The radical notion that women like good movies
When looked at as a trilogy, the ‘Taken’ films are all about Bryan’s relationship with his daughter as she becomes a woman and he is no longer sure how to relate to her. It’s a common real life situation writ large, and a wholly unexpected through-line for an action franchise.
“I’ve been in the passenger seat for decades. It’s time for me to get behind the wheel.”
The first season was a self-funded passion project and as it got more popular they managed to crowd fund the second season so that they could pay actors and crew; the girls did not pay themselves. They have successfully secured funding from New Zealand on Air to pay for the upcoming third and fourth seasons that should air sometime this year and I really can’t wait.
But this to me is the part we should pay attention to. When we don’t get to be headstrong, sexy scientists with daddy issues, we’re locked away. Because evidently we’re worth a lot, which while flattering, also insinuates that we are prizes that can be traded, bought, or stolen. In any film of the above mentioned genres, it’s safe to assume that at some point, the concerned wife, sexy girlfriend, or charming daughter will be kidnapped. When the body is used as a bargaining chip, the images that flood our minds are women tied to chairs, kidnappers holding phones to our crying faces, and makeshifts rag gags in our mouths.
So I asked Twitter the following question: “Who’s scarier: Jason or Jason’s mom?” Surprisingly, despite all the movies (12 in total) in which Jason is seen slashing throats and hanging victims, his mom (who’s only alive and running amok in the first film in 1980) is apparently considered the more horrifying killer. But I’ve always had a soft spot for Pamela. Not that I condone the gruesome murders of innocent people (of course not). But, unlike Jason, Pamela committed crimes of passion. Her crazy antics were actually revenge for her young son’s fatal drowning, which she felt was caused by the unjustifiable neglect of the camp counselors who failed to watch him (a longtime rumor has faulted the counselors for being too busy fornicating and not paying attention to Jason’s cries for help).
Written by Rachel Redfern The current Hollywood climate and the overwhelming ridiculousness of most of the big blockbusters being churned out of that machine is something that we talk about a lot over here at Bitch Flicks. The problems with a lack of unique female characters, general lack of original plot and substantive dialogue are … Continue reading “Rethinking Sex Trafficking and Voyeurism: ‘Taken’ and ‘Eden’”
Kristen Stewart and Charlize Theron star in Snow White and the Huntsman Guest post written by Carleen Tibbetts. Despite the various twists on the classic fairy tale, there is a definite constant in Snow White: women are their own worse enemies. The storyline is essentially the same: jealous, vain stepmother wants to oust stepdaughter who … Continue reading “2013 Oscar Week: Matriarchal Impositions of Beauty in ‘Snow White and the Huntsman’”
Kristen Stewart and Charlize Theron star in Snow White and the Huntsman Guest post written by Carleen Tibbetts. Despite the various twists on the classic fairy tale, there is a definite constant in Snow White: women are their own worse enemies. The storyline is essentially the same: jealous, vain stepmother wants to oust stepdaughter who … Continue reading “2013 Oscar Week: Matriarchal Impositions of Beauty in Snow White and the Huntsman”
Guest post written by Joshunda Sanders. Quentin Tarantino’s Django Unchained was a movie I never thought I’d see or write about. As much as I adore movies and popular culture, particularly when black characters are front and center, well, the Crunk Feminist Collective put it best: “… I am not a fan of Tarantino at … Continue reading “2013 Oscar Week: Heroic Black Love and Male Privilege in ‘Django Unchained’”
Written by Max Thornton. If you care at all about popular culture and feminism, you may have noticed that last Thursday seven years of television history came to an end. 30 Rock had a complicated relationship with feminism. Linda Holmes of NPR’s Monkey See wrote an excellent article on the difference between what … Continue reading “Goodbye Forever, ’30 Rock’”
Jessica Chastain as Maya in Zero Dark Thirty Written by Megan Kearns. | Warning: Spoilers ahead!! Driven, relentless, bad-ass women in film always hold a special place in my heart. Ripley from Alien and Aliens, Patty Hewes from Damages, Carrie Mathison from Homeland. Maya, the female protagonist of Zero Dark Thirty, is no exception. But … Continue reading “2013 Golden Globes Week: ‘Zero Dark Thirty’ Raises Questions On Gender and Torture, Gives No Easy Answers”
This is a guest post by Melissa McEwan and is cross-posted with permission from her blog Shakesville. I have never been a great lover of sitcoms. Despite their ubiquity in American primetime television, especially when I was growing up, there just weren’t a lot of them for me to love. So much of the com … Continue reading “2013 Golden Globes Week: Big Bang Bust”
