Sophie in Don Bluth’s ‘Anastasia’

Written by Jackson Adler as part of our theme week on Fatphobia and Fat Positivity.

Don Bluth’s animated film musical Anastasia is incredibly historically inaccurate, and even offensive in how it depicts the Russian Revolution, its aftermath, and various historical figures. However, it also passes the Bechdel Test (and in more than one scene!), which is extremely rare for children’s films. It also shows the heroine and her love interest saving each other – with the heroine taking down the villain at the end. Possibly even more notable, the film also portrays positive representation of a fat woman in its character Sophie.

Before the audience meets Sophie, we hear of her from the character Vlad, who calls her “ravishing” and like a cup of “hot chocolate” after a “walk in the snow.” Sophie is indeed ravishing, and she certainly has a warm personality. Sophie (voiced by Bernadette Peters) is a fat woman who is independent, caring, sexy, confident, smart, savvy, sensitive, and powerful. She loves Paris, flowers, fashion, and the Russian ballet. As if she were the bubbly younger sister of Ursula, Sophie is confidant in her body, and seems to care little about respectability politics. If she wants to wear an off-the-shoulder dress that shows off her cleavage and has a very short skirt, she does! And she’ll roll her shoulder and shake her tush in it! And wear bright colors? Why wouldn’t she? She likes them! Eating good food and drinking champagne? Again, she likes them, so why wouldn’t she? She dances with multiple young and handsome men, and has lots of fun doing it. She takes Anya, Vlad, and Dmitri for a night on the town, introducing them to all the things she likes about Paris, and having just as much fun as them.

She deeply cares about family, especially her cousin, the Dowager Empress Marie (voiced by Angela Lansbury). She is supportive of other women, taking her cousin’s interests to heart, while also helping Anya. She enjoys luxury, but is willing to share her wealth with others, even taking Anya shopping for clothes in which to meet her possible grandmother. While a bit of a romantic, she doesn’t let the possibility of romance dictate her entire life. She has a short hair cut suitable for a “modern” woman of the time. She is her own human being, with her own interests, and who has pastimes other than supporting the skinny heroine in getting a make over or getting to the ball or getting the guy. She does not compete with or try to tear down Anya (or any other woman), either. It’s just that being kind to Anya, or “motherly,” is not all that she is. She is kind, but she has a personality and her own desires.

Sophie is neither fairy godmother nor villainess. She does not exist only for comedic relief. She does not exist to fawn over other people, nor does it occur to her to hurt anyone. She helps to reunite her cousin with her cousin’s granddaughter, enjoying her relationship with both, and enjoying doing things with both – whether shopping on the streets of Paris or attending the Russian ballet together. She supports the women in her life doing whatever makes them happy, tearing up when Anya chooses to elope with Dmitri instead of taking her place as Empress of Russia. By the same token, no one slutshames or fatshames Sophie or attempts to tell her not to do what she likes (as if she would listen to them!).

Sophie is a fun supporting character who keeps the story going. While there is nothing wrong with that, portrayals of characters like Sophie are incredibly rare, and viewers deserve to have more Sophies on their screens. While there have occasionally been other fat women in animated children’s films, they are side characters whose own narratives are rarely told, and who instead make their lives entirely about the skinny heroes and heroines, whether as mothering and mammy types or as villains. Sophie is not a fairy, like Flora or Merryweather or the nameless Fairy Godmother, nor is she a sea witch. Sophie is a human being who deserves to be seen and treated as such, which, in the film, is how she is seen and treated. She is not just respected, but admired. She is not just accepted, she is praised.

Sophie does not just move, she dances. She does not just talk, she sings. She does not just serve the heroine, she is kind to everyone and expects the same kindness in return. When someone is overstaying their welcome, she is not afraid to say “Out!” or “Bye, bye!” When a man isn’t what she wants, she finds another man, or even just dances by herself. Sophie’s confidence is rare for women on screen in general, but especially for fat women – and she’s not there to be laughed at (like Merryweather) or sneered at (like Ursula), either.

When are confident fat women like Sophie going to get their own film? We have a Malificent, but where’s Ursula? When is Disney going to make that film? We have the live action movie musical Hairspray, but audiences deserve many more films that celebrate fat bodies. And what about fat Women of Color? There should be many more than Precious. What about fat lesbian, bisexual, pansexual, transgender, and genderqueer women of all ethnicities?

Sophie is a complex female character (which, alone, is still quite rare) who is also fat. She embraces and loves her fatness. She and her fatness are also loved by others. Not every woman has the same body type, and not everyone finds skinny to be the only body type worth admiring. In Hairspray, Edna has Wilbur and Tracey has Link, and Mercedes and Sam dated in Glee. Slowly, representation of fat women who are happy in romance is expanding, but in 2015 the Disney princesses are all still extremely skinny. Ursula herself has had skinny makeovers, or often been left out of Disney villain media. Dreamworks’ Home features a mixed race middle-school heroine who has hips, but her waste is still very small. Meanwhile, Disney is making a sequel to Frozen, further featuring White skinny heroines.

Don Bluth’s Anastasia was released in 1997. It’s 2015 now. Dreamworks and Disney have made small strides in showing complex female characters, and have had a (very) few female character of Color. However, by mainly depicting skinny bodies, especially as leading characters, these companies are participating in fatshaming. Sophie is still exceptional among animated characters, and even live action characters. Though a fantastic character, she should not be the exception. She should not be a rare case of fat-acceptance. It should not be rare that a fat woman loves herself and is loved. Sophie is still a “cup of hot chocolate” after a “walk in the snow,” only it’s not just because of her warm personality, but because she is a symbol of not just fat-acceptance, but fat-love. She knows that she is “ravishing,” and she and the characters who love her won’t let anyone forget it.