Emmy Week at Bitch Flicks – Call for Writers

The 63rd Primetime Emmy Awards: Sunday, September 18 at 8pm

 

Announcing…Emmy Week at Bitch Flicks! 

We’re looking for reviews and/or analysis of Emmy-nominated Television shows as well as character analysis of the Emmy-nominated Lead Actresses and Supporting Actresses. We’re leaving the topics wide open; the only criteria is that the analysis focuses on how the show portrays women in some way. Feel free to browse our Television category on the sidebar for examples and ideas. But we’re open to ALL proposals, so don’t limit yourselves. Finished pieces must be completed (and e-mailed to us) no later than Friday, September 2nd. We are open to original pieces and cross posts (with permission). Here are the possibilities: 

Reviews and/or analysis of:

  • Outstanding Comedy Series nominees
    • Glee
    • Parks & Recreation
    • The Office
    • Modern Family
    • 30 Rock
    • The Big Bang Theory
  • Outstanding Drama Series nominees
    • Boardwalk Empire
    • The Good Wife
    • Mad Men
    • Friday Night Lights
    • Dexter
    • Game of Thrones

 Character analysis pieces for:

  • Outstanding Lead Actress in a Comedy Series nominees
    • Cathy Jamison (Laura Linney) in The Big C
    • Jackie Peyton (Edie Falco) in Nurse Jackie
    • Leslie Knope (Amy Poehler) in Parks & Recreation
    • Molly Flynn (Melissa McCarthy) in Mike & Molly
    • Virginia Chance (Martha Plimpton) in Raising Hope
    • Liz Lemon (Tina Fey) in 30 Rock
  • Outstanding Lead Actress in a Drama Series nominees
    • Peggy Olson (Elizabeth Moss) in Mad Men
    • Tami Taylor (Connie Britton) in Friday Night Lights
    • Detective Olivia Benson (Mariska Hargitay) in Law & Order: Special Victims Unit
    • Sarah Linden (Mireille Enos) in The Killing
    • Alicia Florrick (Julianna Margulies) in The Good Wife
    • Harriet Harry “Korn” (Kathy Bates) in Harry’s Law
  • Outstanding Supporting Actress in a Comedy Series nominees
    • Sue Sylvester (Jane Lynch) in Glee
    • Elka Ostrosky (Betty White) in Hot in Cleveland
    • Claire Dunphy (Julie Bowen) in Modern Family
    • Various Characters (Kristen Wiig) in Saturday Night Live
    • Jenna Maroney (Jane Krakowski) in 30 Rock
    • Gloria Delgado-Pritchett (Sofia Vergara) in Modern Family
  • Outstanding Supporting Actress in a Drama Series nominees
    • Margaret Schroeder (Kelly Macdonald) in Boardwalk Empire
    • Joan Harris (Christina Hendricks) in Mad Men
    • Mitch Larsen (Michelle Forbes) in The Killing
    • Kalinda Sharma (Archie Panjabi) in The Good Wife
    • Mags Bennett (Margo Martindale) in Justified
    • Diane Lockhart (Christine Baranski) in The Good Wife
The Details:
  • All pieces must be complete and emailed by Friday, September 2nd
  • If you intend to submit, please email a brief description of your piece as soon as possible.
  • Contact us at btchflcks(at)gmail(dot)com.

YouTube Break: Roseanne Barr Is Awesome

From the description at Democracy Now:

In the late 1980s and early 1990s, the Emmy Award-winning actress Roseanne Barr starred in the popular and groundbreaking show on television titled simply Roseanne, the first TV series to openly advocate for gay rights. Roseanne featured one of the first lesbian kisses on TV, in an episode when Roseanne kisses Mariel Hemingway. Roseanne was also the first sitcom to ever feature a gay marriage. The series tackled other controversial topics, as well: poverty, class, abortion and feminism. From her open support of unions in earlier shows to her tribute to Native Americans toward the end of the series, Roseanne never shied away from contentious issues. The writer Barbara Ehrenreich once praised Roseanne Barr for representing “the hopeless underclass of the female sex: polyester-clad, overweight occupants of the slow track; fast-food waitresses, factory workers, housewives, members of the invisible pink-collar army; the despised, the jilted, the underpaid.” We play excerpts from the groundbreaking sitcom and speak with Barr about her childhood in Utah, where she was raised half-Jewish and half-Mormon, and talk about how she “made it OK for women to talk about their actual lives on television.

Guest Writer Wednesday: Resisting Motherhood in Grey’s Anatomy

This guest post by Marina DelVecchio also appears at Marinagraphy.

Lately, it seems that every single television show takes any kind of woman and turns her into a mother. She can be a Playboy vamp, a stripper, an affected teenager, or a surgeon, but at some point in her fictitious or reality TV role as a woman leading a happily single existence while having a lot of sex, she gets the urge to have a baby. Becoming a mother has become vogue—the “in thing.”

Kendra, former Playboy bunny who had sex with Hugh Heffner voluntarily (gagging here), is now settled down and pregnant. Pink (who I adore because she’s such a rebellious punk), is pregnant. The Kardashian sisters are each filing away their sexual escapades and viral sex tapes and preparing for babies.

On a more fictitious level, Kate Walsh’s character in Private Practice just gave up a relationship because she wants a baby and he doesn’t, since he’s already been there and done that. In House, Lisa Edelstein’s character, after years of service as head of the hospital—a powerhouse of a woman who has to dress sexy in every episode, adopted a baby because she could no longer wait for House or any other man to give her one.

And then there are three mothers presently blossoming at Grey’s Anatomy. Callie, (Sara Ramirez) is the eternal Madonna—a straight woman turned gay, who has been wanting her own baby for a long time and almost lost Arizona (Jessica Capshaw) because of it, since the pediatric surgeon never wanted kids for herself. Meredith Grey (Ellen Pompeo) is a new adoptive mom after many failed attempts at having her own baby—and the most realistic one to me, since she’s not sure how good she will be as a mom. And then of course, we have Christina Yang, played by the ever brilliant Sandra Oh, who finds herself pregnant for the second time. And for the second time, she wants to get an abortion.

And there’s nothing wrong with this—except that aside from Christina Yang’s character, there are few other representations of women. What about the women who don’t want to be mothers? Where are their voices? And why are the voices of mother-want-to-be’s so much louder? It seems that they are everywhere, telling all young women that eventually, they all need to settle down and have babies, especially before their biological clocks start humming, followed by the incessant whine of “what if you’re never a mother?”

I have been thinking about Christina Yang since a few weeks ago. I love her character. Aside from the fact that her writers fell off the track by making her have a nervous breakdown and dance on a bar drunk as a skunk, Sandra Oh’s character is brilliant and so different. She is a surgeon—a die hard, unrelenting, and un-self-sacrificing woman, who hates more than anything to lose herself in a man she loves. She even gave up her lover so that she could have a chance to operate and learn from the best in her field. She is single-minded, obtuse, and unapologetic—and I know she’s not just a figment of some writer’s imagination. There are women like her out there. Women who don’t want to have children or be mothers. Women who have no problems saying that they don’t even like kids. And it’s not because the child will interfere with her work or domesticate her. She is just not interested in having kids. Motherhood is not in her nature.

And there is nothing wrong with this. But the world makes us all feel like there is. There is something wrong with you if you’re a woman and don’t want to have any kids. You’re a cold bitch if you choose a career over family. You’re unnatural. Feminism of the seventies told us that we had choices, but the choices always included kids—women had to learn to have children, careers, and dinner at the table by five.

But what if you don’t want to have any? Hugh Heffner has sex with a lot of babies (they may as well be), but you don’t see the world crushing him with self-righteous diatribes because his Playboy mansion is not full of his children running around in their undies—and I am sure he has fathered many. But men are different, right? Rules don’t box them in. They get away with everything—including being in their 80′s and having sex with girls of 18. No gross factor there.

Women are controlled—subtly and and not so subtly. We have been conditioned to define ourselves via our biology. We have the children, therefore, we must have children. Commercials tell us our roles— our defining roles as women: mothers, care givers, cooks, cleaners, carpoolers, wives, volunteers, educators, and self-sacrificing do-gooders. Our neighborhoods define our place in society: mothers, care givers, cooks, cleaners, carpoolers, wives, volunteers, educators, and self-sacrificing do-gooders. Let’s add some negative ones here also, like nags, overweight hags, gossips and trophy wives. Now television shows—reality and non-reality—overwhelm us with maternal figures—no matter where they got their start from. Sex bunnies gone mom. Pop stars gone mom. Infertile women gone mom. High school drop-outs gone mom. And out of all of these, we only have one woman who resists motherhood: Christina Yang.

Where are all the others? Where are their voices? I want to see more representations of Yang’s character everywhere, because these women do exist. Although I got married and have two kids, I am the daughter of a woman who resisted conventional roles of women. I watched my mother growing up, keenly, as if I were observing a rare stone that never belonged to our region. She was as unique as they come. And even though she chose motherhood by adopting me—it was more for companionship than it was for a desire to show maternal affection—she had none—or at least she withheld it out of self-preservation. But I am reminded of her when I come face to screen with Christina Yang—and I wish young girls had more of her uniqueness with which to identify. I have learned so much from my mom—I learned that all women are different, and we can choose different paths in life than the ones we are told are especially pink-lined for us.

Just because women can have babies doesn’t always mean they should have them. We are not all made of the same cloth—we are not all designed to mother—even if biologically, we can.

Marina DelVecchio is a writer and a College Instructor. She has a BA in English Literature, an MS in English and Secondary Education and has completed thirty credits towards a Doctorate in Feminist Theory, Rhetoric and Composititon and 19th century Women Writers. Originally from New York, she began teaching on the High School level and then moved up to the College level in 2005. She presently teaches English Composition, Research, and Literature at a local Community College in North Carolina. 

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At Cannes, Women With Diverse Visions from the New York Times

Hollywood’s Diversity Problem Predictably Blamed On The Recession from Jezebel

Magazines, T.V. and Disney: The Negative Portrayal of Beauty in the Media from fbomb

The 10 Most Powerful Women in Television from Ad Week

Achilles Effect: Boys, Pop Culture, and Gender from Achilles Effect

Rape Is Still Rape, and No Still Means NO! from Ms. Magazine

Sound-Off: Is Beyonce Sending the Wrong Message? from Essence

Leave your links in the comments!

[UPDATE: All links should actually work now.]