How the ‘X-Men’ Films Failed Iconic Black Female Superhero Storm

To me, this is where the ‘X-Men’ films utterly fail Storm as a character. While her comic form is definitely a sympathetic and understanding person, more importantly, she is a warrior trained in hand-to-hand combat, an orphan, a divorcee, a Black woman in a leadership role on a team of mostly white men, a wife, a mentor, and an activist.

Storm XMen Days of Future Past

This guest post written by Sara Century appears as part of our theme week on Superheroines.


Originally introduced in 1975, Storm is widely celebrated as the first Black female superhero. Although The Butterfly in comic magazine Hell-Rider is technically the first. While the first Black male recurring character in a Marvel or DC comic predates Storm by 12 years, it’s impossible to minimize the importance of even her first appearance, especially as she is the first Black woman “to play either a major or supporting role” in Marvel or DC comics. To dissect how the X-Men film franchise fails the previously established iconic character of Storm, we must first view her other incarnations.

In the comics, Storm (Ororo Munroe) is a mutant who has the power of weather control and the ability to fly on wind currents and control lightning. She has been a recurring character in the X-Men for the last 41 years. Storm is introduced as a girl who was orphaned at age six, thereby thrown into a world where she had to fend for herself. She fell in with a group of children who were also pickpockets, and she lived in Cairo until she set out on her own. Discovering her mutant powers around puberty, she was worshiped as an African goddess by what amounted to being a fairly problematic depiction of rural Africans before being discovered by Xavier. At that time, she joined the X-Men.

stormfirstappearancegazeuponthemajestythatismohawkstorm

At first a serene pacifist, life with the X-Men forced her to encounter multiple ethical quandaries. She grew slowly more comfortable with violence, leading into the famous storyline in which she fights Callisto of the Morlocks, kills her, claims leadership of the Morlocks, completely forgets about them, and ultimately returns leadership to turns-out-not-THAT-dead Callisto. There’s a lot going on in that storyline, but it did give us punk Storm. Disavowed by the costume’s designer Paul Smith as “a bad joke that went too far,” he obviously has no grasp of how that look more than anything else ignited an undying love for Storm in artistic, queer, and feminist subcultures that lasts to this very day. She led the team even after she temporarily lost her powers, up until she took a brief hiatus to hook up with a character named Forge in one of the better early Storm stories, “Lifedeath” and “Lifedeath II.”

The 1990s saw Storm’s development meander under the traditionally listless direction of writers like Scott Lobdell, culminating in a marriage between her and Black Panther that was severely out-of-character for them both. The move was another example of the common mistake comic book companies make, where they think that marrying one of their most powerful female characters to an established male character and making her more or less his sidekick/wife will make women want to read comics. Sidenote: it pretty much unfailingly doesn’t. Black Panther annulled their marriage behind her back, Marvel lost it’s only Black couple, and Storm rejoined the X-Men.

Importantly, and seldom mentioned, Storm is one of the X-Men who shows the greatest ability to change her methods of operation over time; Storm’s versatility sets her apart. In comparison with other female comic book characters, whose moments of growth often come off as stilted and out of character, Storm developed into a completely different person via a logical chain of events. Writers used her fear of enclosed spaces for years as her “kryptonite,” but in recent years, we see that Storm is no longer afraid to be trapped, having undergone about a decade of therapy to deal with the problem. She mentored the X-Men character besides herself that is most known for her queer subtext, aka Kitty Pryde. When Kitty reacted negatively to her punk look, Storm struggled until she found a way to reconnect with her. Storm went to the desert to find herself again after she lost her powers, fell in love with Forge, and then went to Japan and had a fling with a woman named Yukio when things didn’t work out. She lost her powers, and yet remained the leader of the X-Men. She was queer-coded for decades, and finally Marvel writers admitted to her bisexuality in the last couple of years. She is consistently one of the few characters in the X-Men universe that examines herself with any kind of objectivity.

Storm in XMen 90s animated series

Storm XMen Evolution

Because the character has existed in multiple different mediums under the dictates of dozens if not hundreds of different creators in her time, there have been multiple takes on her. The version of Storm in the animated television series X-Men that ran from 1992 to 1997 shared few similarities with Storm in the comics. Rather than the street tough child that became a goddess and then an X-Man like in the comic, in the animated series, while a similar background remained, writers played up Storm’s trauma more than the skills she learned as a thief on the streets of Cairo. I believe it was this early on that the image of Storm in public consciousness began to go awry. Don’t misunderstand, I love animated TV series Storm. Her theatrical nature is absolutely true to the comics, and it’s one of her most important traits; every sentence she speaks is a declaration of her awe-inspiring power. Even though I tend to sort of chuckle at the melodrama in her grandiose, booming voice, it is consistent with everything I love about the character. However, in the animated series, Storm’s only settings are 1 or 11, there is no mid-point. Even the seemingly casual sentence, “I’ll meet you at the monorail,” becomes “I SHALL MEET YOU – AT THE MONORAAAAIL!” She’s great, but she lacks in human characteristics, and appears as larger than life in even the most relaxed contexts. She’s either yelling or she’s asleep, there is no third option.

In the 2000s animated television series, X-Men: Evolution, Storm is portrayed as a teacher, older than most of the other X-Men, with the exceptions of Professor Xavier, Beast, and Wolverine. In the show, she is the aunt of Spyke, and the recruiter of new X-Men, which puts her in a supporting role. This is a Storm based more closely to her original version, and not the current comic book form. She was not the Storm that stabbed Callisto, led the Morlocks, or married Black Panther, but, rather, simply a teacher at the Xavier Institute, and thereby just so happens to occasionally be involved in skirmishes with supervillains. Storm is authoritarian and even disciplinarian, but, consistent with the comics, she is also the voice of reason.

Halle Berry Storm

Famously, the X-Men films have been the worst to the character, treating her as a B-lister. Played by Halle Berry in X-Men, X-Men 2 (X2), X-Men: The Last Stand, and X-Men: Days of Future Past, thus far her film version’s most memorable moment is regrettably the universally cringe-inducing line, “Do you know what happens when a toad gets struck by lightning? … The same thing that happens to everything else.” The context for the line is worse, as it occurs immediately after getting beaten up by the notoriously useless villain Toad, and before getting stabbed by Wolverine as shapeshifter Mystique has taken her form. Halle Berry’s time as the focal point in all the fight scenes of the X-Men franchise combined clocks in at around two minutes of screen time, most of which is spent slowly levitating while her eyes change color. Her role in X-Men 2 is essentially to empathetically listen to Nightcrawler talk about his problems.

To me, this is where the X-Men films utterly fail Storm as a character. While her comic form is definitely a sympathetic and understanding person, more importantly, she is a warrior trained in hand-to-hand combat, an orphan, a divorcee, a Black woman in a leadership role on a team of mostly white men, a wife, a mentor, and an activist. I don’t believe that the movies have to follow the comic to the letter, but I don’t feel like I’m going that far out on a limb to say that any attempts to add even just one of these facets to Storm’s movie persona would be deeply appreciated by X-Men fans. That is to say, I hope that X-Men: Apocalypse will give Storm a better turn, but likewise I feel my skepticism  is warranted, given the previous history of the franchise neglecting the awesomeness of all of its female characters, Storm most notably of all.


References:

Born to the Queen: Why Can’t the X-Men Movies Capture the Majesty of Storm

Storm and the X-Men as Racial Projects


Sara Century is a multimedia performance artist, and you can follow her work at saracentury.wordpress.com.

Top 10 Superheroes Who Are Better As Superheroines

There are soooo many superheroes out there. These gents get top billing in comics, movies, and TV shows while their superheroine counterparts tend to get the shaft, existing in unwarranted obscurity or playing second fiddle to a male lead. Do these super-dudes deserve all this limelight? Is there something inherently male about them that makes them special, or would some of these superheroes be just as good, if not better off, as women?

Women versions of Avengers superheroes and villains
What if women had starred in The Avengers?

Written by Amanda Rodriguez.

There are soooo many superheroes out there. These gents get top billing in comics, movies, and TV shows while their superheroine counterparts tend to get the shaft, existing in unwarranted obscurity or playing second fiddle to a male lead. Do these super-dudes deserve all this limelight? Is there something inherently male about them that makes them special, or would some of these superheroes be just as good, if not better off, as women? Many superheroes have been re-imagined as superheroines (Batwoman, Supergirl, Spidergirl, etc.), and some of them should be re-cast as superheroines. Here’s my Top 10 list of super-dudes who are or should be super-ladies.

1. Thor from The Avengers

Behold: the new Thor
Behold: the new Thor

 

Re-casting Thor as a woman is a done deal. Marvel has taken one of its oldest and most popular heroes who’s appeared in a slew of films and announced that henceforth Thor will be a female god. She won’t exist alongside the original Thor, as so many female re-imaginings of superheroes do (even some on this list), but, instead she will supplant her unworthy predecessor, taking his place as God of Thunder in Asgard, wielding his magic hammer and his titan strength.

Thor comic panel
Thor as a woman in comic form

 

Despite my love of the Norse mythology from which the comic hero is derived, I’ve never much cared for Thor. He often struck me as a dumb, self-important brute of a man. Now, though, I’m curious to see how Marvel handles the transition (though I’d love if Thor was trans*, pun not intended), and I’m excited to see how a female all-powerful god handles herself.

2. Venus from Teenage Mutant Ninja Turtles

Venus: the "aquamarine" turtle
Venus: the “aquamarine” turtle

 

Venus de Milo is a somewhat obscure addition to the TMNT canon of humanoid, intelligent mutated turtles. Unlike the male turtles, she’s named after a work of art rather than an artist, and I’m definitely reading some lack of female subjectivity into that choice. In the short-lived live action series Ninja Turtles: The Next Mutation, Venus reunites with her brothers, and while she doesn’t know martial arts like her brothers, she uses magic instead.

A live action Venus TMNT
A live action Venus TMNT

 

While it’s pretty cool that this brief and obscure series added a female turtle, it begs the question, “Why wasn’t one of the four original turtles a girl?” While apparently comic writers were mandated to not include a female turtle, for this reviewer who was once so into the Turtles that she drew their portraits and hung them over her bed, there’s really no satisfying answer. Now that the Teenage Mutant Ninja Turtles have made another comeback and are back on the big screen, it’s time to bring back Venus…only please make sure she can kick some ass with a weapon, too, and not just float around some weird balls David-Bowie Labyrinth-style.

3. Spawn

Um...yes to a badass Lady Spawn
Um…yes to a badass Lady Spawn

 

Todd McFarlane’s popular comic Spawn features Al Simmons, a military man of questionable morals, who dies and is brought back as a supremely powerful demonic figure to collect souls for hell. Like all good anti-heroes, Spawn refuses to play nice for heaven or hell. The comic is lush, dark, and gritty, featuring a Black hero. Spawn was turned into a moderately successful cartoon series and a craptastic film series.

Fan art depicting a female Spawn
Fan art depicting a female Spawn

 

Though the comics have briefly featured women having or taking over Spawn’s powers and the dreaded angel Angela has had her own miniseries, a female Spawn has never been given a real chance as a lead. We also need more superheroines of color, and since the original Spawn is a Black man, there’s no reason why a female version couldn’t also be Black. Frankly, I’d love to see a strong, dark, morally complex woman deal with being a putrefying corpse reanimated to perform an eternal mission in which she doesn’t believe. Now that’s a rich role that a woman could really dig into.

4. The Question from 52

Renee Montoya is The Question
Renee Montoya is The Question

 

The original DC comic book version of The Question is the male Vic Sage. Though The Question doesn’t have any super powers to speak of, he wears a faceless mask that obscures his features. In the series 52, a terminally ill Vic trains Renee Montoya, a lesbian ex-Gotham City cop and on-and-off love interest of Batwoman, to be his replacement. Thus, The Question was born anew.

The Question sometimes fights alongside her ex-lover Batwoman
The Question fights alongside her ex-lover Batwoman

 

I love Renee Montoya because she’s an exceedingly rare Latina superheroine, she’s also an exceedingly rare lesbian superheroine, she doesn’t have any superpowers or a trust fund but still manages to fight the good fight, and she questions everything. She’s an interesting, emotionally messed up character who figures out answers for herself, lives by her own moral compass, and every once in a while, gets to save the girl (even if that girl is a totally hardcore Batwoman). Dear Montoya, you are so much win.

5. She-Hulk

She-Hulk alongside the Hulk
She-Hulk alongside the Hulk

 

Jennifer Walters is the cousin of rogue scientist Bruce Banner a.k.a the Hulk. After a blood transfusion from him, She-Hulk is born. A star lawyer who defends the rights of the disenfranchised and an Avenger, She-Hulk also maintains much of her personality when she transforms into her green-skinned form. Often considered the strongest woman in the Marvel universe, She-Hulk is incredibly intelligent and skilled at combat. Despite (or perhaps because of) her extremely tall, muscled, green body, She-Hulk is a huge sex symbol in the comics industry.

She-Hulk vs Red She-Hulk
She-Hulk vs Red She-Hulk

 

Like her male counterpart the Hulk, She-Hulk also contends with an antihero version of her powers in the form of Red She-Hulk (Banner love interest Betty Ross who’s had a couple of cameos over the years). Both of these women are differing, but intriguing representations and applications of female power and psychology, often becoming more confident and/or aggressive in their Hulk-ified bodies, choosing when to transform, and internalizing positive or negative feelings of self-worth based on their bodies. Now if we can just get one or both of these badass babes a movie…

6. Captain Marvel

Captain Marvel a.k.a Carol Danvers
Captain Marvel a.k.a Carol Danvers

 

Though Carol Danvers has been known by many different names over her 46 years in comics (Ms. Marvel, Binary, and Warbird), I like her best as Captain Marvel. Though Danvers derives her latest title directly from the male Captain Marvel, the name itself has a long history with both men and women indiscriminately donning it over time. I also prefer the current Captain Marvel because she’s now penned by female comic writer Kelly Sue DeConnick, and her costume has been altered to be far less revealing and far more practical than Danvers ever enjoyed before.

Captain Marvel
Captain Marvel don’t take no shit

 

Danvers has the powers of the Captain Marvel hero (and, at times, antihero) line with superhuman strength, endurance, speed, and flight. Over the years, she’s also developed abilities of her own, including light speed travel, shooting energy beams from her hands, and absorption of energy to boost her own powers. Along with that, she also has combat, flight, as well as tactical and strategic skills from her air force days. As an Avenger and a member of Guardians of the Galaxy, it’s a possibility that she’ll appear in one or both of those franchises. Lately, rumors also speculate that Katee Sackhoff will aptly play the title role in a Captain Marvel an upcoming film. Considering studios’ extreme and groundless resistance to making a woman-fronted superhero flick, it’s doubtful, but a girl can dream.

7. Darth Talon

Darth Talon: so...much...badassery
Darth Talon: so…much…badassery

 

My first encounter with Darth Talon of the Star Wars universe was at Dragon-con in Atlanta (yes, I’m that nerdy) where a very dedicated woman cosplayed the hell out of that dark side Twi’lek, and I lost my shit at Talon’s sheer awesomeness. With her red skin, Sith tattoos, yellow eyes, and dedication to the dark side, Darth Talon is basically a female version of Darth Maul, the primary antagonist in Star Wars: Episode I – The Phantom Menace.

Darth Talon fan art
Darth Talon fan art

 

Though Darth Talon is the villainess female equivalent of a villain (and not a superheroine at all really), she deserves a spot on this list because she has the potential to be an iconic female version of a male figure. With her strength, cunning, and loyalty to the dark side, I’ve got my fingers crossed that she’s one of the characters we’ll be seeing in the upcoming Star Wars: Episode VII.

8. Black Panther

Brother & sister Black Panthers
Brother & sister Black Panthers

 

The male Black Panther (T’Challa) was the first ever Black superhero to hit mainstream comics. The lover and sometime husband of X-Men‘s Storm, Black Panther is the chief of a powerful nation in Africa known as Wakanda. To protect his people and lands from inevitable exploitation for their valuable natural resources, Black Panther hides his country from the outside world. He is a much needed Black African hero who, in a sense, rewrites the colonial history of the African continent by guarding his country from very real greed and imperialistic forces. When T’Challa nearly dies and loses his powers, his sister Shuri takes on the Black Panther mantle.

Shuri as the Black Panther
Shuri as the Black Panther

 

Like her brother, Shuri leads her country and possesses superhuman strength and agility along with a protective suit constructed from Wakanda’s precious, coveted mineral vibranium. Being the Black Panter, imbued with such great power and responsibility, changes Shuri. She learns the value of humility and self-sacrifice while becoming a respected diplomat and a fierce leader who makes it abundantly clear that her country is not to be fucked with. We need more representation for badass Black superheroines like Black Panther who can help us re-imagine and therefore empower a continent that has been brutally and tirelessly exploited for hundreds of years.

9. Hellgirl

Hellgirl action figure
A fan rendering of a Hellgirl action figure

 

There is no Hellgirl female version of Hellboy, the crusty but loveable demon beautifully rendered by creator Mike Mignola. There’s nothing inherently gendered about Hellboy’s red tail, sawed off horns, giant stone fist, and propensity for cigars. There’s nothing inherently male about his dark origins and his desire to overcome them to do good in the world.

A cigar smoking Hellgirl
A cigar smoking Hellgirl

 

In fact, I’d argue that a physically and emotionally rough-around-the-edges superheroine is just what we need. Enough of these drawings of women with stereotypically unrealistic bodies and their giant, barely covered breasts. Give us a superheroine who has to shave her horns instead of her legs, a woman who, like Hellboy, hides a gentle heart behind a jagged exterior, who struggles with depression and low self-worth but still manages to save the world.

10. Link from The Legend of Zelda

Zelda as Sheik Photo Realistic
Princess Zelda disguised as Sheik

 

Lastly and dearest to my heart, we’ve got the hero of Hyrule, Link, who is already pretty androgynous with his gender neutral name, dress-like tunic, long blonde hair, lithe build, and elven ears. He could easily be re-cast as a female character, if not removed completely, giving Zelda the agency to save Hyrule. Don’t get me wrong, I love me some Link, but is there a reason Zelda even needs him to save the day in a video game that’s named after her?

Zelda, her alter ego Sheik, and her hero Link
Zelda, her alter ego Sheik, and her hero Link

 

Zelda, herself, is wise, magical, and skilled in combat. She even cross-dresses as Sheik, a figure who guides Link to important knowledge he needs to complete his quest. Why can’t Zelda be the Heroine of Time, supplanting Link as her savior? And while we’re at it, why the hell haven’t we had a movie version of The Legend of Zelda yet? Other than that they’d probably butcher it, I can’t think of a single good reason.

Men dressed up as female superheroes in Big Bang Theory
Men dressed up as female superheroes in Big Bang Theory

 

Though some argue the valid perspective that turning existing male superheroes into superheroines is lazy or doesn’t give female heroes their own identities, I mostly think that turning popular iconic male figures into women shows that gender isn’t that important when it comes to being powerful, capable, and a force for good in the world. In a time when female representation is often limited to sexual objectification, re-presenting male heroes as heroines in particular shows young girls that gender roles are arbitrary and that women can accomplish the same goals and be just as amazing as men. We need that right now.

Read also:

Top 10 Superheroines Who Deserve Their Own Movies
Top 10 Superheroine Movies that Need a Reboot
Top 10 Villainesses Who Deserve Their Own Movies


Bitch Flicks writer and editor Amanda Rodriguez is an environmental activist living in Asheville, North Carolina. She holds a BA from Antioch College in Yellow Springs, Ohio and an MFA in fiction writing from Queens University in Charlotte, NC. Her short story “The Woman Who Fell in Love with a Mermaid” was published in Germ Magazine. She writes all about food and drinking games on her blog Booze and Baking. Fun fact: while living in Kyoto, Japan, her house was attacked by monkeys.