2013 Athena Film Festival Lineup: Films on Women & Leadership

Here at Bitch Flicks, we’re super excited by the 3rd annual Athena Film Festival! We’ve attended each year, watching fearless and inspirational women on-screen and listening to brave and bold filmmakers. The festival features narrative films, documentaries, short films along with panels and workshops for filmmakers — all focusing on women’s leadership. Co-founded by Melissa … Continue reading “2013 Athena Film Festival Lineup: Films on Women & Leadership”

Bitch Flicks’ Weekly Picks

Amber‘s Picks: Hollywood’s Year of Heroine Worship by A.O. Scott via The New York Times Oscars and casting: Hollywood insiders discuss diversity by Solvej Schou via Entertainment Weekly30 Lessons We Learned From Amy Poehler in 2012 by Krutika Mallikarjuna via Buzzfeed Megan‘s Picks: 7 Ways Women and Girls are Sexualized, Stereotyped and Underrepresented On Screen by Dana Liebelson … Continue reading “Bitch Flicks’ Weekly Picks”

Bitch Flicks’ Weekly Picks

Megan‘s Picks: First Time Lionsgate Has Two Films Make Over $125 Million In The Same Year They Do It With Female Leads by Jill Pantozzi via The Mary Sue Amber Riley Breaks Down in Tears as She Opens Up About Body Image by Jorge Rivas via Colorlines Breaking Dawn Part 2: And They Lived Happily … Continue reading “Bitch Flicks’ Weekly Picks”

Horror Week 2012: The Roundup

The Final Girl Gone Wild: Post-Feminist Whiteness in ‘Scream 4’ by Jeremy Cornelius Wes Craven’s 1990s Scream trilogy completely rewrote the slasher genre in a postmodern meta-film. In March 2011, Scream 4 was released, ten years after Scream 3 was originally released, starring the original trio: Neve Campbell, David Arquette, and Courtney Cox-Arquette along with … Continue reading “Horror Week 2012: The Roundup”

Horror Week 2012: A Brief Feministory of Zombie Cinema

I spent my teen years hopelessly addicted to zombie movies. No matter how poorly made, no matter how artistically worthless, no matter how nasty and exploitative, if the movie had zombies in it, I would watch. The first thing I bought with the first paycheck from my first job at seventeen was Jamie Russell’s Book … Continue reading “Horror Week 2012: A Brief Feministory of Zombie Cinema”

Bitch Flicks’ Weekly Picks

Amber‘s Picks: The Problem with the Emmy Awards in 5 Pictures by Matt Stopera via BuzzFeed Migrant workers, women, and China’s modernization on screen by Jenny Kwok Wah Lau via JumpCut New double review: Bumming in Beijing and Oxhide II by Ania Ostrowka via The F Word The Mindy Project: unoriginal, yet unprecedented by Heather … Continue reading “Bitch Flicks’ Weekly Picks”

‘True Blood’ Asserts a Pro-Choice Reproductive Rights Message

Tara Thornton (Rutina Wesley) and Pam De Beaufort (Kristin Bauer van Straten) in True Blood Warning: If you haven’t seen True Blood, Season 5, Episodes 10 and 11, spoilers ahead!!   I’m pretty much hooked on True Blood. A sexy TV show with a female protagonist, female friendship, diverse and complex female characters, dreamy brooding … Continue reading “‘True Blood’ Asserts a Pro-Choice Reproductive Rights Message”

Reproduction & Abortion Week: The Roundup

We had a great response to our Reproduction and Abortion series here at Bitch Flicks, and want to thank everyone who wrote a piece for us. Here they all are. The Dancer’s Dilemma by Myrna Waldron Dirty Dancing I was less than a year old when Dirty Dancing came out. It is known for the … Continue reading “Reproduction & Abortion Week: The Roundup”

Quote of the Day: Monica Nolan

bitchfest. Edited by Lisa Jervis & Andi Zeisler Motherhood is a theme we’ve visited before (Black Swan comes immediately to mind, as does the mother character in Rachel Getting Married), and anxieties about it abound in film and television. Mothers can’t seem to escape the same virgin/whore dichotomy structure that plagues all depictions of women … Continue reading “Quote of the Day: Monica Nolan”

Beware the Sexist Celluloid Quilt that Is ‘Nocturnal Animals’

…I’m left with the feeling that Tom Ford’s second feature film is a love letter to sexist movies instead. … Like a lot of sexist stories, ‘Nocturnal Animals’ is vague about its attitude toward women, because it doesn’t truly regard women as anything but objects – things that derive meaning only through their relationship to the real subjects, men.

‘Dragonslayer’: A Disappointing Attempt to Update the Princess and the Dragon

‘Dragonslayer’ attempts to modernize the tale by diminishing the hero and splitting the princess into two women who are both brave at first glance, but it ultimately reinforces traditional roles. … Valerian’s fall from village leader (in disguise as a man) to hero helper, and finally damsel in distress that can only be rescued by the losing of her virginity (itself a patriarchal construct, often “used to control women’s sexuality”), is a particularly depressing character arc.

‘Carnival of Souls’ and the Mysteries of the Insubordinate Woman

What is so terribly “weird and unnatural” … about Mary? While writer/director Herk Harvey and writer John Clifford may not have intended to make Mary a subversive woman, she certainly was in a few ways. … Keep in mind, her actions and her situation are supposed to be terrifying. Only because she was presumed to be dead could she act in ways “unfit” for a woman. Uncoupled, hardhearted, curt, and curious.