A ‘Sunny’ South Korean Song for Sisterhood

… Kang seems to be a strong advocate for feminism in film. Though South Korea cinema (and the country as a whole) clearly needs far more women in off-screen positions of power, Sunny seems like a small but hopeful step towards equality, and may well inspire girls in today’s high school cliques to one day demand those positions.

‘Days of Our Lives’: Punishing Nicole’s Fetus

Days of Our Lives, one of four surviving daytime soap operas on television. Written by Janyce Denise Glasper for our theme week on Infertility, Miscarriage, and Infant Loss.  Since 1998, Nicole Walker, played by the very talented Arianne Zucker, has been the scheming, manipulative, alcohol twirling villainess of fictional Salem, Illinois on Days of Our … Continue reading “‘Days of Our Lives’: Punishing Nicole’s Fetus”

Reproduction & Abortion Week: Fingernails and Shmushmorshmins: Abortion and Privilege in ‘Knocked Up,’ ‘Juno,’ and ‘4 Months, 3 Weeks and 2 Days’

This is a guest review by Tom Houseman. As abortion has become more accepted and less taboo in mainstream America—despite Republican lawmakers doing everything they can to appeal Roe v. Wade—films about pregnancies have had difficulty depicting its characters talking about or even considering abortion. If the movie is about pregnancy, and the journey that … Continue reading “Reproduction & Abortion Week: Fingernails and Shmushmorshmins: Abortion and Privilege in ‘Knocked Up,’ ‘Juno,’ and ‘4 Months, 3 Weeks and 2 Days’”

Oscar Best Picture Nominee: ‘Midnight in Paris’ and Its Woman Problem

Marion Cotillard and Owen Wilson in ‘Midnight in Paris’ I’ve never understood why people adore Woody Allen and lavish him with accolades. I’ve never liked his films. Nope, not even the adored Annie Hall, aside from the FABulous fashions donned by Diane Keaton. I know, I know…I’ve braced myself for the verbal lashings that will … Continue reading “Oscar Best Picture Nominee: ‘Midnight in Paris’ and Its Woman Problem”

The Social Network Roundup

Most of the commentary out there on The Social Network focuses on its awesomeness and front-runner status for this year’s Best Picture Academy Award. Plus, the film won its opening weekend’s box office, even though it’s numbers were lower than anticipated. While it very well may be a brilliantly-made film, one thing we can’t ignore … Continue reading “The Social Network Roundup”