This is a guest post by Maria Ramos.
Recently, AMC premiered their new show Fear The Walking Dead to the tune of 10.1 million viewers. We were all introduced to a highly dysfunctional family unit living unwittingly at the outset of a zombie epidemic. The episode began with teenaged drug addict Nick (Frank Dillane), waking up in an abandoned church and discovering that his friend Gloria has eaten at least two people. As he runs away into traffic, he’s hit by a car and hospitalized. These events are also our introduction into the lives of the female characters, Madison (Kim Dickens) and Alicia (Alycia Debnam-Carey).
In ideal televised femininity, Madison enters the show juggling a semi-chaotic household and loving relationship with boyfriend Travis (Cliff Curtis). Her initial moments of happiness are interrupted as she and her family are summoned to the hospital for her son Nick. It is obvious she is frustrated with Nick’s addiction, but her overly haughty attitude towards the details of his accident is perplexing. She is initially portrayed as a ball of emotions, both rude and dismissive. Eager-to-please Travis steps up (again and again) as the voice of reason. Although his efforts are initially dismissed by Madison, his rationality allows Nick (who doesn’t seem to like him) to confide in him.
Alicia is Madison’s daughter. We get the sense that she has the potential to be a strong character, but her scenes are relegated to a huffy annoyance at her mother’s relationship with Travis and junkie brother Nick, as well as a puppy love relationship with boyfriend Matt (Maestro Harrell). Unfortunately, the introduction of Alicia is no more than a hackneyed down portrayal of a teenage girl with a modest case of raging angst. It’s a waste of the smart and witty nature we see glimpses of throughout the episode. It is also pretty worrying that Alicia’s relationship with her mother largely concerns the men in their lives. When she’s not offering moody wisecracks about Travis, she is complaining about Nick. The show’s failure to produce a meaningful dynamic between mother and daughter is one of the ultimate fails of feminine portrayals as documented by the Bechdel Test.
Outside of their relationship, the fleeting glimpses of strength illustrated in the women are immediately overpowered by their lack of emotional self control. Alicia’s weaknesses lay in her annoyance and resentment of Nick and Travis. However, Madison’s issues run a little deeper.
Travis is brought front and center due to his role in solving Madison’s problems, despite having a major one of his own. He is solitary in his struggle to connect with his estranged son, yet Madison surrenders to a complete reliance on him. It is also important to note that most of the male characters are well versed in her problems. With the historic premiere of the show, Madison has joined the endless ranks of emotionally delicate women needing to be saved in television. Yes, she’s a working mom and an authoritative figure at her job, but it’s a thin veil of independence written to mask her reliance on the men around her.
Ultimately, the Fear The Walking Dead pilot fails to introduce a strong female character and it’s disappointing. To be fair, its sister series The Walking Dead has suffered notoriously with this as well, despite making modest strides in recent seasons towards the equality of the females in the group. The women of Fear The Walking Dead don’t need to be ruthless zombie assassins in order to exhibit strength. The real strength of character comes from the ability to recognize and deal with their own weaknesses. One can hope the show may address this through future episodes, but it may be too early to speculate. You can catch the show on AMC through cable TV and watch as its female characters unfold (or not).
Maria Ramos is a writer interested in comic books, cycling, and horror films. Her hobbies include cooking, doodling, and finding local shops around the city. She currently lives in Chicago with her two pet turtles, Franklin and Roy. You can follow her on Twitter @MariaRamos1889.