This guest post by Belle Artiquez appears as part of our theme week on Sex Positivity.
Satirical cartoons have been on the rise for about a decade now with a growing, dedicated fan base and I’m not surprised–anything can happen in animated worlds, the bonds between reality, plausibility and total fiction are non-existent. We’ve all seen it as children watching cartoons like Mickey Mouse or Tom and Jerry; these characters can be hit by a literal ton of bricks over the head and still survive without a scratch (maybe a bump though). Anything goes in the animated world. What we know and what we are willing to believe are things that simply don’t matter in these worlds.
Although animated satire and comedy live outside these rules of logic, they are still somehow typically governed by the laws of patriarchal sexuality (see: Family Guy). In essence, anything can happen, unless it’s connected to female sexuality, then and only then will the animation be controlled by what we actually already know and deal with in reality, which is that female sexuality is not accepted in the same regard as male sexuality.
However, there are animated shows that do present female sex positivity and appear to subvert the current patriarchal control of female sexuality in media. Archer and Bob’s Burgers are both refreshing examples of portrayals of positive female sexuality.
Archer may seem equally (if not more) as aggressively offensive as a show like Family Guy; every character has his/her flaws and disgraceful behaviour, but Archer doesn’t have the same approach or effect at all. Sterling Archer, the main protagonist and suave but cheesy 007 archetypal agent, is exactly what we expect of a spy with buckets of money and a handsome face; he treats everybody like crap and goes through women like he would bourbon–swiftly and with very little thought to his actions. He doesn’t respect women, but at the same time he doesn’t really respect anybody because he assumes he’s better than everyone around him. So while this one character portrays a kind of sex negativity when it comes to women (and men), he’s presented as a total jack-ass, so what he does and how he treats people is meant to enhance that. He also had an extremely oppressive and traumatizing upbringing, due to the fact that Malory was a spy herself and left him with Woodhouse, a butler, for the majority of his childhood before shipping him off to private school and forgetting to pick him up on Christmas (Eve!). So Malory fits the Bad Mother archetype too–we see that on numerous occasions–but this is not in any way connected to her sexual behaviour.
Basically just another Monday afternoon in the Archer residence; he rarely doesn’t have women on his mind
Malory Archer, the controlling, alcoholic and completely insincere boss, cares very little about anything other than money has had many flings with men in separate spy agencies and even has a long standing sexual relationship with the leader of the KGB; however, none of this she considers anybodies’ business but her own, and what a good message to send. She sees no problem with any of her relationships because they are personal, and her sexuality is displayed in a way that it is natural; she may a mother and a grandmother, but why should that stop her from enjoying a sex life the same as everyone else? Her body is seen in a positive light. Even with her wrinkles, she is accepted.
Malory’s still got it, and the show is confident in its portrayal of an older woman’s sexuality
Then we have Pam Poovey, an overweight but confident, bisexual, and often outrageous woman. She says “sploosh” whenever anybody says anything slightly sexual, and is never afraid to ask for what she wants, she is open to anything and although she is overweight, this is never portrayed as a negative quality. Her naked body can be seen in many episodes, and both she and the creators are unafraid to show this in a way that is not done for pure laughs. She is accepting of her body and so are her lovers. If anything, people seem to have more of a problem with her vulgarity than her weight, as she is extremely sexually assertive and pretty outrageous.
Carol or Cheryl, depending on whose company she is in, is equally as assertive but certainly has the most outlandish sexual fantasies. She has a thing for strangulation, and loves rough sex, but again while her coworkers are horrified by her words (as would anybody upon hearing a sexual fantasy that involves a fireman choking you to death and drooling on your popped out eyeball!), they do not shame her for these fantasies; they do not make fun of her, or tell her she’s a disgusting human being for being the way she is, they accept it. Shaming the women simply does not happen. Nobody tells them to get some self-respect; instead, all of their sexual activity is presented as normal, even though each and every character has flaws and is in her own way quite selfish. The female characters are all very sexually expressive and different in their sexuality, fantasies, and preferences. Female sexuality is thus presented in numerous positive ways throughout the show.
Pam is never embarrassed by her body, and neither are her lovers
Another show that is equally as progressive is Bob’s Burgers. Similar to Archer, it does not shame, and it respects its characters for their flaws and weirdness. Set around a family struggling to live off a burger restaurant that isn’t doing so well, each and every one of them has their own bizarreness to them, but are equally loveable at the same time. Bob is the patriarch who will do anything for his family, is the typical Dad funny and is constantly feuding with the neighbouring restaurant. Linda, the matriarch, is obsessed with musicals (possibly missing her calling in life) and will occasionally (who are we kidding, it happens all the time) burst into song. Then we have the kids; Gene, who loves his fart music and appears to have gotten this passion from his mother; Louise, who always dominates her older siblings with cunning plans and devious behaviour; and Tina, who is the voice of reason but, let’s be honest, simply loves butts. Each character has his or her own quirks personalities without being a joke.They are loved by each other which adds to the acceptance of their choices. Tina and Linda both display female sex positive vibes, but the show is overall accepting of its characters sexuality, be it straight, gay, pan, or whatever they present, which is pretty damn cool.
Linda loves her daughter’s quirks
Back to female sexuality though: Linda is a fantastic mother, one who wants her children to feel loved, to love their bodies, and to be honest about who they are. We see her have mother daughter bonding time where they simulate birth using Vagasacks, and she never shies away from questions like, “Where do babies come from?” opting for the acutely honest “From my vagina.” She also wholly respects Tina’s erotic friend fiction, and encourages her to be honest and unashamed about it. Linda is possibly the best TV mother ever.
Then there is Tina herself. Whether people find her attractive or not is insignificant, as she is only a young girl, and although she is plagued by puberty-driven sexual fantasies, she is never sexualized in any way. Tina is simultaneously uncertain of herself, becoming nervous and groaning when addressed by anybody, and confident, proud of her sexuality and femininity and unafraid to vocalise it to her family: “I’m no hero, I put my bra on one boob at a time like everyone else.” She is the hero of the show, let’s just admit that now. While most media will portray female adolescence as wholly centred around damsel in distress situations, or dreaming of wedding days and the like, Tina’s fantasies are anything but. She dreams of zombie boyfriends, not just one or two, but an entire team of them, where she gets them to touch each others butts and make out. And this zombie fetish is not a throwaway joke; it’s not a one-off that’s soon forgotten about, it’s a recurring theme. She fantasizes about being in The Walking Dead and seducing the zombies with her feminine charm and hair flick. She knows what she wants, and she is always in charge; she’s never the damsel (“I’m sick of acting like a dumb helpless girl just so a hot boy who dances his feelings will notice me”), never the frail girl, she’s the proud confident (sensual) woman. These fantasies appear to give her confidence in reality even if she’s awkward at it; she openly likes/dreams/thinks of boys’ butts which subverts gender expectations; she flirts with boys, mostly Jimmy Jr., who she is very, very interested in. She is becoming a woman in control of her own sexuality as she aptly tells Bob, “If you believe you’re beautiful, you will be. I did.” I adore this line. Tina Belcher does not wait for a boy to tell her she’s beautiful because she does not need that validation. She knows she’s beautiful and that’s all that matters.
Tina’s a girl who knows what she wants, and isn’t afraid to say it
I could go on and on about how Tina not only subverts typical representations of adolescent female desires, but also how she owns it, and how her family support her in every way, but truth is, I want you to watch it for yourself, because it’s glorious, it’s passionate, and most of all, it’s damn funny. Tina Belcher is without a doubt the feminist hero of animated comedies directed toward adult audiences.
While there are pretty horrific representations of female sexuality in animated comedies, there are also really progressive, pro-female ones too. Sex positivity for women is pretty hard to find in most film and TV, but when I do find it, it makes me really happy. Like, can’t control the giant smile on my face happy, because we are all too aware of male sex positivity, but female positivity in general is either shrouded in public displays of misogyny (in an acknowledging it but laughing at it too kind of way), made out to be a joke, or quite simply non-existent. Both Archer and Bob’s Burgers refuse to adhere to these norms, and portray actual female sex positivity in dozens of ways. It’s really refreshing–like getting a nice cold glass of homemade lemonade on a hot summer’s day when you were expecting a cheap coffee kind of refreshing.
These progressive sex positive shows really are charming the pants off us…pun not intended–just a happy coincidence
Belle Artiquez graduated from film and Literature studies in Dublin and since has continued her analysis and critique of film, TV, and literature (mainly in the area of gender politics and representations) as well as cultural and societal critiques on such blog spots as Hubpages and WordPress.
