Trans Men on TV: ‘Orphan Black’ and Tony the Trans Bandit

It is, apparently, very difficult to put a good trans character in your TV show. Recent attempts at portraying trans men have tended to leave something to be desired. And last week on ‘Orphan Black,’ along came Tony.

Written by Max Thornton.

It is, apparently, very difficult to put a good trans character in your TV show. Recent attempts at portraying trans men have tended to leave something to be desired. Max on The L Word perpetuated a number of troubling stereotypes about masculinity and trans men. Adam on Degrassi wound up being another in a long line of buried queers. I understand Cole on The Fosters is something of a bright spot in the trans televisual darkness, though I have not yet watched the show (I’ll report back once I have). And last week on Orphan Black, along came Tony.

Now my colleagues here at Bitch Flicks have written some great pieces on Orphan Black, drawing attention to some crucial feminist elements, from the expansive female character list to the commentary on reproductive rights. In season two, I have been particularly enjoying the camaraderie between the clones, the way that they google hangout together and claim each other as sisters.

And then Tony happened.

Oh honey, no.
Oh honey, no.

Here are the things I like about Tony:

His existence. Metatextually, it’s awesome to have another trans guy on TV. Narratively, it’s really intriguing. Once you think about it, the fact that there is now a trans clone and a gay clone strikes an important blow against “born this way” reductionism.

The way the other characters treated him. They were all down with his pronouns, were mildly surprised at having a male clone but didn’t make a huge deal out of it, and gave a little exposition that might catch the less-clued-in viewers up to speed without sensationalizing transness.

Here are the things I dislike about Tony:

His facial hair. The Max Sweeney School of Facepubes is not an institution anyone ever should be attending. I guess I can forgive the awful head-hair, because I’m given to understand a short-haired wig was unworkable with Maslany’s real hair, which she needs for the other parts, but the facial hair? Nope nope nope.

NO.
Daniela Sea pubing it up as Max Sweeney on The L Word.

His characterization. Tatiana Maslany is a monumentally talented actress, playing multiple characters with nuance, and I really think this is her first misstep on the show. Her portrayal of Tony seemed undercooked compared to how thoroughly she inhabits the other clones. There was an air of trying too hard about Tony’s masculinity, something I would believe in the portrayal of a trans guy who was just coming out, but – in a guy who had begun transition as long ago as we were evidently meant to believe Tony did (contra The L Word, testosterone doesn’t make facepubes all grow in at once; I’m rising 16 months and can barely muster an outline of straggly pubescent scruff) – it rang false. Watching the other clones, I forget that I’m watching an actor act; with Tony, I was fully conscious of it the entire time.

This is unfortunate, because there’s already a terrible cultural misperception that trans people are faking it, acting, deceiving, putting it on. I don’t think this is helped by continuing to cast cis people of the wrong gender as trans characters (Daniela Sea on The L Word, Jordan Todosey on Degrassi, back to Hilary Swank in Boys Don’t Cry, and that’s not even getting into the much longer and more offensive list of men playing trans women… thank God for Tom Phelan, at least).

A trans person playing a trans character! Will wonders never cease??
Tom Phelan as Cole on The Fosters.

A show about clones has pretty much the best possible justification for casting a cis woman as a trans man, but Maslany’s failure to really nail the character, as she does all the rest, kind of makes this portrayal seem like it belongs on that list.

Here is a thing I am still on the fence about:

The decision to show Tony injecting T. You could make an argument that it was a bit of gratuitous, othering exploitation; you could also make an argument that it was a normalizing teachable moment for your average non-trans-adjacent viewer. I haven’t decided yet which side I come down on.

In the end, I am glad Tony exists. He’s an important contributor to the still-tiny demographic of trans guys on TV, and the show didn’t get anything majorly wrong about transness (apart from the facepubes). Tony did not return in this week’s episode, but I hope he will be back on our screens in future, and I hope that next time around Tatiana Maslany will have nailed down the character and will play him more convincingly.

Max Thornton blogs at Gay Christian Geek, tumbles as trans substantial, and is slowly learning to twitter at @RainicornMax. He absolutely did not name himself after Max Sweeney.