Travel Films Week: Dialogic Explorations on ‘The Darjeeling Limited’ and ‘Vicky Cristina Barcelona’

This is a guest review by Steffen Loick and Ingrid Bettwieser. At a hasty glance, movies often tell stories about traveling to talk about the processes of longing. Longing for far about places, for something new, for something unachieved. As it seems, what is inscribed in the narrative of traveling in the end is the … Continue reading “Travel Films Week: Dialogic Explorations on ‘The Darjeeling Limited’ and ‘Vicky Cristina Barcelona’”

Fight to See Yourself On Screen

This is a guest post by Joyce Wu. I’ve always loved movies. When I was a kid, nothing brought me greater pleasure than walking across those sticky floors to find the perfect seat, the scent of stale popcorn hanging in the air. My dad, my big brother, and I would always share a box of … Continue reading “Fight to See Yourself On Screen”

2013 Oscar Week: The Roundup

Academy Awards Commentary: “Oscar Hosts Preferable to Seth MacFarlane: An Abbreviated List” by Robin Hitchcock “This Needs No Explanation” by Stephanie Rogers “Fun with Stats: Best Actor/Actress Nominations vs. Best Picture Nominations” by Robin Hitchcock “5 People Who Should Host the Oscars at Some Point” by Lady T “Fun with Stats: Winners of Oscars for … Continue reading “2013 Oscar Week: The Roundup”

2013 Golden Globes Week: An Open Letter to Owen Wilson Regarding ‘Moonrise Kingdom’

This is a guest post by Molly McCaffrey and is cross-posted with permission. Movie poster for Moonrise Kingdom Dear Mr. Wilson, For many years, I believe people had the sense that Wes Anderson was the genius behind the three films you co-wrote with him: Bottle Rocket, Rushmore,  and The Royal Tenenbaums. This is probably because … Continue reading “2013 Golden Globes Week: An Open Letter to Owen Wilson Regarding ‘Moonrise Kingdom’”

Animated Children’s Films: From the Archive: Fantastic Mr. Fox

This review by Amber Leab was originally published in 2010.  After hearing repeatedly that Fantastic Mr. Foxis Wes Anderson’s best film, I gave it a try. I’m not the biggest Anderson fan—I generally find his aesthetic too precious, his characters over-privileged bores, and his daddy issues repetitive and tiresome—but it seemed to me that stop-motion … Continue reading “Animated Children’s Films: From the Archive: Fantastic Mr. Fox”

The Flick Off: Fantastic Mr. Fox

After hearing repeatedly that Fantastic Mr. Foxis Wes Anderson’s best film, I gave it a try. I’m not the biggest Anderson fan—I generally find his aesthetic too precious, his characters over-privileged bores, and his daddy issues repetitive and tiresome—but it seemed to me that stop-motion animation might be the ideal medium to capture his intentions. … Continue reading “The Flick Off: Fantastic Mr. Fox”

Movie Review: 500 Days of Summer, Take 1

500 Days of Summer. Starring Zooey Deschanel, Joseph Gordon-Levitt, Geoffrey Arend, Chloe Moretz, Matthew Gray Gubler, and Clark Gregg. Written by Scott Neustadter and Michael H. Weber. Directed by Marc Webb.Within the past few years especially, independent films have developed a certain easily identifiable “indie charm,” and 500 Days of Summer most definitely fulfills the … Continue reading “Movie Review: 500 Days of Summer, Take 1”

Beverly Crusher (‘Star Trek: TNG’) and Dana Scully (‘The X-Files’): The Medical and the Maternal

The impact of Dr. Beverly Crusher and Agent Dana Scully cannot be understated, not just on the landscape of female representation on television or the portrayal of women scientists but the way they also drove young women to pursue STEM fields in reality. …They transcend mere descriptors like woman, lover, mother, caregiver, skeptic, scientist — because they’re all that and more.

When Will Black Women Play Leading Scientists More Often?

In movies and on television, the absence of Black women as scientists is glaringly obvious. …The response on social media to the vocation of Leslie Jones’ character in ‘Ghostbusters’ offers an opportunity to ponder: When have Black women been cast as scientists in laboratories, creating and inventing significant and outlandish developments, and leading investigations? …Where are the Black women playing scientists in films in the 21st century?

‘Honey Pot’: The Super Fun Experience of Writing a Female-Driven Action-Comedy

Writing women as interesting, multi-layered individuals with a rich inner life isn’t impossible, so the fact that men continue to write women with so little substance isn’t because they can’t. It’s that they won’t. And the fact that there aren’t more female-driven comedies isn’t because (sorry to bring this nonsense up again) they aren’t funny, it’s because mostly men run the show and most of them don’t value women as anything other than wives and ‘yacht girl in bikini.’ They don’t see women as funny and interesting and smart and worthy of 90 minutes, so they don’t write for them and they don’t include them. It’s. A. Choice.

Complicating Indigenous Feminism: Shayla’s Story in ‘Imprint’

And the story imprinted is the story of colonization and domination, a story that has seduced Shayla in her role as an attorney. But another story is also imprinted in this woman, a story of tradition, memory, family, and the foundational principles of her Indigenous culture. As the film progress, Shayla starts putting the broken pieces of her experiences in Denver together with the visions and experiences of home in order to remember.