Seed & Spark: Female Friendship On Screen–Art Imitating Life

But what if I spent my time, instead, helping another female filmmaker make her movie involving female friendship? Wouldn’t that be just as meaningful? And could it perhaps be making an even bigger statement—promoting the “cause,” so to speak?

Producer Liz Franke, Writer/Director Augustine Frizzell and Casting Director Tisha Blood having fun during the casting session of Never Goin’ Back.
Producer Liz Franke, Writer/Director Augustine Frizzell and Casting Director Tisha Blood having fun during the casting session of Never Goin’ Back.

 

This guest post by Liz Cardenas Franke appears as part of our theme week on Female Friendship.

The desire to have more female-driven films is such a hot topic in the entertainment industry right now.  And it should be. There is definitely a need for more fully developed, complex female characters in cinema and for stories that are told from a female point of view.

But let’s take it a step further. What I believe is truly lacking are stories that specifically center on female friendships. It seems to me most female-oriented movies often just look at sexual relationships from a female perspective. (OK, sometimes they also show what it’s like to be a mother or juggle family and a career.)

But if you asked someone off the street to name a movie about two female friends, a real movie, not some over-the-top, unrealistic comedy, you would most likely hear Thelma & Louise. Maybe Beaches. And that’s probably it. Sure, there are others. But you have to really think about it for a minute. The same is not true for the male counterpart of this question. Most people would have no problem rattling off a list of pictures that concentrate on male friendship. That’s because there are a ton! There’s even a subgenre for them: the male “buddy” movie.

Liz Franke directing Augustine Frizzell, who had a lead role in the Hungry Bear film, Finding Glory, which is in post-production.
Liz Franke directing Augustine Frizzell, who had a lead role in the Hungry Bear film, Finding Glory, which is in post-production.

 

So, as a female filmmaker myself, what could I do to make a difference? Of course, I could go ahead and make one. I do, after all, write and produce films, alongside my husband, and many of them have strong female lead characters. For example, in our family feature, Summer’s Shadow, the protagonist is a bright and independent 12-year-old girl who rescues a sweet, stray dog and will stop at nothing to save him. And it’s her determination that ultimately impacts those around her, both children and adults.  And I just directed (for the first time!) a short film, titled Treading Water, which I also wrote, and it is about a woman in her 30s who tries to come to grips with her new reality of caring for her elderly father in her childhood home.

But what if I spent my time, instead, helping another female filmmaker make her movie involving female friendship? Wouldn’t that be just as meaningful? And could it perhaps be making an even bigger statement—promoting the “cause,” so to speak?

Well, that is what I’ve done. I am currently a producer on the feature film of a fellow female filmmaker (say that three times fast!) who also happens to be a dear friend of mine. Her name is Augustine Frizzell, and she is the writer/director of Never Goin’ Back. Her movie centers on the friendship between two 16-year-old girls who come from lower socio-economic backgrounds (also grossly underrepresented in cinema) and their misadventures as they try to win back their jobs at the local Pancake House in order to make rent. They have absentee parents and are high school dropouts living on their own, except for an older brother and his friends. So, ultimately, they only have each other. And they go through the ups and downs of life together.

Producers and friends Augustine Frizzell, Liz Franke and Kelly Snowden watching the monitor on Franke’s short film, Treading Water.
Producers and friends Augustine Frizzell, Liz Franke and Kelly Snowden watching the monitor on Franke’s short film, Treading Water.

 

This is a personal story for Augustine. It is based on her own experiences. So by working as a producer on her feature, I am helping her tell her own story. And I believe if we really want to see more narratives about true female friendships on screen, then we must actually experience them in real life, as well.

Augustine and I have worked on each other’s projects in the past— I was an executive producer on her short film, she was a producer and acted in mine. However, due to the magnitude of this project (a full-length feature with an ultra low budget and a three-week shoot), it has taken our relationship to the next level. And through it all, it’s been such a positive experience.

Being filmmakers in a male-dominated industry (who also happen to be married to male directors), we can relate to each other. We can also be vulnerable and let down our guards in front of each other. And that is what has been so special and has, quite honestly, blown me away.  We do not let ego get in the way. There is no jealousy. No backstabbing. No ulterior motives.  We truly support and encourage each other and want each other to be successful, and you hardly ever see that in movies or on TV.

I have to be honest. I have never really had that before in this business. Of course, my husband is always extremely supportive and encouraging, as is hers. But it has been so rewarding to make a real girlfriend in this business, and someone who is pursuing the same thing as I am. It makes me feel like anything is possible. By helping each other, I think we will make a difference. One movie at a time.

Liz Franke and Augustine Frizzell, who both happen to be actresses as well as writers and directors, filming a scene.
Liz Franke and Augustine Frizzell, who both happen to be actresses as well as writers and directors, filming a scene.

 

And it doesn’t end there. We have so many women working on this project, many of whom are donating some or all of their time or services.  Kelly Snowden, my fellow female producer on this project, (there is one male producer—we don’t discriminate after all) has worked tirelessly from the beginning to help our director obtain her vision. And from the Casting Director to our Costumer Designer to our Production Coordinator —they are all women. All of them work regularly in the industry and have still found time to help on this project.  This support system of women we’re creating is truly amazing. I was always taught to lead by example, as opposed to simply talking about wanting change. That’s what we’re doing. And it feels really good.

 


 

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Liz Cardenas Franke is an actress, writer and producer. She and her husband have made seven feature films through their production company, Hungry Bear, including the successful “Adventures of Bailey” series.  A member of Women in Film and SAG-AFTRA, Liz was a former reporter for The Dallas Morning News and the Fort Worth Star-Telegram, as well as the Vice President of International Sales for Engine 15 Media Group. She is a graduate of Texas Christian University with a B.S. in Broadcast Journalism.