Director Spotlight: Allison Anders

Welcome to our first installment of Director Spotlight, where we explore the biographies and filmographies of an often overlooked group: women film directors. 
Here is an excerpt from the AMC biography on Allison Anders:
The hardships encountered and overcome by director Allison Anders are often reflected in the grittiness and strength of her female characters, a quality that lends her stories a tough but refreshing honesty. Anders cares about her characters, but she refuses to give them falsely happy endings and this refusal distinguishes her from other directors of so-called women’s films who make their movies into little more than celluloid Hallmark cards. Anders’ approach to this kind of storytelling has given her distinction in the film industry and she continues to make films that challenge conventional attitudes toward both women and films about women.

Born November 16, 1954, in Ashland, KY, Anders had an upbringing that was nothing if not traumatic. At the age of five, she, her mother, and four sisters were abandoned by her father, and were forced into an unstable, itinerant lifestyle. At the age of 12, Anders was raped and then endured abuse from her stepfather, who at one point threatened her with a gun. Anders suffered a mental breakdown when she was 15 years old, after her mother took her daughters to Los Angeles to escape further abuse. Following time in psychiatric wards, later in foster homes and jail, Anders ventured back to Kentucky, then moved to London with the man who would father her daughter.

Be sure to read her entire biography here. You can also check out several interviews with Anders where she discusses her childhood and the making of her films in great detail here, here, and here.


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Border Radio: 1987

Starring Chris D. and Chris Shearer

Independent Film Quarterly critic Todd Konrad summarizes the film as follows:


Chris D plays Jeff, an underground singer-songwriter who along with his bandmate Dean (played by Doe) and hanger-on Chris (played by Chris Spencer), rob a local rock club of both money and drugs. In order to avoid retribution from the club owner and his henchmen, Jeff escapes across the border to Mexico where he hides out to let the heat die down. Left in the lurch is Jeff’s wife Luanna and their young daughter Devon (played respectively by Anders’ real life sister and daughter, Luanna and Devon Anders). In order to keep things together, Luanna, a local rock journalist, is left to play detective in order to figure out exactly what happened to send Jeff away. The hope being that she will find a way to bring her man back from across the border and fix whatever problems he may have incurred in doing so.

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Gas Food Lodging: 1992
Starring Brooke Adams, Ione Skye, Fairuza Balk, and James Brolin


In her New York Times Critics’ Pick Review, Janet Maslin writes:


Imagine “The Last Picture Show” shot in color and shaped by a rueful feminine perspective, in a place where women are hopelessly anchored while the men drift through like tumbleweed. The becalmed town of Laramie, N.M., is the setting in which Nora (Brooke Adams), a hard-working waitress with a knowing, generous grin, has tried to bring up her two unruly daughters.

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Mi Vida Loca (aka My Crazy Life): 1993
Starring Angel Aviles, Seidy Lopez, Devine, Monica Lutton, and Christina Solis


Check out the New York Times, where Caryn James opens her review with:


In “Mi Vida Loca My Crazy Life,” Allison Anders tries what few directors would have had the interest or intelligence to think of. She looks beyond the surface of the lives of Hispanic girl gangs and attempts to create a deeper portrait of young women in the Echo Park section of Los Angeles. They use gang names, like Sad Girl, Mousie and Whisper. And though violence is part of their lives, they are likely to be teen-age mothers struggling to get by.

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Four Rooms (segment “The Missing Ingredient”): 1995
Starring Sammi Davis, Valeria Golino, Madonna, Ione Skye, and Lily Taylor


This film was widely panned by critics. Four directors participated, and each director created their own segment. Anders wrote and directed “The Missing Ingredient,” about which James Berardinelli of reelviews.net writes:


The story—what little there is—revolves around a witches’ coven trying to resurrect the spirit of a stripper. All the ingredients (mother’s milk, virgin’s blood, sweat of five men’s thighs, and a year’s tears) are ready except for a sperm sample. Since witch Eva (Ione Skye) failed in her assignment to bring this vital component of the mixture, she is charged with seducing Ted and getting what she needs from him.

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Grace of My Heart: 1996
Starring Illeana Douglas, Sissy Boyd, Christina Pickles, and Jill Sobule


Time Out Magazine writes:


Loosely inspired by the life of Carole King, this is a light, feminist take on 15 years of pop: hits and Ms, if you will. It begins with a bright, peppy tone, pastiching the nascent rock’n’roll scene with an affectionate smile and perfect pitch—the Larry Klein-produced soundtrack is spot on. But it’s not all kitsch nostalgia: the period coincides with great social changes, particularly regarding the role of women, a recurrent Anders theme. Sharp cameos include Patsy Kensit’s rival songwriter and Bridget Fonda’s teen songbird with a secret love.

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Sugar Town: 1999
Starring Jade Gordon, John Taylor, Michael Des Barres, and Martin Kemp


David Ansen at Newsweek writes:


It isn’t easy growing old in the land of youth and beauty. It’s even harder if you’re a rock-and-roller who hasn’t had a hit in decades, or a sexy leading lady now being offered parts as Christina Ricci’s mother. “Sugar Town,” an agreeably scruffy L.A. satire co-written and directed by Allison Anders and Kurt Voss, is filled with sharp, funny snapshots of the hustlers, has-beens, recovering junkies and Topanga Canyon earth mothers on the fringes of the Hollywood music biz.