The radical notion that women like good movies
Cast of The Bling Ring This is a guest review by Marcia Herring. In discussions of Sofia Coppola, nepotism is a long-covered topic. Regardless of early exposure in her acting career, I have no doubt that Coppola has ultimately benefited from the privilege of being surrounded by famous company. Without Francis Ford or Roman or … Continue reading “‘The Bling Ring’: American Emptiness”
Father of the Bride Values Relationships With Women by Mab Ryan Father of the Bride (1991) is aptly named, as its focus is not on the wedding itself or the couple involved but on the titular character’s neuroses and journey to maturity. The wedding is the backdrop and the incident that provokes growth in the … Continue reading “Wedding Week: The Roundup”
Let’s Keep Goin’: On Horror, Magic, Female Friendship & Power in Thelma & Louise by Marisa Crawford If men didn’t rape, Louise wouldn’t have shot the rapist. If the system didn’t blame rape victims, they wouldn’t have gone on the run. If men didn’t rape, they could have driven through Texas. If the system didn’t … Continue reading “Travel Films Week: The Roundup”
This is a guest review by Marcia Herring. Movie poster for Spring Breakers In a lifetime, how many chances are we granted to truly reinvent ourselves? Growing up, I would often daydream about taking a trip: leaving my conservative duds, Midwestern accent, and semi-closeted life behind me. I would wake up and magically be able … Continue reading “Travel Films Week: ‘Spring Breakers’ Forever”
Gender, Family and Globalization in ‘Eat Drink Man Woman’ by Emily Contois Foreign Film Week: Red, Blue, and Giallo: Dario Argento’s ‘Suspiria’ by Max Thornton Sexism in Three of Bollywood’s Most Popular Films by Katherine Filaseta BFI London Lesbian and Gay Film Festival Realistic Depictions of Women and Female Friendship in ‘Muriel’s Wedding’ by … Continue reading “Foreign Film Week Roundup”
“The Yellow Wallpaper” by Charlotte Perkins Gilman This is a guest post by Marcia Herring. “The Yellow Wallpaper” – the short story by Charlotte Perkins Gilman – is almost universally recognized as a work of feminist horror. The nameless narrator, put on bed rest by her doctor husband, and perhaps suffering from post-partum depression, seeks … Continue reading “Classic Literature Film Adaptations Week: "John Would Think It Absurd": How ‘The Yellow Wallpaper’ Fails in Translation to the Screen”
The Final Girl Gone Wild: Post-Feminist Whiteness in ‘Scream 4’ by Jeremy Cornelius Wes Craven’s 1990s Scream trilogy completely rewrote the slasher genre in a postmodern meta-film. In March 2011, Scream 4 was released, ten years after Scream 3 was originally released, starring the original trio: Neve Campbell, David Arquette, and Courtney Cox-Arquette along with … Continue reading “Horror Week 2012: The Roundup”
This review by Marcia Herring previously appeared at Another Coast and is cross-posted with permission. The new face of horror … is privileged white dudebros. I just watched and reviewed the found-footage horror genre film V/H/S after reading some promising reviews. Despite the early read in the opposite direction, V/H/S is not anything close … Continue reading “Horror Week 2012: ‘V/H/S’: The New Face of Horror”
Here is a roundup of all the pieces we published during our LGBTQI Theme Week! Thanks so much to all the guest writers for making this such a successful and important week. (Please note that some of these excerpts contain spoilers.) The Birdcage: Where You Can Come as You Are by Candice Frederick That’s the … Continue reading “LGBTQI Week: The Roundup”
Movie poster for Imagine Me & You (2005), directed by Ol Parker This is a guest review by Marcia Herring. I was still a baby queer in 2005 when Imagine Me & You hit theaters in limited release. I’m sure I had recently watched Lost and Delirious, as baby queers do, and was traumatized by … Continue reading “LGBTQI Week: Everything You Need to Know About Space: 10 Reasons to Watch (and Love!) ‘Imagine Me & You’”
