‘Obvious Child’: A Rom Com Gets Real Over Choice (Fundraising)

Too many times, films singularly depict abortions as religious immoral decisions or heavy emotional burdens, but such a topic does not always have to be heavy hitting and controversial.

Obvious Child, Sundance Film Festival 2014

This piece by Katrina Majkut is cross-posted with permission from her blog, The Feminist Bride.

In the saccharine land of rom coms, plots can be trite, characters undefined and sappy sweet endings all too predictable for most movie-goers. And the worst part is that rom coms are usually geared toward women. No one wants to watch the same movies with the same formulas. If you’re like me, you’ve been looking for something different, endearing, and more in touch with reality.
That’s where Obvious Child (2014), by writer and director Gillian Robespierre, comes in. Unlike rom coms centered around getting the boy or choosing love, Obvious Child is about what a woman chooses for herself–in this case, an abortion. It follows Brooklyn comedian Donna Stern (Jenny Slate), who “gets dumped, fired, and pregnant just in time for the worst/best Valentine’s Day of her life.” The best part about the film’s description is that it focuses on the nature of Donna’s choice and how after everything, she ends up all right.

 

obvious-child

With the help of Robespierre’s friends and coworkers, Anna Bean and Karen Maine, they wrote and produced a short film version in 2009. Robespierre said, “We were frustrated by the limited representations of young women’s experience with pregnancy, let alone growing up. We were waiting to see a more honest film, or at least, a story that was closer to many of the stories we knew.” Too many times, films singularly depict abortions as religious immoral decisions or heavy emotional burdens, but such a topic does not always have to be heavy hitting and controversial.

 

What I loved about the idea to this film (and why I chose to donate to it) is how imperative it is to see women’s issues addressed in different ways–with humor and wit. I also loved the women power behind this film, something we seldom see. Kathryn Bigelow is not the only female director tackling hard issues in interesting ways.

The film has been accepted to the upcoming Sundance Film Festival, but it still needs financial support to be complete (donations support final touches and distribution). It is currently seeking funding on Kickstarter. $10 gets you an online screening of the original short film. It’s a few thousand dollars short and just has 11 days to go! Sometimes, women have to go to extra lengths to support their sisters and get better pop culture representation. Ladies, give the gift that will give back to yourself! The best part is that you can do this from the comfort of your own home. In a time when abortion rights and access become increasingly limited in the United States, sometimes it’s movies like Obvious Child that can entertain us, but also send an important message that when it comes to abortion, whatever we choose, we’ll be all right.

OBVIOUS CHILD: a 2014 Sundance World Premiere! by Gillian Robespierre — Kickstarter.

 

Read Bitch Flicks’ review of the original short film here.
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Katrina Majkut is the founder and writer of the website TheFeministBride.com. As a “wedding anthropologist,” she examines how weddings and relationships are influenced by history, pop culture and the media. Her goal is to bring to light the inherent gender inequality issues that couples may not even be aware of within wedding traditions and the wedding “industry,” and to start dialogue around solutions that empower women to take positive action toward equality in their relationships and marriages.

 

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