A Deep Look at Shallowness: Resurrecting ‘The Comeback’s Valerie Cherish

Through its one and only season, the fake reality show chronicled the life of Valerie Cherish, played by my favorite Friend, Lisa Kudrow, an 80’s has-been trying to make a comeback through her role on an insipid sitcom. Valerie was a perfect reality star, yelling at the cameras, fighting with her co-workers and suffering one dignity after another, to the point where watching the show can be painful at times.

Wedding Week: Bigger Than Big: Marriage and Female Bonding in ‘Sex and the City: The Movie’

This is a guest post by Jenny Lapekas. For those of us who followed the girls on the hit HBO series, Sex and the City: The Movie, directed by Michael Patrick King, was a hotly anticipated film by the time it was released in 2008. We are familiar with Carrie as an avid writer, a … Continue reading “Wedding Week: Bigger Than Big: Marriage and Female Bonding in ‘Sex and the City: The Movie’”

Travel Films Week: ‘Sex and the City 2’: Hardcore Orientalism in the Desert of Abu Dhabi

The story of Carrie, Miranda, Charlotte, and Samantha continued in Sex and the City 2 (2010) This is a guest post by Emily Contois. I’m not embarrassed to admit it. I totally own the complete series of Sex and the City—the copious collection of DVDs nestled inside a bright pink binder-of-sorts, soft and textured to … Continue reading “Travel Films Week: ‘Sex and the City 2’: Hardcore Orientalism in the Desert of Abu Dhabi”

Guest Writer Wednesday: ‘2 Broke Girls:’ How NOT to Respond to Criticism that Your Show is Racist

(L-R): Kat Dennings, Matthew Moy, Beth Behrs; ‘2 Broke Girls’ still frame Written by Lady T. Originally published at The Funny Feminist. Cross-posted with permission. I watch 2 Broke Girls. Do you watch 2 Broke Girls? Watching that show from a social justice perspective is a bizarre experiment in emotional whiplash. On the one hand, … Continue reading “Guest Writer Wednesday: ‘2 Broke Girls:’ How NOT to Respond to Criticism that Your Show is Racist”

Women-Directed and Women-Centric Films at 2017 Bushwick Film Festival

Held in New York City, the Bushwick Film Festival is “hailed as one of Brooklyn’s most influential cinematic events for its contribution to the borough’s artistic, cultural, and economic growth.” The festival “proudly shines a spotlight on diverse filmmakers.” … Now in its tenth year, BFF will run from October 12th-15th. Here are the women-directed and women-centric narrative films, short films, and web series featured at the festival.

‘Hard Candy’: The Razor Blade Hidden in an Apple-Cheeked Confection

Hogtying and drugging Jeff is only the tip of Hayley’s sadistic iceberg: over the course of the next several hours, she subjects him to a series of tortures more at home in Guantanamo Bay than a sleepy suburban neighborhood, including spraying his screaming mouth with chemicals, temporarily suffocating him with cellophane, and attacking him with a taser in the shower.

Invisible Fat Women on ‘How I Met Your Mother’ and ‘The Big Bang Theory’

Several sitcoms, however, rely not on the on-screen presence of a so-called “unruly body,” but rather on the imagined image on an off-screen one.

Moments of Sincerity in Otherwise Endless Oscars

What stood out were what seemed like genuine heartfelt moments. John Legend and Common delivered a spirited performance of “Glory” from snubbed director Ava DuVernay’s ‘Selma,’ and an equally impassioned acceptance speech when they won, notable for its intersectionality. They brought up Hong Kong’s fight for democracy, Charlie Hebdo, and America’s shameful prison-industrial complex. “‘Selma’ is now” is a message many need to hear, including their liberal Hollywood audience.

Feminist Highlights and Fails at the 2015 Oscars

This year’s Oscars lacked racial diversity with all 20 acting nominees being white. The overwhelming whiteness of the Oscars, which hasn’t been this egregious in nominating people of color since 1998, spurred a Twitter boycott and the hashtag #OscarsSoWhite created by April Reign. In addition to racial diversity, once again the Oscars lacked gender diversity. No women were nominated for director, screenplay (adapted or original), original score or cinematography. The snub of Ava DuVernay especially stung.

‘Concerning Violence,’ Concerning Ferguson

Chinua Achebe said, “There is that great proverb — that until the lions have their own historians, the history of the hunt will always glorify the hunter.”
Reading Fanon, listening to Malcolm X, watching ‘Concerning Violence’–these are just a few ways to hear the lions. When the hunter listens, though, he sees a lion roaring, jaws open wide to bite and kill. The fear sets in. Oppressive control digs its heels back in.