The radical notion that women like good movies
It’s over a year late . . . but here it is! Avatar reviewed by Elizabeth Tiller “As much as I would like to sit through a movie like this and enjoy it for what it is (ground-breaking sci-fi entertainment that will go down in history), I simply can’t. James Cameron’s attempt to create a … Continue reading “Best Picture Nominee Review Series: 2010 Roundup”
This past Monday, Total Film published its list of the 100 Greatest Female Characters. As everyone knows, these Best Ever lists tend to have the pretty obvious problem of not being able to include everyone and, therefore, not being able to please everyone. But we here at Bitch Flicks found this particular list more problematic … Continue reading “Seriously? These Are the 100 Greatest Female Characters?”
One of the things I’ve always loved and admired about the award acceptance speeches by women is how often they mention other women. Kate Winslet, accepting her Oscar for The Reader, joked, “I don’t think any of us can believe we’re in a category with Meryl Streep.” And Sandra Bullock, accepting her Oscar for The … Continue reading “Oscar Acceptance Speeches: Honoring Other Women”
Leading up to the 2011 Oscars, we’ll showcase the past twenty years of Oscar Acceptance Speeches by Best Actress winners and Best Supporting Actress winners. (Note: In most cases, you’ll have to click through to YouTube in order to watch the speeches, as embedding has been disabled at the request of copyright owners.) Best Actress … Continue reading “Oscar Acceptance Speeches, 2001”
Leading up to the 2011 Oscars, we’ll showcase the past twenty years of Oscar Acceptance Speeches by Best Actress winners and Best Supporting Actress winners. (Note: In most cases, you’ll have to click through to YouTube in order to watch the speeches, as embedding has been disabled at the request of copyright owners.) Best Actress … Continue reading “Oscar Acceptance Speeches, 1990”
Leading up to the 2011 Oscars, we’ll showcase the past twenty years of Oscar Acceptance Speeches by Best Actress winners and Best Supporting Actress winners. (Note: In most cases, you’ll have to click through to YouTube in order to watch the speeches, as embedding has been disabled at the request of copyright owners.) Best Actress … Continue reading “Oscar Acceptance Speeches, 1991”
Perhaps it was the unending coverage of Eliot Spitzer’s hooker shenanigans two years ago that reminded me of Lizzie Borden’s 1986 film Working Girls. I must have seen this for the first time in the late 1980s, when I was working in a video store and could rent any title for free. I avoided this … Continue reading “Guest Post: The Connection Between Sex and Money: Lizzie Borden’s WORKING GIRLS”
*This is a guest post from Jesseca Cornelson. An Education is a perfectly fine film. The performances are pleasant enough to watch, but much of the plot and characterization seemed to me to be yet another retelling of the popular “how to make a proper woman” story, complete with yee olde stereotypes of the necessary … Continue reading “Movie Review: An Education”
Dear Filmmakers, Movie Promoters, Marketing Teams, Poster Designers, et al: Recently, I spent some time gathering movie posters for several of last year’s top-grossing films. I noticed that in movies with male leads, the posters usually featured them prominently, with either up-close shots of their faces (smiling in a mocking “I’m hilarious!” way, or looking … Continue reading “Movie Posters: A Bitch Flicks Verbal Beatdown”
Duplicity (2009). Written and directed by Tony Gilroy. Starring Julia Roberts and Clive Owen. Excellent supporting roles by Tom Wilkinson and Paul Giamatti. Duplicity has dropped out of the top box-office earners since its March 20th release; though it has earned a total of over $40 million domestically, that’s not enough to cover its budget … Continue reading “Movie Review: Duplicity”
The London Feminist Film Festival is all about “celebrating international feminist films past and present.” It “will provide a safe space to explore, celebrate, organise, and inspire.” Now in its fifth year, the festival will run from August 17-20.
Films set in high school are often about boys; films which feature high school girl characters complex enough to surprise an audience (one measure of good screenwriting) are relatively rare–‘Say Anything’, ‘Mean Girls,’ ‘Clueless’ and from earlier this year ‘It Felt Like Love.’ ‘Palo Alto,’ the first film directed by Gia Coppola (niece of Sofia and granddaughter of Francis), who also wrote the script (based on the stories of James Franco) focuses on several main characters in high school, including April (‘American Horror Story’s’ Emma Roberts, whose auburn hair and dark eyebrows recall her Aunt Julia’s). We see her as she plays soccer, babysits, goes to boozy parties and is alone in her room.
