Call For Writers: Black Families

Some questions to consider: What constitutes a Black family in film or on television? Are representations of these families realistic or true to life? What are audiences who consume this media intended to understand about Blackness or the Black experience? What kinds of stories are allowed to be told and which are still suppressed?

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Our theme week for January 2015 will be Black Families.

Though not as prolific as white families, Black families are a popular subject for television and filmmaking. Black family comedy makes up a large portion of that representation, from classic sitcoms like The Cosby Show and The Fresh Prince of Bel-Air to  slapstick films like Are We There Yet? and Dr. Dolittle. Many films like Dr. Dolittle are remakes of older films that originally featured white people but now star a predominantly Black cast (Annie, The Nutty Professor, etc.). There’s even an entire sub-genre of Black comedy that involves men cross-dressing as a matron or the family matriarch (Big Momma’s House, Madea’s Family Reunion, etc.).

On the other hand, there’s a host of critically acclaimed dramas that involves Black families with at least an element of the tragedy (The Pursuit of Happyness, Roots, 12 Years a Slave, The Color Purple, etc.). Many of these celebrated stories deal with serious issues like slavery, dysfunction, poverty, gang violence, and/or abuse.

Some questions to consider: What constitutes a Black family in film or on television? Are representations of these families realistic or true to life? What are audiences who consume this media intended to understand about Blackness or the Black experience? What kinds of narratives are allowed to be told and which are still suppressed?

Feel free to use the examples below to inspire your writing on this subject, or choose your own source material.

We’d like to avoid as much overlap as possible for this theme, so get your proposals in early if you know which film you’d like to write about. We accept both original pieces and cross-posts, and we respond to queries within a week.

Most of our pieces are between 1,000 and 2,000 words, and include links and images. Please send your piece as a Microsoft Word document to btchflcks[at]gmail[dot]com, including links to all images, and include a 2- to 3-sentence bio.

If you have written for us before, please indicate that in your proposal, and if not, send a writing sample if possible.

Please be familiar with our publication and look over recent and popular posts to get an idea of Bitch Flicks’ style and purpose. We encourage writers to use our search function to see if your topic has been written about before, and link when appropriate (hyperlinks to sources are welcome, as well).

The final due date for these submissions is Friday, Jan. 23 by midnight.

Roots

The Pursuit of Happyness

Boyz in the Hood

The Cosbys

12 Years a Slave

Annie

Baby Boy

Beloved

Grey’s Anatomy

Barbershop

The Nutty Professor

The Fresh Prince of Bel-Air

Black-ish

Madea’s Family Reunion

Love & Basketball

Sister, Sister

Big Momma’s House

The Color Purple

Family Matters

Akeelah and the Bee

This Christmas

Moesha

Sparkle

Diff’rent Strokes

Dr. Dolittle

The Secret Life of Bees

American Gangster

Sanford and Son

In the Hive

Eve’s Bayou

Bebe’s Kids

Everybody Hates Chris

Soul Food

Seventeen Again

Are We There Yet?

The Boondocks

Red Hook Summer

Fat Albert and the Cosby Kids

Crooklyn

The Perfect Holiday