Classic Literature Film Adaptations Week: Titus the Tight-Ass: Julie Taymor’s Depictions of the Virgin and Whore

Written by Amanda Rodriguez Trigger warning: frank discussion of rape & PTSD Julie Taymor’s Titus (based on Shakespeare’s Titus Andronicus) is a highly stylized production, involving elaborate costumes, body markings, choreography, era prop mash-ups, and extravagant violence. I tip my hat to Taymor for the scope and splendor of her vision, and I also applaud … Continue reading “Classic Literature Film Adaptations Week: Titus the Tight-Ass: Julie Taymor’s Depictions of the Virgin and Whore”

Women in Politics Week: Quote of the Day: Rebecca Traister

Big Girls Don’t Cry: The Election that Changed Everything for American Women by Rebecca Traister Rebecca Traister’s Big Girls Don’t Cry looks at the 2008 election through a feminist lens and, (no surprise), focuses most on primary candidate Hillary Clinton, and later Sarah Palin. The book is, however, much more than just an analysis of … Continue reading “Women in Politics Week: Quote of the Day: Rebecca Traister”

Women Doctors: Professionally Competent, Messy Personal Lives

Mindy Kaling as Dr. Mindy Lahiri in The Mindy Project Originally published at The Funny Feminist. You know what I’d like to see more of on television? Stories about women who are successful in their professional lives, but whose personal lives are a complete mess. I especially want to see more of these stories about … Continue reading “Women Doctors: Professionally Competent, Messy Personal Lives”

Women Doctors: Professionally Competent, Messy Personal Lives

Mindy Kaling as Dr. Mindy Lahiri in The Mindy Project Originally published at The Funny Feminist. You know what I’d like to see more of on television? Stories about women who are successful in their professional lives, but whose personal lives are a complete mess. I especially want to see more of these stories about … Continue reading “Women Doctors: Professionally Competent, Messy Personal Lives”

Horror Week 2012: ‘Paranormal Activity’: The Horror of Waiting, of Watching, of Things Unseen

This guest review by Mychael Blinde previously appeared at Vagina Dentwata and is cross-posted with permission. Please don’t film the demons! I’m partial to the Paranormal Activity trilogy for three reasons: the clever camera work, the pitch perfect execution of tension building and release, and the films’ focus on women’s stories and histories. (The first … Continue reading “Horror Week 2012: ‘Paranormal Activity’: The Horror of Waiting, of Watching, of Things Unseen”

Horror Week 2012: American Horror and the Evils of the Sexual Woman

Alexandra Breckinridge (l) and Frances Conroy (r) as American Horror Story‘s Moira This is a guest post by Paul and Renee In terms of the female characters on American Horror Story, there are quite a few problematic elements. There are the issues of violence and rape, but one that often gets overlooked is the treatment … Continue reading “Horror Week 2012: American Horror and the Evils of the Sexual Woman”

Horror Week 2012: Portrait of the Artist as the Demon’s Best Friend Forever

Jennifer’s Body (2009) This is a guest post from Erin Blackwell. Jennifer’s Body, the 2009 horror chick-flick that was a coming-of-age for sex goddess Megan Fox after hyper-lucrative, career-building toil under the aegis of Michael Bay’s teenage-boy-centric Transformers franchise, now enjoys a cult following outside the Transformers demographic. And yet, on release, Jennifer’s Body was … Continue reading “Horror Week 2012: Portrait of the Artist as the Demon’s Best Friend Forever”

Women and Gender in Musicals Week: ‘The Rocky Horror Picture Show’ and the Pitchfork of Puritanism

The lips in the opening sequence–the biting action has sexual and fearful connotations. The cult classic film The Rocky Horror Picture Show, which was based off a British play of the same name, was released in 1975. At that point in American history, audiences (young audiences especially) were eager to have their boundaries pushed and revel in … Continue reading “Women and Gender in Musicals Week: ‘The Rocky Horror Picture Show’ and the Pitchfork of Puritanism”

The Four Mothers of ‘Hanna’

                                                                 Saoirse Ronan as Hanna This independent film came and went and while a few friends mentioned it, I didn’t seem to read too much about it, a shame because the film offers a lot for a feminist viewers (Bechdel win!) in it’s portrayal of female friendship, Hanna’s coming of … Continue reading “The Four Mothers of ‘Hanna’”

‘Yo Bitch’: The Complicated Feminism of Breaking Bad

The cast of Breaking Bad Warning: Spoilers Ahead Season five of Breaking Bad began with the unraveling of Gus Fring’s drug operation, which had served as a puppeteer for most of the cast during the preceding seasons. The second episode, “Madrigal,” is named for the German parent company of Fring’s Los Pollos Hermanos. While the business … Continue reading “‘Yo Bitch’: The Complicated Feminism of Breaking Bad”

LGBTQI Week: Growing Up Queer: ‘Water Lilies’ (2007) and ‘Tomboy’ (2011)

This is a guest review by Max Thornton. Céline Sciamma’s films are ever so French. Light on dialogue, they tend to rely on lingering shots of longing glances and exquisite mise-en-scène to reveal character; loosely plotted, they leave the impression less of a story than of a series of vignettes, of tiny moments freighted with … Continue reading “LGBTQI Week: Growing Up Queer: ‘Water Lilies’ (2007) and ‘Tomboy’ (2011)”

Motherhood in Film and Television: Mothers of Anarchy: Power and Control in the Feminine Sphere

This is a guest review by Leigh Kolb. The ancient idea that men and women inhabit different spheres based on their biological makeup is rooted deeply in Western culture. In the Nineteenth Century, however, when the Victorian era dictated behavior and the Industrial Revolution changed work, scientists and civilians defined and embraced this idea of … Continue reading “Motherhood in Film and Television: Mothers of Anarchy: Power and Control in the Feminine Sphere”