Mercedes Mason – Bitch Flicks

There was some hope last week that AMC’s Fear the Walking Dead might actually be getting interesting, that perhaps we’d written it off too quickly as a crass and shoddy cash-grab capitalizing on the astounding success of the original show. But then it took The Walking Dead itself four full seasons before it turned into a compelling drama. We should have known better. This week’s episode, “Cobalt” (once meant to be the title of the series), was possibly the weakest yet, and exacerbated the show’s representation issues, introducing another morally repugnant Black character (the flashy, beguiling Strand, played by Colman Domingo, who played Ralph Abernathy in Selma) and revealing that its most prominent Latino character is actually a psychopath.

On top of that, the only undead we got a good look at was some slacker donut shop zombie who apparently still felt enough residual sense of responsibility that she didn’t want to leave the store.

It starts in a holding pen at that mysterious medical facility, where they apparently put potential troublemakers like Nick (Frank Dillane, disappointingly subdued this week), Strand, and poor Doug Thompson (John Stewart), the muscle car nut who had the breakdown last week. After goading Doug into freaking out, so that he’s carted away, Strand sets his sights on Nick. Sadly, he doesn’t try to drive Nick crazy. He apparently senses that Nick has ninja skills or perhaps zombie-imitating talents that will come in handy, so he bribes a guard to prevent Nick from being carted off. Strand’s appearance is brief, but he manages to surpass both creepily cheerful Lt. Moyers (Jamie McShane) and quietly psychopathic Daniel Salazar (Ruben Blades) as the most interesting character on the show.

Back in town, Ofelia (Mercedes Mason) is raising a ruckus, throwing bottles at the chainlink fence that separates her from the National Guard, demanding to see Griselda (Patricia Reyes Spindola), who was dragged out of their temporary home for “medical treatment.” Eventually, her guardsman beau Adams (Shawn Hatosy) shows up, and convinces Ofelia to let him take her home.

This turns out to be part of Daniel’s bizarre plan, and the next time we see Adams, Madison (Kim Dickens) finds him tied up and gagged in the basement, with Daniel preparing to torture him. See, it turns out that Daniel was not an innocent kid back in El Salvador, but a torturer for the government. Sure, he was young, and sure, he claims they forced him to do it, but seriously? Are we still supposed to root for this guy? Even though he slips right back into torturer mode at the first sign of trouble? Daniel tells Ofelia some cockamamie story about trading Adams for Griselda and Nick, but really Daniel just wants information. And he gets it! Who says torture doesn’t work? Weak-kneed liberals, that’s who! It turns out “Cobalt” just means that the military is going to evacuate the L.A. basin the next morning, “humanely terminating” everyone left in the medical facility. Or in all of L.A. It’s not clear. Still, nothing that drastic seemed imminent, so it’s a good thing Daniel still remembered some things about torturing people, right?

Madison happens upon all this while she’s looking for her teenage daughter, Alicia (Alycia Debnam Carey), who has run off to get into mischief again. Of course, Madison promptly forgets she has a daughter once she gets involved in Daniel’s nutty plans. Alicia recruits Chris (Lorenzo James Henrie), Travis’s (Cliff Curtis) equally forgotten son, on a little day trip to the wealthy part of town, where she tries on a sexy evening gown (the closest Carey’s gonna get to Emmy’s red carpet, I’m afraid) and the two of them smash up the place because nothing matters anymore and now they are rebels without a cause. You would think they could at least make trashing a rich people home look fun, but it all seems kinda pro forma.

Travis has the most exciting adventure, convincing Moyers, who has a rather capricious attitude toward his protective duties, to take Travis to the medical facility, with a couple of key pitstops. First, Moyers tries to goad Travis into blowing away the aforementioned donut shop zombie with a high-powered sniper rifle. Travis declines. What a wimp, this guy. Though I have to say it was pretty gutsy of him to even approach the military after essentially witnessing them gunning down civilians at the end of the last episode. What was the point of that scene if Travis didn’t learn anything from it? In any case, next up, the squad Travis is riding with gets called to help out a SWAT team pinned down at the local library. That turns into a clusterfuck, all off-screen, Moyers vanishes, and some other guardsmen bring Travis home. Sorta anticlimactic.

Liza (Elizabeth Rodriguez) is at the medical facility, helping out Dr. Exner (Sandrine Holt), patching up wounds and such, and hey, while you’re at it, would you mind shooting Griselda in the head with this captive bolt pistol (normally used to put down cattle) after Griselda suddenly dies of septic shock from her ankle injury. Liza gives lip service to caring about what happened to Nick, but mostly seems like an adaptable sort. She doesn’t really flinch at the notion that this is how things work nowadays. She’s apparently a good little soldier, just like Daniel was, back in El Salvador, all those years ago.

There’s only one more episode left this season, and the ratings are dropping, maybe because people like their zombie shows about bad parents to have more zombies in them, and less teen angst. Season Two is going to be 15 episodes, so they’ll have to come up with a lot more story, or take another six scripts and stretch them out the way the parent show does.

Recommended Reading

“Fear the Walking Dead Pilot: Can It Be More?”

“Fear the Walking Dead: The Black Guys Die First”

“Fear the Walking Dead: Liberals Try to Stop Zombies with Words!”

“Fear the Walking Dead: I’m From the Government, and I’m Here to Help”

Well, this was unexpected. Despite its occasional heavy-handedness and several key moments where characters did things that no one in their situation would ever actually do, the fourth episode of AMC’s Fear the Walking Dead was actually the best yet. And they didn’t even need a zombie attack! Or for Alicia (Alycia Debnam Carey) to do anything worth mentioning!

They haven’t added any Black characters since the purge of the first two episodes, but the Latino characters on the show are a relatively rich and varied lot, with Ruben Blades’ Salvadoran barber Daniel being given some of the show’s best dialogue. Toward the end of the episode, as he was preparing to go to a military field hospital with his wife Griselda (Patricia Reyes Spindola, who mostly just gets to groan in pain and suffer nobly), he talks to Madison (Kim Dickens), whom he clearly recognizes as the household’s most astute and proactive observer of the encroaching zombie apocalypse, about the Salvadoran government’s massacre of some people from his village, and about how his father said the perpetrators were not evil, but committed evil acts out of fear. I got a chill when he told Madison that his father was a fool “to think there was a difference.” Daniel is a strong enough character to make the show’s over-the-top anti-government paranoia seem downright rational.

The engaging performances of Blades, Dickens, and — I have to admit he’s growing on me — wild-eyed Frank Dillane as Madison’s heroin-addicted ninja son Nick go a long way toward selling the silliness of the plotting. There was also a pretty strong opening with Madison’s beau Travis (Cliff Curtis) jogging around the now militarized, fenced-in, and seemingly safe neighborhood to the strains of Lou Reed’s “Perfect Day” and then Travis’ son Chris (Lorenzo James Henrie), from his perch on Madison’s roof, sees a flash of light from a building outside the fenced in area, from the area that was supposedly cleared of all residents by the military. It looks like someone’s using a mirror to signal the folks within the perimeter, perhaps for help. Or perhaps it’s a warning.

In any case, Chris shows Travis his video of the mysterious flash, and Travis, who firmly believes that their problems will soon be over now that the government/military has stepped in, shrugs it off. Travis has ingratiated himself to the local military commander, Moyers (Jamie McShane), by helping out when a frightened neighbor locks himself in the bathroom. He eventually tells Moyers about what Chris saw, but Moyers is using the neighborhood’s streets as his personal driving range (this is what I meant by heavy handed) and blithely assures Travis that the area’s been cleared.

Meanwhile, Ofelia (Mercedes Mason), Daniel and Griselda’s daughter, has struck up a romance with a guardsman played by Shawn Hatosy. There’s the suggestion that she’s using him in an effort to get medicine for her mother, which would not be wise in this scenario, as these military types clearly have too much power over the locals’ lives.

Chris eventually shows Madison the video, and she clearly takes it more seriously, because she responds by sneaking up to the fence, cutting a hole in it and slipping through, presumably so she can go find whoever is signalling and clear up what that’s about. I might have tried a pair of binoculars first, but anyway, using her training as a high school guidance counselor, she eludes the soldiers with relative ease.

On the other side, she finds a bunch of people shot dead in the street, and they don’t appear to have been “sick” (i.e. zombies) so her suspicion about the military’s methods grows.

Meanwhile, Nick was supposed to be kicking heroin, but he has another idea. He sneaks into the house next door, where Travis’ ex-wife Liza (Elizabeth Rodriguez) has been using her nursing training to administer morphine to an elderly man with a heart condition. Even though Madison complains at one point about how much time she has to spend watching Nick, and even though the elderly guy’s wife lives with him and presumably keeps a pretty close eye on him, Nick somehow gets into their house undetected, and manages to unhook the guy’s IV and use it himself, while resting comfortably under his bed. It’s a shame he’s not using his superpowers for good.

When Madison gets back from her adventures beyond the fence, she catches Nick looking for the old man’s drugs, and slaps him around. Under these circumstances, who can blame her?

Liza is helping folks with their medical needs all throughout the neighborhood, and draws the attention of Dr. Exner (Sandrine Holt of House of Cards), the pretty face of the government/military carting away your loved ones in the dead of night. Liza tells Exner about Nick’s drug problem, and later regrets it when the guardsmen come to pick up Griselda that night, and instead of letting Daniel go with her, as Exner told him they would, they take Nick against his will.

Early on in the episode, Madison makes an odd complaint to Travis about all the cooking and cleaning and, ahem, watching Nick she has to do, and wonders not why Travis isn’t helping — he has importantly manly town duties — but why Liza isn’t. Well, clearly it’s because she’s going around the neighborhood helping those with medical needs, but maybe she’s keeping that a secret for some reason. At the end of the episode, when Nick is taken away, Liza takes the mendacious Dr. Exner up on her offer to go to the medical facility and help out, in part, it seems, to look out for Nick, but Madison still tells Travis as Griselda, Nick, and Liza are carted away, “This is Liza’s fault.” It’s not that there aren’t people who would see the zombie apocalypse as a conflict between them and their significant others’ ex, but Madison seems too smart, brave (foolhardy, even) and clear-headed for that. This kind of trumped-up domestic drama seems a bit silly in this context, and Madison is not a silly character. As with the writers on The Walking Dead, these writers haven’t yet proven they have any idea how to write strong roles for women. But if they ever figure it out, they’ve got the right actor for the job.

The show ends with another effective, chilling moment, as that night Travis sits on the roof in Chris’ old perch, and watches as several flashes erupt in the house where Chris saw the mirror signal earlier. This time, the lights appear to be muzzle flashes, and the look on Travis’ face suggests that he recognizes his own culpability in what’s transpiring, as he told Moyers about the house. Hopefully, this means Trav will be pulling his head out of his ass soon. It would make for a better show.

Recommended Reading

“Fear the Walking Dead Pilot: Can It Be More?”

“Fear the Walking Dead: The Black Guys Die First”

“Fear the Walking Dead: Liberals Try to Stop Zombies with Words!”

Tag: Mercedes Mason

‘Fear the Walking Dead’: It’s Torture!

‘Fear the Walking Dead’: I’m From the Government, and I’m Here to Help