosey-goosey free spirit” who yearns to be an artist/educator; and Jessa’s “innocent” cousin Shoshanna (Zosia Mamet).
“These characters are a really funny mix of sort of highly educated and very naïve…Every woman I know is such a bundle of contradictions. It was so important to me that there could be a girl who was confident but sex made her incredibly anxious, or a girl who respected herself but was using sex to push boundaries to understand herself better.”

As to why the show is called “Girls” and not “Women,” which I gotta admit is probably the one thing that irked me about the show (I hate the infantilizing term “girls” for grown ass women), Dunham says the female characters wouldn’t self-identify as “women” yet and occupy “that specific in-between space (not a girl, not yet a woman).” Okay, that makes sense.
But haven’t we seen this before? What about Sex and the City or Gossip Girl? Or 30 Rock and Parks and Rec? Or the new slew of female-centric comedies like 2 Broke Girls, The New Girl, Whitney or Up All Night? Well first of all, that’s sexist (and just plain stupid) to assume all shows featuring women are the same. I mean, how many shows feature vampires in love triangles or middle-age-men-who-act-like-boys or DNA-examining crimefighters?? But nope, Girls looks different. And here’s why. In all those shows, women have established their careers and/or relationships or at the very least know the direction they want to go. Most of them also sound painfully forced, lacking any shred of authenticity. Dunham wanted to address that confusing, nebulous time in women’s post-college lives when they don’t have a clue as to who they are or know what the hell they want to do (for some of us, this continues into our 30s…). It’s about trying new things, fucking up, and finding yourself along the way.
Talking about Girls and other shows, Dunham said:
“I really like all the new network “girl” shows. But someone once described the attitude of women on network TV as “Check it out, guys: ladies be talkin’!” And I think we were really careful about anything that rung false…

“The stuff that I’m naturally drawn to writing is stuff I’ve felt but haven’t seen. I’d seen “Gossip Girl,” which was an aspirational high school story. And “Sex and the City,” which I grew up on and completely respect, was about women who had figured out the career, figured out their friendships and were really trying to lock the love thing down. To me there’s this time of life where you don’t even know what you want, and you don’t know how to want it. It’s much more abstract and wandering.”

Exploring female friendship, sex, dating douchey guys, abortion (SO few shows deal with abortion…huzzah!) living in the ridiculously expensive yet awesome NYC – it looks like Girls contains awkward, painful yet ultimately funny moments that “resonate” with many of us. I may not be 24 anymore and I’m not financially privileged. I supported myself after high school, paid my own way through college and don’t live in NYC (yet). But watching the clips – hearing Dunham’s thoughts and the way the female characters interact with one another – feels like A LOT of my life. In the trailer, Hannah says,  “My entire life has been one ridiculous mistake after another.” YES!!! I mean, aren’t we all trying to figure shit out and find ourselves or our path in life??
Dunham clearly looks at the world through a feminist lens (does she call herself a feminist? I hope so…that would be badass) as she wants to focus on female relationships. In addition to Girls and Tiny Furniture, she curated a film series called “Hey Girl! Lena Dunham Selects” (running April 2-8) for the BAMcinématek, the film program of the Brooklyn Academy of Music.
Lena Dunham possesses a fresh, hilarious, intelligent and raw voice. Buoyed by funny dialogue, her must-see film Tiny Furniture makes astute commentaries on gender, body image, sex, dating and female relationships. But I also found myself irritated it didn’t move at a faster pace. I eventually realized I was partly annoyed because Dunham makes you witness uncomfortably awkward moments and doesn’t let the audience off the hook. She forces you to squirm right alongside her compelling characters, feeling their pain. After reading interviews and watching the trailers, it sounds like Girls will continue her theme of candor, humor, poignancy and self-discovery.
We desperately need to hear more feminist voices. I’m delighted Dunham’s getting a bigger stage in which to share her hilarious observations and vision of the lives some women lead.
Girls premieres on April 15 on HBO.