Maria Bamford: Challenging Mental Health Stigma Through Comedy

For whatever reason, all the reactionary tropes inherent in pop culture seem to get amplified in comedy. If it’s still rare to find a mainstream comedian with openly feminist leanings, finding one who speaks openly and progressively about mental illness is almost impossible.

Written by Max Thornton.

One of the true blessings of my grad school experience thus far has been a relative openness about mental illness. My fellow students and I compare notes on our medications, encourage each other to get the help we need, even theorize about our mental illnesses in papers and dissertations. Perhaps this is uncommon outside of programs with “philosophy” in the title – maybe even outside of the two graduate institutions I have attended – but it’s certainly almost unknown in wider society.

The more disability and crip theory I read, the more I notice the prevalence of ableist rhetoric in pop culture, from patronizing Hollywood Oscar-bait to problematic portrayals of Deaf culture to miracle cures to the uncritical, pervasive use of the language of disabilities to describe things that are bad.

And, for whatever reason, all the reactionary tropes inherent in pop culture seem to get amplified in comedy. If it’s still rare to find a mainstream comedian with openly feminist leanings, finding one who speaks openly and progressively about mental illness is almost impossible.

Luckily, there's at least one.
Luckily, there’s at least one.

It’s probably incorrect to call Maria Bamford “mainstream,” despite her ongoing voice work on Adventure Time and those Target ads from a couple years ago.

[youtube_sc url=”http://youtu.be/Eh9vddkombM”]

“Watch it again. Sometimes it takes a second to get it” is not a bad mantra for Bamford’s stand-up. Hers is an unusual brand of existentialist tragicomedy specializing in the use of funny voices.

My introduction to Bamford’s work came a few years ago, when I stumbled across her series of 20 short videos, The Maria Bamford Show. The show is about Bamford’s experience of moving back in with her (hilariously Midwestern) parents after a breakdown, which was not wholly irrelevant to my own life when I first saw it. Using her endless arsenal of voices and her wonderfully expressive face, Bamford performs all the characters – her parents, her sister, old high-school rivals – in their interactions with herself. It’s odd, idiosyncratic, and hilarious (doubly so once you have heard her parents speak at the end of her Special Special Special and realized just how spot-on her impressions of them are).

My favorite entry in The Maria Bamford Show, hands down, is episode 10, “Dark.”

[youtube_sc url=”http://youtu.be/SCqDReW8f_s”]

If I had to pick a single clip as a quintessential encapsulation of what I love about Bamford’s work, it would have to be that one. It’s hilarious and sad, painfully relatable for anyone with experience of mental illness, existential and weirdly comforting, all at the same time.

Bamford also tackles the social stigma around mental illness in a head-on fashion. In the Special Special Special (currently streaming on Netflix! Go watch it!), she uses one of her most brilliant jokes:

People don’t talk about mental illnesses the way they do other illnesses. [snooty voice] ‘Apparently Steve has cancer. It’s like, fuck off! We all have cancer.’

This bit is not incidental to Bamford’s comedy agenda. In interviews, she makes it explicit that, while she doesn’t have an idealistic view of comedy as world-changing, one of her goals is to make a small-scale challenge to the mental illness stigma:

[A]t least I can try to change it for myself. Because I feel super insecure and embarrassed and ashamed about mental health issues.

As wonderful and important as her focus on mental illness is, it would be unfair to reduce Bamford solely to a “mental illness comedian.” As a woman on the far side of 40, she has an important and under-heard perspective on sexism and ageism in the entertainment industry. For example, at the beginning of this clip, she responds to a suggestion that she should use Botox by exploring the range of excellent things she can do with her face:

[youtube_sc url=”http://youtu.be/GQyPCcuVHiI”]

Maria Bamford is not interested in conforming to conventional beauty standards. She’s not interested in conforming to convention, period. Thank Diet Coke and People magazine for that.

 

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Max Thornton blogs at Gay Christian Geek, tumbles as trans substantial, and is slowly learning to twitter at @RainicornMax. Once Maria Bamford favorite one of his tweets.