Guest post written by Rhea Daniel cross-posted from her blog Short Stories with permission.
However the whole ‘strong woman character’ attribution to Joss Whedon isn’t completely merited. I love his truly
sympathetic essay about women on Whedonesque.com, and his feminist bent, however as ‘strong’ women go, I could never relate to his female characters.
To me a character that deserves the reputation of a feminist heroine would be
Carolyn Fry(Radha Mitchell) from
David Twohy’s Pitch Black (2000), regardless of whether he intended it that way. We have time to watch her character grow through the movie, but she is a secondary character,
Riddick is the famed anti-hero. To make an impression in spite of that is huge.
While Fry takes the reins of the group on the deserted planet by default, the one thing that drives her bravery is her terrible mistake — attempting to eject the passengers in cryogenic sleep to lighten the load of the spaceship before it crashed, stopped from doing so by the more conscientious navigator who died as a result, earning her a lot of resentment from the group, their mistrust eventually pushing her to fight for her leadership position more fiercely. I don’t particularly consider that a negative point, I see a person deeply ridden with guilt, antagonists willing her to fail, Riddick keenly watching her every move, reacting to her willingness to risk her safety for the sake of the others with amusement. I see a lot of a pressure on a person who is not particularly skilled to handle the task before her, but she pushes on in spite of that.
What’s more, the movie treats its weakest member,
Jack (Rihanna Griffith), who disguises herself as a boy (self-protection or to avoid being judged, either one), with a lot of sensitivity. She is young, prone to misplaced hero worship for Riddick who is the creepy bad boy of the group, and changes her loyalties easily. Also she’s in the middle of her period. I’ve never seen a sci-fi acknowledge this obvious part of womanhood, women get pregnant but they never menstruate in sci-fi movies (I’ve seen so far). Jack becomes the unwitting lure for the hungry creatures on the planet. It’s an acknowledgment of Jack’s obvious femaleness in the movie, albeit, a negative one. Fry offers her sympathy when Jack breaks down and cries. Johns, the most profiteering member of the lot, attempts to form a pact with Riddick to throw Jack to the wolves. As far as I remember, there’s a price on Riddick’s head, which gives Riddick good reason to get rid of Johns the mercenary, so Riddick might know exactly what he stands for: himself, and he expects everyone else to behave with the same selfish motives. It’s probably why he finds Fry’s declarations of self-sacrifice so amusing, and why
SPOILER!!! -> her eventual death affects him so deeply.
<-END SPOILER
Fry’s last attempt at leadership solidifies her loyalties. When she finds Riddick has reached the spaceship and is getting ready to take off, leaving the rest behind, she asserts her position as captain and commands him not to leave. He tries to tempt her into coming with him, and here we see a brief moment of Fry’s inner turmoil as she breaks down, torn between choosing her own safety and the lives of the others. She fights back, insists that they go back for the others, but he overpowers her easily. Fry, with Riddick’s knife at her throat, overpowered, asserts her loyalties for the last remaining members of the crew. It’s the sort of moral ambiguity and growth I love to see in a character, and why I feel Carolyn Fry manages to fit into the ‘strong woman’ archetype better than any of the others I’ve seen, mainly because she’s more believable.
Perhaps we’re so desperate to see strong female characters that we’re willing to pass over any lapses in logic. The Black Widow in The Avengers (2012) for one, should have been taken to the hospital for broken bones after being tossed aside by the Hulk, but she doesn’t even suffer a single fracture, she’s shaken up a bit and she’s back in action. Did anyone else see that they could have done without that scene, just to spare me that crack in the character sheet? While she’s quick-witted, she’s not tempered by science or invincible armor, she’s just a very skilled fighter, and apparently made of rubber.
Being torn in two is perhaps the most relatable part of Fry, at least for me, having encountered the dichotomy of being born in a woman’s body.
SPOILER!!!-> Her sacrifice, though unwitting, brings about a climactic end, a lament and a brief spurt of vengeance from the Riddick the anti-hero.
<-END SPOILER Ripley on the other hand, the mother of mothers, makes the perfect cut as the sci-fi woman warrior. I know she’s incredibly cool, but a quick read of this article by
Michael Davis raises a few relevant points about the
Alien films, and may I point out that it was written years ago.
It’s not that I don’t still love Ripley/esque sci-fi warriors, I just find Carolyn Fry’s inner turmoil borne of the vicissitudes of external forces much more approachable, and strangely unsung. I like her more because she is unsure of herself, searching for firm ground to walk upon, because unlike Ripley, she doesn’t know where she stands, steeling her vulnerable frame against the next onslaught.
Rhea Daniel got to see a lot of movies as a kid because her family members were obsessive movie-watchers. She frequently finds herself in a bind between her love for art and her feminist conscience. Meanwhile she is trying to be a better writer and artist and you can find her at http://rheadaniel.blogspot.com/.
