Seed & Spark: Go Big or Go Home

What I like about this film is that not only did we come up with a full female driven story, but every woman in this film is a bad ass. No meek characters here. Every single one of them has a strong point of view and sense of self. Those are two things I think we need to focus on in this male dominated industry. As characters, and as women on sets, we can’t be afraid to take charge, voice our opinions and be ourselves.

Elena directing The Catch
Elena directing The Catch
Elena directing The Catch

 

This is a guest post by Elena Weinberg.

Being a female filmmaker isn’t hard, but it is definitely interesting. Maybe that statement isn’t true for everyone; maybe I just surround myself with good people. Either way, making films has been great for me as a person, but especially as a woman.

In December of 2012, my partner, Duncan Coe, entered into a screen writing contest. He has been a playwright for years and thought “Why the hell not? I’ll try my hand at the screen too.” The catch was that if he made the top 20, they wanted to see films he had written, produced or directed. So, it looked like we needed to make a film, just in case. But in Texas we have this phrase: “Go Big, or Go Home.” So, instead of just making one little short film in case he got in, we decided to go on a 12 month long journey. See, I got my degree in acting, and he got his in acting and writing. Neither of us knew anything about the behind the camera stuff. But hey, we live in the digital age, we could learn, right? So, we did. We decided to make one short film a month for the year of 2013. Each month we would focus on something different that we hadn’t learned yet.  The first month, we did a music video for a friend’s band so that we didn’t have to worry about sound. The next month, we focused on specific shot techniques. March and April focused on voiceovers and live sound. By August, we were getting creative and even tried our hand at stop-motion. He didn’t make the top 20 of the contest, be we had grown into something much bigger than that. We had formed a production company, TurtleDove Films, out of sheer will and determination. We finished the twelve months and not only came out alive, but even have 2 film festivals under our belts and one award.  What an accomplishment, right?

Still of actress Kimberly Gates, who plays Jamie in The Catch
Still of actress Kimberly Gates, who plays Jamie in The Catch

 

That’s all great on paper, but let’s dig a little deeper. What was this experience like for me, as a woman? It was pretty crazy good.  Duncan and I fell into our roles early on: he wrote and did cinematography and I directed and business managed. As the female in our duo, I got to be in charge.  Now, that has nothing to do with the fact that I AM a woman (I’m just naturally better at taking charge and more organized than he is) but it definitely feels good to be a female in that position.  I found myself looking for ways to empower myself and other women on my sets. In November, I decided to challenge Duncan on the writing end. I pointed out that we hadn’t had a full female cast yet, and that most of our female characters hadn’t been particularly strong.  He’s a “write what you know” kind of guy, so he blamed that on being a dude and not really understanding women.  I called bullshit and told him he just needed practice.  So, “The Catch” was born. (Watch it free to play, here: https://vimeo.com/80720328).

What I like about this film is that not only did we come up with a full female driven story, but every woman in this film is a bad ass.  No meek characters here. Every single one of them has a strong point of view and sense of self.  Those are two things I think we need to focus on in this male dominated industry. As characters, and as women on sets, we can’t be afraid to take charge, voice our opinions and be ourselves. Maybe I’m just lucky, but when I’m directing on set, it feels really really good. People listen to me and value my opinions. Since TurtleDove’s inception, I’ve grown exponentially as a director: after just one three hour directing class in college, I had no idea if I was going to be able to do it. Spoiler alert: I did it. And I now identify as a director. But guess what else that has done for me? It’s made me a better actress. On top of that, it’s made me a stronger person. It’s even made me a better audience member.

I’ve discovered that I’m capable of anything I set my mind to. TurtleDove is now a licensed LLC and we are crowdfunding through Seed & Spark to raise start-up funds for our in-home studio. Before last year, I never dreamed of being a business owner. But, I stood up, owned my woman-hood and said “yes, I can.” So, whether you’re a female director, producer, actress or film buff, I encourage you to keep your strength in mind. Being a female in film is anything but boring. But if it was boring, what would be the point?

 


Elena Weinberg
Elena Weinberg

 

Elena Weinberg is an actress, director and producer. She graduated from Saint Edward’s University in Austin, Texas with a BA in Theatre Arts. She co-owns TurtleDove Films, LLC in Austin, Texas. TurtleDove Films is currently running a 60 day campaign on Seed&Spark to fund start-up costs for the production company (www.seedandspark.com/studio/turtledove-films) In addition to filmmaking, she is active in the local theatre community, a yogi, a cat lady and an avid San Antonio Spurs fan. The way to her heart is with wine, cheese and pickles.

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