The radical notion that women like good movies
Still from Friends With Kids. [source] I’ve been excited to see Friends With Kids since Megan Kearns first wrote about it for Bitch Flicks last March. What a cast! A female writer/director! A romcom with a genuinely new and interesting premise! I finally got the chance to watch Friends With Kids on a long flight this … Continue reading “‘Friends With Kids’: When Harry Co-Parented With Sally…”
Still from Friends With Kids. [source] I’ve been excited to see Friends With Kids since Megan Kearns first wrote about it for Bitch Flicks last March. What a cast! A female writer/director! A romcom with a genuinely new and interesting premise! I finally got the chance to watch Friends With Kids on a long flight this … Continue reading “‘Friends With Kids’: When Harry Co-Parented With Sally…”
Still from Friends With Kids. [source] I’ve been excited to see Friends With Kids since Megan Kearns first wrote about it for Bitch Flicks last March. What a cast! A female writer/director! A romcom with a genuinely new and interesting premise! I finally got the chance to watch Friends With Kids on a long flight this … Continue reading “Friends With Kids: When Harry Co-Parented With Sally…”
In addition to her work in film, Nora Ephron was a journalist, playwright, and novelist; unsurprisingly, her stock in trade is words. Crucially, what she does with these words is to give women room. For these women at the center of her films, there is, above all, space. Space not simply to be the best version of themselves, but all the versions of themselves: confident, neurotic, right, wrong, flawed.
Although primarily a horror film, ‘American Psycho’ has a satiric backbone that appropriates codes from the romantic comedy genre to expose the absurdities of our gender ideals. Director and co-writer Mary Harron’s lens skewers the qualities we find appealing in romantic comedies as terrifying.
Over the past decade, Carrie Fisher has been outspoken about her struggles with bipolar disorder and addiction. Her admissions are profound for a Hollywood actress of her caliber, especially when you consider the ways that society stigmatizes mental illness.
Annie is a human being, dangerous not because of an evil supernatural force, but rather a severe and untreated mental illness. Although Annie is not given an official diagnosis in the film or the novel, an interview with a forensic psychologist on the special edition DVD characterizes her as displaying symptoms of several different conditions, including borderline personality disorder (BPD).
Not everyone who loves romantic comedies, lives them. Not every happy ending looks like happily ever after. If you feel like you don’t know which box to check, find four lines and create your own.
Gretchen leaves Jimmy and states, “Well as my grandma used to say, ‘It’s only a walk of shame if you’re capable of feeling shame.’ See you later, thanks for doing all the sex stuff on me.”
Sex positivity, for instance, is frequently presented in an oversimplified, inaccurate package of rampant promiscuity and generally assigned to a side female character, like a free-spirited best friend or sister. Meanwhile, the main character frequently serves as the antithesis to said behavior who is later rewarded with “true love.”
But how can female arousal be visually expressed? If women stereotypically prefer to read literary erotica over watching porn, with erotica’s descriptions of the interior sensations of female arousal, is that because many women imagine that female performers of porn are uncomfortably simulating their pleasure? Can there be a clitoral cinema of female arousal, and what would it look like?
If the story is a gay man attempting to make over a straight woman, it simply emphasizes that all men of all sexualities in a male-dominated society need to respect women, and women should feel free to and be able to express confidence in themselves.
