‘Walking and Talking’ With Non-Toxic Women Friends

A short clip at the beginning of writer-director Nicole Holofcener’s first film, 1996’s ‘Walking and Talking,’ lets us know that Amelia (Catherine Keener) and Laura (Anne Heche) have been friends since adolescence. Both are in their 30s and living in New York City–Laura with her boyfriend Frank, and Amelia alone in the sort of sunlit airy apartment someone with her job, even in a pre-gentrified New York (which, like many films from then and now is also mysteriously bereft of people of color), would never be able to afford.

Lessons from Underrated Coming of Age Flicks

Something about summer always makes me nostalgic. I think it’s that when you’re a kid, when you’re a teenager, it all seems so significant. You tend to measure time in summers, those long unstructured months that melt together in your own dream world where your parents have no authority. How many coming of age stories begin with something akin to “It was the summer I turned 16”? In honor of the summer months, I thought I’d take a look at some underrated coming of age films and what I learned from them.

In Honor of ‘Veronica Mars’: A Spotlight on Father-Daughter Relationships

Mainly though, the movie’s release has reminded us of all the supposedly simple and universal the show portrayed so well, the things that shouldn’t be notable in today’s movies and TV, but somehow are: a platonic male-female relationship, a strong friendship between teen girls who never came to blows over looks or boys, a willingness to hold its heroine accountable for her flaws, and above all, an amazing father-daughter relationship.

The Quiet Love of Siblings: Brothers and Sisters in ‘The Savages’

Wendy has fantasies of setting up Lenny in bucolic quarters in the mountains of Vermont where he can live with independence and comfort. But given the level of Lenny’s dementia and their lack of resources, Wendy has to let go of those dreams and settle for the facility Jon selects, which is far more modest, in Buffalo, with costs covered by Medicare. Another director might have tried to seize the dramatic content of such a conflict, as there’s no downplaying the seriousness of what it means to provide comfort and care to the beloved elderly one’s family. Jenkins, however, brings the funny rather than the dour. When Wendy and Jon take Lenny to a high-end facility for an interview to see if his mental acuity meets their criteria for admission, Wendy attempts to coach her father into giving the correct answers to such questions as “What city are you in right now?” That Lenny doesn’t know is sad, but Wendy’s earnestness to help him cheat is, somehow, delightfully absurd. Jon gets annoyed at his sister, but recognizes the difficulty she’s having with the situation and gently lets her be.