‘Broad City’: Hilarious, Lazy Girls at the Party

‘Broad City,’ which first appeared as a web series in 2009, shows us two women who lack ambition in a way that is almost radical—if only because we rarely see women acting irresponsibly without being punished for it.

Let me first make it clear that the title of this post is intended as a celebration of two things: 1) Amy Poehler, who, in addition to being a brilliant comedy writer, performer, and founder of Smart Girls at the Party, is the executive producer of the new Comedy Central series Broad City and 2) That we finally have some representations of funny women on TV who get to be every bit as guiltlessly unmotivated as their male counterparts. The characters that Abbi Jacobson and Ilana Glazer created and depict are silly, charming, and always have each other’s backs—no matter how absurd or ill-advised the scenario. On its face you might think that another show about best friends in their 20s living in Brooklyn and Queens will cover familiar territory, thanks to Girls.  You would be wrong. Most of the women in Lena Dunham’s world are not unlike some of our other (beloved!) women characters like Leslie Knope, Liz Lemon, and Mindy Lahiri in that they are wrestling with personal and professional issues that can often be traced to the anxiety inherited by women over whether they can  “have it all.” Sure, Hannah Horvath might be lazy at times, but she is nothing if not driven by ambition to establish herself as a writer. Broad City, which first appeared as a web series in 2009, shows us two women who lack ambition in a way that is almost radical—if only because we rarely see women acting irresponsibly without being punished for it.
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I say “punished” because Abbi and Ilana get away with a lot on Broad City, and we get to enjoy the thrills of their bad decisions and improbably mild consequences. In the first episode, we see Ilana sitting bored at her job, where she makes it clear to her boss that since the paychecks are delayed, she has no intention of staying to work.  However, she does have her sights set on one particular goal: to make enough money for a night out for her and Abbi to go to Lil’ Wayne show (she also plans to seduce him).  Her hope is to raise $200—for tickets, drinks, and weed—and she needs to convince her best friend to blow off her custodial job at a gym to help execute her plan. Abbi is the less reckless of the two (she tells Ilana that she’s might not be up for the show that because she’s “really excited about a cashew stir fry” she made for the week), but willingly capitulates to her best friend’s scheming (as she does throughout the series).

 

broad city store

 

Their first attempt to earn money takes the form of bucket drumming in Central Park, where their only fan is Ilana’s friend-with-benefit Lincoln, played by Hannibal Buress (one the best stand-up comics working today). When busking proves fruitless, Abbi and Ilana must resort to Plan B: cleaning creepy Fred Armisen’s apartment in their underwear while he luridly gazes upon them from behind drapes.  Did I mention that he’s also wearing footie pajamas? This scene is brilliant physical comedy, and refreshingly turns what could be humiliating into something aggressively funny. Without spoiling too much of the rest of the episode, let’s just say that Ilana and Abbi end up back where they started: video-chatting with each other as they nurse hangovers.

 

broad city cleaning

 

In addition to being great writers, Jacobson and Glazer are a delight to watch, (as is both the supporting cast and cameos performances Rachel Dratch and Janeane Garofalo).  Abbi and Ilana’s is a female friendship in which both women enable and affirm the other even as they make ridiculous choices—which is what friends are for.

 

Bitch Flicks’ Weekly Picks

Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!

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Laverne Cox flawlessly shuts down Katie Couric’s invasive questions about transgender people by Katie McDonough at Salon

7 Movies That Changed Your Political Views, According to Science by Asawin Suebsaeng and Chris Mooney at Mother Jones

A Way to Stop Abortion Threats, Get Women Behind the Camera: As Directors, Writers, and Cinematographers by Ariel Dougherty at Media Equity

Stomaching “Girls”: Why I Regained an Appetite for the Show’s Third Season by Kerensa Cadenas at Bitch Media

Are TV Networks Fully Realizing The Ratings & Profit Potential In Producing Content for Black Women? by Tambay A. Obenson at Shadow and Act

Meryl Streep attacks Walt Disney on antisemitism and sexism by Ben Beaumont-Thomas at The Guardian

“Catching Fire” Is The First Film With A Female Lead To Top The Annual Box Office In 40 Years by Adam B. Vary at Buzzfeed

“SNL’s” best move yet: Hiring black female writers by Carolyn Edgar at Salon

“Am I Crazy for Even Considering This?” Stuntwoman Zoë Bell Says, “Yes,” Then Does It Anyway by Matt Zoller Seitz at MZS. at RogerEbert.com

Amy Poehler and the ‘Broad City’ Team Demonstrate Why ‘Television’s Such a Great Medium for Women’ by Alison Willmore at IndieWire

Joseph Gordon-Levitt on Being a Feminist on ellen

2013 Was A Good Year For Women In Movies. What Will 2014 Hold? by Megan Gibson at TIME

Golden Globes by gender: where are all the women? by Clara Guibourg at The Guardian

Watch the Athena Film Fest 2014 Trailer by Inkoo Kang at Women and Hollywood

 

What have you been reading/writing this week? Tell us in the comments!

Bitch Flicks’ Weekly Picks

Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!

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The American media has no idea how to talk about race on-screen by Sydette Harry at Salon

‘How The Media Failed Women In 2013’ Is One Video You Need To Watch This Year at Huffington Post

Gender Inequality in Film Infographic at New York Film Academy

The Feministing Five: Sunny Clifford by Suzanna at Feministing

Amy Adams and Claire Danes Talk Feminism and Women in Hollywood by Kate Dries at Jezebel

Finally, Filmmakers Tell the Forgotten History of Seattle DIY Self-Defense Group Home Alive by Laina Dawes at Bitch Media

What Really Makes Katniss Stand Out? Peeta, Her Movie Girlfriend by Linda Holmes at NPR

Gal Gadot is History’s First Movie Wonder Woman by Susana Polo at The Mary Sue

Evan Rachel Wood Tells The MPAA “Women Don’t Just Have To Be Fucked” by Beejoli Shah on Defamer

Heroines at the Box Office by the Editorial Board at The New York Times

Popaganda Episode: Funny Business by Sarah Mirk at Bitch Media

Tina Fey & Amy Poehler’s First Promo For The Golden Globes Is Here! by Jessica Wakeman at The Frisky

‘Dear White People’ and ‘Drunktown’s Finest’ to Screen at Sundance by Jamilah King at Colorlines

Where Are All the Female Filmmakers? by Gary Susman at Rolling Stone

On The Subject of White Moviegoers and Black Film by ReBecca Theodore-Vachon at Film Fatale NYC

How Nelson Mandela Affected South Africa’s Film Industry by Georg Szalai at The Hollywood Reporter

 

What have you been reading/writing this week? Tell us in the comments!

 

Bitch Flicks’ Weekly Picks

The feminism of Working Girl, “respectability politics” in 12 Years a Slave, female filmmakers on Twitter, comedy and reproductive rights, female sexuality on primetime, “Black Actress” on YouTube, and a comic about abortion laws… check out what we’ve been reading this week, and let us know what you’ve been reading and writing in the comments!

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Acting Right Around White Folks: on “12 Years a Slave” and “Respectability Politics,” by ReBecca Theodore-Vachon at RogerEbert.com

Amy Poehler introduces TO KILL A MOCKINGBIRD at Alamo Drafthouse! at Drafthouse.com

Why female pleasure–not sex–is the real taboo on primetime television by Monica Nickelsburg at The Week

Carrie: A Possibly Unnecessary Remake of a Still-Resonant Horror Story by Andi Zeisler at Bitch Media

Healing from Historic Trauma: “12 Years a Slave” by Janell Hobson at Ms. 

40 Female Filmmakers to Follow on Twitter: A Crowdsourced List by Paula Bernstein at Indiewire

The Hollywood Reporter Announced the Top 50 Showrunners by Kerensa Cadenas at Women and Hollywood

Black Girl ‘Geeks’ Want To See More Of Themselves In Comics at NPR

Carol Burnett Cracks Up Washington by Ashley Southall at The New York Times

Call for Applications: Her Film Project Marketing Grant for Women Filmmakers by Kyna Morgan at Her Film

Everything I Know About Feminism I Learned From Working Girl by Rosemary Counter at Jezebel

‘Black Actress’ Web Series Premieres on Issa Rae’s YouTube Channel by Von Diaz at Colorlines

Comedy, Women, and Reproductive Rights: An Interview with Lizz Winstead by Hannah Strom at NARAL Pro-Choice Oregon

Purity Culture as Rape Culture: Why the Theological Is Political by Dianna E. Anderson at RH Reality Check

Stealth Attack: What You Need to Know About the New Abortion Laws (Comic) by Jen Sorensen at ACLU

 

What have you been reading/writing this week? Tell us in the comments!

Bitch Flicks’ Weekly Picks

This week, we’ve been reading about Amy and Tina hosting the Golden Globes, the new films Carrie and 12 Years a Slave, the body positivity of The Rocky Horror Picture Show, media representation of African American women, and more. Tell us what you’ve been reading/writing in the comments!

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Tina Fey and Amy Poehler sign on to host Golden Globes through 2015 by Jeff Labrecque at Entertainment Weekly

‘Rocky Horror’ And Body Positivity At Midnight by Matthew Weddig at NPR

Hollywood Finally Catches Up With History (12 Years a Slave) by Salamishah Tillet at The Root

‘Carrie’ Is Back. So Is Kimberly Peirce. by Mary Kaye Schilling at The New York Times

The Most Ridiculous Mystical Pregnancies in Fiction by Katharine Trendacosta at io9

“Hollywood’s Not Interested in Stories About Women.” by Sarah Mirk at Bitch Media

5 Highlights from Women Film Pioneers Project: African-American Women in Silent Film, Women Camera Operators and More at Indiewire

The Internet’s Problem with TV Wives at Funny or Die

Heroines of Cinema: ‘Blue is the Warmest Color’ and the Real Problem With Mal Filmmakers and Female Sexuality by Matthew Hammett Knott at Indiewire

Mulan Is Bisexual On ‘Once Upon A Time,’ Disney-ABC Show by James Nichols at The Huffington Post

10 Funny Black Women Who Would Rock “Saturday Night Live” by Erika Star at AfterEllen

Women Battle Online Anti-Women Hate From the ‘Manosphere’ by Alyssa Pry and Alexa Valiente at ABC

Does History Repeat Itself, But With More Porn? by Philip N. Cohen at The Society Pages

College Men: Stop Getting Drunk by Ann Friedman

Meet the Victorian women who fought back by Simon Heffer at The New Statesman

 
What have you been reading/writing this week? Tell us in the comments!

 

Happy Galentine’s Day! Why It’s So Important to See Ladies Celebrating Ladies

Written by Megan Kearns.

Hey, ladies! It’s that time of year…Happy Galentine’s Day!! 

If you’re a fan of Parks and Rec (and if you’re not watching, you should really ask yourself why — I mean it’s only the best, most feminist show on TV), then you know all about the holiday commemorating female camaraderie…and waffles! 
Here’s how Leslie Knope defines the holiday: 
“What’s Galentines Day? It’s only the best day of the year! Every Feb 13th, my lady friends and I leave our husbands and our boyfriends at home and we come and kick it breakfast-style. Ladies celebrating ladies. It’s like Lilith Fair, minus the angst. Plus frittatas.” 
A holiday just for ladies celebrating ladies?? Count me in. 
Too few films and TV shows feature female leads. It’s even rarer to see a focus on female friendship, just one of the many reasons why Parks and Rec is such an important series. Creators Greg Daniels and Michael Schur conceived the show to revolve around Leslie Knope and Ann Perkins’ friendship, fitting since Amy Poehler and Rashida Jones are real-life friends.
Leslie is all about supporting other women. She started Camp Athena and the Pawnee Goddesses, programs for teen and tween girls. She idolizes strong women leaders like Hillary Rodham Clinton, Madeline Albright, Condoleezza Rice and Nancy Pelosi. She even made a Geraldine Ferraro action figure as a kid. Leslie has mentored Amber to help her find her career ambition. She compliments and uplifts Ann, gives her advice in her love life, and (after hilarious meddling) embraces her decision to have a baby even though it deviates from Leslie’s perceived path to happiness. So it should come as no surprise Leslie would create a holiday solely to honor and support her female friendships.

Too often we see media depict women as catty and backbiting towards one another or the Smurfette principle with only one woman in a film or TV cast. So it’s great to see the women on Parks and Rec all get along with the crux of the show residing in a female bond. 
We need more media reflecting the fact that women’s lives don’t revolve around men. Women have got their own shit going on. Galentine’s Day reminds us to celebrate our lady friends. Because after all, they are pretty awesome. 

Tina Fey? Amy Poehler?? Why I Can’t Wait for the Golden Globes

Words cannot adequately express my excitement, my elation, my….well, you get the point…that Amy Poehler and Tina Fey will be hosting this Sunday’s Golden Globes. Am I excited because two women will be hosting? Two feminists? Two hilariously funny people? Yes, yes and yes.
After Amy Poehler’s continued awesomeness at the 2011 Emmys — complete with comical commentary on institutional sexism and female camaraderie — I have no doubt the two real-life best friends, aka the “Cagney and Lacey of comedy,” will make the film and TV awards show both feminist and entertaining. Especially after last year’s Golden Globes replete with dick jokes and sexual harassment. Not only is it great to see two strong, intelligent and talented women on-stage, but it’s wonderful to see those same two women admire and support each other.

Old-timey Hollywood banter, imaginary conversations with Angelina Jolie, photo-bombing Harrison Ford? How could this not be amazeballs??

In one of the videos, Amy and Tina talk about why they want to host. Tina says:
“It’s a very sloppy, loud party and that seems like our kind of thing.”
 
Oh yes, ladies, that’s most certainly my kind of thing too.
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Bitch Flicks will be live-tweeting the 2013 Golden Globes on Sunday, January 13th at 8pm ET/5pm PT. Follow us on Twitter at @BitchFlicks! And be sure to follow Bitch Flicks regular contributor Myrna Waldron at @SoapboxingGeek who will be live-tweeting too!

Bitch Flicks’ Weekly Picks

Amber‘s Picks:

Hollywood’s Year of Heroine Worship by A.O. Scott via The New York Times

Oscars and casting: Hollywood insiders discuss diversity by Solvej Schou via Entertainment Weekly

30 Lessons We Learned From Amy Poehler in 2012 by Krutika Mallikarjuna via Buzzfeed

Megan‘s Picks:

7 Ways Women and Girls are Sexualized, Stereotyped and Underrepresented On Screen by Dana Liebelson and Asawin Suebsaeng via Mother Jones

“There Is an Audience for Our Films”: Four African-American Female Filmmakers Speak Out by Lorenza Munoz via The Daily Beast

Surprise! Attempted Rape Scene in Episode of ‘The Walking Dead’  by Tizzy Giordano via Fem2pt0

TedX Women Talk about Online Harassment and Cyber Mobs by Anita Sarkeesian via Feminist Frequency

Is Historical Accuracy a Good Defense of Patriarchal Societies in Fantasy Fiction? by Dan Wohl via The Mary Sue

Google Grants $1.2M to Help Analyze Female Roles in TV, Film by Angela Watercutter via Wired 

Hollywood’s Power 100 Mingle at THR’s Women in Entertainment Breakfast by Sophie A. Schillaci via The Hollywood Reporter

The Divine, Difficult Women of ‘Treme’ and David Simon’s Female Characters by Alyssa Rosenberg via ThinkProgress

Dreamworks Animation Is Proud of Having an 85%  Female Group of Producers by Susana Polo via The Mary Sue

Sexist Quote of the Day by Bret Easton Ellis Melissa Silverstein via Women and Hollywood

What have you read (or written) this week that you’d like to share?

Women in Politics Week: Roundup of Feminist Celebs’ Political Videos

Screenshot of Amy Poehler in the Center for Reproductive Rights’ Draw the Line campaign


This post by Megan Kearns originally appeared at Bitch Flicks on November 5, 2012.

Many assume Hollywood is a liberal nirvana (or I guess a hellhole if you’re a Republican). But that’s not exactly true. Not only do films lack gender equality, they often purport sexist tropes. While many participate in fundraisers or ads for natural disasters or childhood illnesses or breast cancer, most celebrities remain silent when it comes to supposedly controversial human rights issues like abortion and contraception. But not this year! Because of the GOP’s rampant attacks on reproductive rights (gee thanks, GOP!), more celebs are adding their voices to the pro-choice symphony dissenting against these oppressive laws.
Now some people say, “Who the hell cares what celebs think??” Okay, sure. But I care. I care that people with money, visibility and power use their sway to speak out against injustice.
As I’m kind of obsessed with feminist celebs (aren’t we all??), I thought I would post a roundup celebrating some of the awesome videos featuring Hollywood celebs advocating for reproductive rights and women’s equality and speaking out against “legitimate rape” bullshit and discriminatory voter ID laws. So kudos to Amy Poehler, Meryl Streep, Kerry Washington, Tina Fey, Eva Langoria, Joss Whedon, Martha Plimpton, Lena Dunham, Sarah Silverman, Kevin Bacon, Kyra Sedgwick, Audra McDonald, Scarlett Johannson, Tea Leoni, Mary J. Blige, Julianne Moore, Kathy Griffin and Cher for taking an unapologetic stand and speaking up for our rights.

Women in Politics Week: Quote of the Day: Rebecca Traister

Big Girls Don’t Cry: The Election that Changed Everything for American Women by Rebecca Traister
Rebecca Traister’s Big Girls Don’t Cry looks at the 2008 election through a feminist lens and, (no surprise), focuses most on primary candidate Hillary Clinton, and later Sarah Palin. The book is, however, much more than just an analysis of the sexism these two women endured. Big Girls Don’t Cry looks at the ways in which the media itself was forced to adapt, particularly to Clinton’s historic run at the presidency. This book is an excellent, smartly written look back at gender politics in 2008. For me, it reopened wounds and ignited anger I felt during the election cycle, when I heard, time and again, painful misogynist commentary coming from our so-called liberal media. However, the book provides a kind of catharsis: if we can look back through Traister’s clear eye, maybe we — individuals and the collective — will change.

The book is especially incisive when discussing how the media — the news media and entertainment realm — itself had to change in reaction to the election, and provided several “Ah ha!” moments for me. 
Here’s an excerpt from her chapter “Pop Culture Warriors”:

If Katie Couric was the nail in Sarah Palin’s vice-presidential coffin, the hammer was Tina Fey. Fey’s deadly impression of Palin was played out over half a dozen sketches for which Fey returned to Saturday Night Live, where she had been the first female head writer and where, in February, she made news with her comedic defense of Hillary Clinton, “Bitch is the new black.” 
[…]

Fey’s take on Palin was serendipitous, prompted by the strong resemblance between the two women. But that likeness was part of what made it groundbreaking: a vice-presidential candidate looked like a famous comedian. A female comedian. And on it went. Hillary Clinton had been played by Poehler for several years. The interview that brought Palin low had been administered by Couric, a woman also played by Poehler. The vice-presidential debate had been moderated by Gwen Ifill, prompting a guest appearance by the inimitable Queen Latifah. Inasmuch as each of the impersonations relied on the amplification of feminine traits–Poehler/Couric’s heavily mascara’d and incessant blinking, Poehler/Hillary’s hyenic laugh, Fey/Palin’s sexy librarianism–in ways that might indeed be sexist or reductive, those characteristics were ripe for amplification only because the objects of political and media parody had high-pitched laughs and wore mascara and pencil skirts. The heightened femininity of Palin’s political persona also came in for examination; during the Couric-Palin sketch, Couric pointed out to a stumped Palin, “It seems to me that when cornered you become increasingly adorable.” That little one-liner, accompanied by Fey’s inspired shooting of fake finger guns, distilled a gender dynamic–wherein women infantilize themselves as a defensive strategy–it might otherwise take thousands of words to unspool.

[…]

But in comedy, as in real life, the arrival of Palin on the scene threw Clinton into a new focus. Next to Palin, Clinton’s good qualities–her brains, competence, work ethic, her belief in secular government and reproductive freedoms, her ability to complete sentences–became far more evident than they had been before there was another potential “first woman” to compare her to. Nothing conveyed these haze-clearing realignments of perspective as quickly and as firmly as Fey and Poehler did in five and a half minutes. The parodic depiction of the two women side by side exposed the complex dynamics of Palin’s parasitism, their unwilling symbiosis, and their stark differences.

You can read reviews of the book at Gender Focus and Feministing.

——
Amber Leab is a Co-Founder and Editor of Bitch Flicks and a writer living in Asheville, North Carolina. She holds a Master’s degree in English & Comparative Literature from the University of Cincinnati and a Bachelor’s degree in English Literature & Creative Writing from Miami University. Outside of Bitch Flicks, her work has appeared in The Georgetown Review, on the blogs Shakesville, The Opinioness of the World, and I Will Not Diet, and at True Theatre.

Why We Need Leslie Knope and What Her Election on ‘Parks and Rec’ Means for Women and Girls

Leslie Knope (Amy Poehler) in Parks and Recreation
Written by Megan Kearns
When I grow up, I want to be Leslie Knope. It’s no secret I love Parks and Recreation. A female-fronted series with a hilarious ensemble cast that’s the most feminist show on TV? C’mon, how could I not? It’s easy to write off Parks and Rec as a quirky and brilliant comedy. Yet it’s so much more than that. It broke ground revealing the highs and lows of political office and showing an intelligent, upbeat, passionate woman can not only run for office but win.
Inspired by The Wire’s portrayal of politics (another reason to love it even more!), it depicts local government in the small town Pawnee, revolving around the indomitable Leslie Knope. Amy Poehler (who happens to be one of my fave feminist celebs) anchors the show with her fantastic portrayal of the waffles-loving leader.With Leslie Knope’s win, women and girls see that women can become leaders. She helps normalize the image of female politicians, showing us that it’s not strange — rather it’s routine — for a woman to strive for political office. She allows us to dream of impacting change through politics. She tells us that it’s okay for women to be powerful.
Not only do we see a female politician. We see a FEMINIST female politician. And I can’t think of a more overtly feminist character on TV. Period.
Always striving to empower women and girls, Leslie started Camp Athena, a program for teen girls and the gender-bending Pawnee Goddesses, an originally all-girls (and later co-ed) girl scouts-esque group. When judging a beauty pageant, Leslie brilliantly brought “her own laminated scorecard with categories including “Knowledge of herstory” and “The Naomi Wolf factor.” She started “Galentine’s Day” for her lady friends to celebrate each other and how they don’t need men. Forever dreaming of running for office, Leslie idolizes strong women leaders posting pictures of Hillary Rodham Clinton, Madeline Albright, Condoleezza Rice, Janet Reno, and Nancy Pelosi. Leslie aspires to become the first female president of the United States. Did I mention she constructed a Geraldine Ferraro action figure? From a popsicle stick?? Priceless.
Parks and Rec continues the lady power by revolving around a female friendship. Creators Greg Daniels and Michael Schur conceived the show to focus on Leslie and Ann Perkins’ friendship. Fitting as Amy Poehler and Rashida Jones are real-life friends. In an age where you see women catty and backbiting towards one another or the Smurfette principle with only one woman in the cast, it’s great to see several women who not only get along but support one another’s goals.
But Parks and Rec skyrocketed into the feminist stratosphere when it featured Leslie’s decision to run for city council, her campaign and her win.
In “I’m Leslie Knope,” Leslie declares, “I’ve been dreaming of running for public office my whole life.” While other girls played with Barbies, Leslie had her trusty Geraldine Ferraro action figure (I cannot express just how much I love this). Leslie makes campaign speeches in her sleep and declares her campaign slogan “Knope We Can’t Not,” a hilarious riffs on President Obama’s slogan. We see Leslie participate in the usual campaign tasks such as field and GOTV (get out the vote), fundraising and debating. And her position on Egyptian debt relief.
Leslie chooses her career over a man…twice. In season 2, when she’s dating Louis C.K., he asks Leslie to move with him but she decides to stay in Pawnee for her career. Then in season 4’s premiere, Leslie must choose whether or not to break up with adorbs Ben in order to pursue her dream of running for office. And she chooses her career. We so rarely see this on TV. It’s so refreshing for a woman to put her work and herself first instead of a man.
During Leslie’s debates, not only is abortion mentioned (“I think we should all just have a good time”…thanks Bobby Newport!) but a commentary on sexism in politics arises too. Brandy, a city council candidate and former porn star, looks eerily similar to Leslie from her hairstyle to her clothes. She continuously compares herself to Leslie. Then the moderator even says they really are the same. It’s a funny commentary on how some people lump women candidates together as a monolithic force. You know, that we women are all the same because of our gender.
Leslie had to contend with her campaign manager leaving after she came forward with her relationship with Ben Wyatt, dirty spin tactics and even a smear campaign as she was accused of killing puppies (???) when the animal shelter closed due to her negotiation reallocating funds for the Parks Department. Each of these issues is dealt with humorously (duh). What’s surprising is that in a strange way — with its illustration of the hurdles women face and can overcome — Parks and Rec’s portrayal of Leslie Knope’s campaign might just be the most honest depiction of a campaign ever.
When Leslie responds to the lewd photos sent to all the female city hall workers, she tells reporter Perd Hapley, “When men in government behave this way, they betray the public’s trust. Maybe it’s time for more women to be in charge.”
Yes, yes it is time.
President Allison Taylor in 24, President Mac Allen in Commander in Chief, President Laura Roslin in Battlestar Galactica — we’ve never had a female president yet TV shows have imagined its reality. Currently, Julia Louis-Dreyfus plays Vice President Selena Meyer in the female-fronted political satire Veep. While we’ve seen a handful of women as elected leaders on-screen, we’ve never seen a female candidate’s political campaign from start to finish. Until now. This season, audiences witnessed the campaigns of Modern Family’s Claire Dunphy and Parks and Rec’s Leslie Knope, both running for city council.
I was thrilled we had not one but two women running for office! Claire’s campaign for city council mostly took a back seat, only appearing in 3 episodes. And she lost. Although it was great to see her run at all. But Leslie’s campaign remained the crux of the 4th season.Hopefully, when we see more women leaders run for elected office on-screen, we’ll see more women running for off-screen.
For several years, I worked at a women’s center at Harvard University, coordinating a political training program for female grad students. Female political candidates face unique challenges and obstacles. Some women are reticent to run because they worry about fundraising (many women have no problem asking for money as activists yet have trouble when it comes to asking for money for themselves) and facing sexism in the media and the ridiculous scrutiny on their appearance. Women often have to be asked to run for office whereas men just run. Women often perceive that they need more training, more experience, regardless of their actual qualifications.
But I think there’s another reason women don’t run.
You can’t be what you can’t see. If little girls don’t see any female politicians in the media — in books, film and TV — it becomes that much harder for them to envision themselves as leaders or even knowing that politics is a potential path. If no politicians look like you — although having Hillary Clinton run for president and Sarah Palin as a Vice Presidential candidate certainly helped — it’s extremely difficult to imagine you can lead.
We need even more women to run for office, advocating for greater equity. Women must fight harder to prove themselves and their worth, due to their small numbers and societal expectations. Female politicians often submit more legislation and tend to advocate more for abortion, education and healthcare. They see the world from a different vantage point than men. When women sit at the table of the decision-making process, a greater diversity of voices and perspectives are heard.
Women overwhelmingly won this record-breaking election. With 20 women in the Senate and at least 77 women in the House, a historic number of women will serve in Congress. It will be the most diverse Congress in history. Additionally, with President Obama’s re-election, gay marriage passed in 4 states, and an anti-abortion amendment failing in Florida — all these successes struck a massive blow to the GOP’s onslaught of attacks against women, gay rights and reproductive rights.And I think feminist humor played a small yet vital role in the 2012 elections, spreading awareness about inequality.
As we’ve already seen in her brief term as City Councillor, Leslie has advocated for clean parks, passed a soda tax and fought back against abstinence-only education. As Diane Shipley points out in her must-read Bitch Flicks article on Leslie Knope:
“Leslie Knope *is* amazing. Over the course of three seasons, she’s gone from a small-time, small-town government employee with delusions of grandeur to someone it’s easy to believe could make a big splash on the larger political stage one day. I hope she does, and I hope we get to see it. What’s more, the popularity of her character signals an important change, a backlash against the backlash: the mainstream acceptance of a heroine who lives by feminist values and encourages others to do the same.”
Looking at the two comedies featuring women in political office on right now, Veep satirizes government, mocking politicians and their staff’s incompetency. While Julia Louis-Dreyfus and the rest of the ensemble are hilarious, I sometimes cringe as I want to see a woman in a position of power succeed. But with Leslie, you never doubt for one moment she can’t do exactly what she sets out to accomplish. And you never doubt she will stand up for women everywhere.
We need to see more depictions of women politicians. With Parks and Rec, not only do we see that women can and do run for office, but they can win. Leslie shows us that women can confidently follow their dreams and turn them into reality. As my friend and fellow writer Molly McCaffrey said to me:
“Watching Leslie win felt like a victory for not only women but people who care about the world.”
Now if only we had more Leslie Knopes in the world. With women and girls watching, we just might.

Megan Kearns is a Bitch Flicks Staff Writer, a freelance writer and a feminist vegan blogger. She tweets at @OpinionessWorld.

Roundup of Feminist Celebs’ Political Videos

Screenshot of Amy Poehler in Center for Reproductive Rights’ Draw the Line campaign

Election Day is tomorrow, people! So I’m going to chat a bit about politics.

Many assume Hollywood is a liberal nirvana (or I guess a hellhole if you’re a Republican). But that’s not exactly true. Not only do films lack gender equality, they often purport sexist tropes. While many participate in fundraisers or ads for natural disasters or childhood illnesses or breast cancer, most celebrities remain silent when it comes to supposedly controversial human rights issues like abortion and contraception. But not this year! Because of the GOP’s rampant attacks on reproductive rights (gee thanks, GOP!), more celebs are adding their voices to the pro-choice symphony dissenting against these oppressive laws.

Now some people say, “Who the hell cares what celebs think??” Okay, sure. But I care. I care that people with money, visibility and power use their sway to speak out against injustice.

As I’m kind of obsessed with feminist celebs (aren’t we all??), I thought I would post a roundup celebrating some of the awesome videos featuring Hollywood celebs advocating for reproductive rights and women’s equality and speaking out against “legitimate rape” bullshit and discriminatory voter ID laws. So kudos to Amy Poehler, Meryl Streep, Kerry Washington, Tina Fey, Eva Langoria, Joss Whedon, Martha Plimpton, Lena Dunham, Sarah Silverman, Kevin Bacon, Kyra Sedgwick, Audra McDonald, Scarlett Johannson, Tea Leoni, Mary J. Blige, Julianne Moore, Kathy Griffin and Cher for taking an unapologetic stand and speaking up for our rights.
And don’t forget to get out and vote!