Does Uhura’s Empowerment Negate Sexism in ‘Star Trek Into Darkness’?

Lt. Nyota Uhura (Zoe Saldana) in Star Trek Into Darkness

Written by Megan Kearns | Warning: Spoilers ahead!


Yes, I am a Trekkie. I’ve been a huge fan of Star Trek ever since I was a kid. The camaraderie of Star Trek: The Original Series, the intellectual and moral conundrums on Star Trek: The Next Generation, the political intrigue and exploration of social issues on Deep Space 9 — I love them all.

I really enjoyed JJ Abrams’ Star Trek and Star Trek Into Darkness. Both are fun, gripping movies paying homage to the original series. While I enjoy the nostalgia and revisiting these characters, I can’t ignore Star Trek Into Darkness’ vacillating depiction of empowerment and sexism.
In the 60s original TV series, Lieutenant Uhura was a ground-breaking role. It was one of the first time audiences saw a black woman on TV who wasn’t a maid or a servant. She was also part of the first interracial kiss on TV, although that always bothers me as it was against her wishes due to mind control. Uhura’s occupation as the Enterprise’s Communications Officer inspired women (Dr. Mae Jamison, Sally Ride) and African-Americans (Dr. Mae Jamison, Guion Bluford) to become astronauts. We can’t be what we can’t see, one of the reasons media impacts our lives so deeply.
Yet the original Star Trek didn’t exactly delve deeply into Lt. Uhura’s personality. However, we can glean a few things about the Communications Officer. Adept at languages, she was ambitious, climbing through ranks to eventually become a Commander. She enjoyed music and loved to play instruments and sing. She doesn’t really have a tangible persona, not compared to roguish and rebellious Kirk, rational and logical Spock or emotional, metaphor-spewing Bones. So it’s great to see the extremely talented Zoe Saldana — who I will seriously watch in anything — imbue the iconic character with more complexity and depth as an opinionated and assertive woman.
In the original series, Kirk, Spock and McCoy form the central trio. But in Star Trek Into Darkness, Uhura replaces McCoy so now there’s a woman of color in the triad. A lady broke through the boys’ club barrier!! But won’t her ladyparts contaminate the brotastic bond??
Is Uhura in Star Trek Into Darkness a strong-willed, intelligent, assertive badass? Or merely relegated to the role of a dude’s girlfriend? She’s both.

Spock (Zachary Quinto) and Uhura (Zoe Saldana)
Uhura and Spock share an effortless chemistry. As we saw in the first Star Trek film, despite their difference in rank, they appear to be equals in their romantic relationship. Uhura possesses agency, despite her romantic involvement. She’s the one who demands Kirk let her negotiate with the Klingons rather than shooting first. She’s the one who insists on being beamed down to help Spock in the film’s climax. No one is making decisions for her. She’s making them. She’s not afraid to voice her opinion. When she’s pissed at Spock, thinking he held little regard for his life, she’s unafraid to confront him even though Kirk, her boss, is present.
Part of me loves that Uhura, a black woman, is the one in the romance. Too often we see white women play out that plot. Black women often remain on the sidelines as the feisty sidekicks, giving their white friends advice on love. Lucy Liu recently lamented about racist stereotypes in Hollywood, how people don’t think of her in a romantic comedy. While not a rom-com, it’s great to see a woman of color get the guy.
But it pisses off another part of me that Uhura’s role in Star Trek Into Darkness is ultimately defined by her relationship to a man, even though that relationship often takes “a back seat to the bromance between Spock and Kirk.” Uhura’s role as girlfriend exists to convey Spock’s humanity. Uhura is upset at Spock that he seems so cavalier in a life-threatening situation, not giving their relationship a second thought. He assures her that he cares deeply but doesn’t want to endure the anguish of fear. They have a genuine conflict that I wish had been explored more. In the emotional climax, Spock loses control of his emotions due to his feelings for Kirk, not Uhura. Again it feels like it’s all about a dude.
Even though the other female character in the film Dr. Carol Marcus, a weapons specialist for chrissake, she’s ultimately defined by her relationship to a man too — her father, an ambassador and head of Starfleet. She’s also been called the worst damsel in distress ever. Not sure I’d say the worst but yeah it’s pretty bad. Oh and of course we see her in her underwear, for no reason other than to show Kirk ogling her. (In case you’re not familiar with original Star Trek, Dr. Marcus also happens to be the mother of Kirk’s son — another way her character is defined by a man — although she’s also the creator of the Genesis Project, which is pretty badass. But who knows if this will even transpire in the subsequent reboot series.)
Dr. Marcus’ gratuitous half-naked, eye-candy shot has rightfully pissed off a ton of people. Screenwriter and frequent Abrams collaborator Damon Lindelof recently responded to the criticism, proving he doesn’t fully comprehend sexism or misogyny:

I copped to the fact that we should have done a better job of not being gratuitous in our representation of a barely clothed actress.
— Damon Lindelof (@DamonLindelof) May 20, 2013

We also had Kirk shirtless in underpants in both movies.Do not want to make light of something that some construe as mysogenistic.
— Damon Lindelof (@DamonLindelof) May 20, 2013

 

What I’m saying is I hear you, I take responsibility and will be more mindful in the future.
— Damon Lindelof (@DamonLindelof) May 20, 2013

 

Also, I need to learn how to spell “misogynistic.”
— Damon Lindelof (@DamonLindelof) May 20, 2013

 

While it’s nice that he acknowledges their folly, even after he apologizes, it’s more a half-assed excuse as he mentions Kirk is shirtless. No, no. I just can’t. I’m not going to go into all the reasons why reducing a woman who’s defined by men to a sex object specifically for the Male Gaze is so NOT the same as showing a man shirtless. Just trust me. It’s not the same. At all.
I complained in Iron Man 3 of Pepper Potts’ faux empowerment, essentially fulfilling the Damsel in Distress trope. While others have claimed Uhura becomes the Damsel in Distress too, I disagree. While women overall get a pretty shitty treatment in the film, Uhura’s agency is not stripped away. She voices her ideas, desires and annoyances. Unlike Pepper, Uhura fearlessly expresses her opinions and holds steady to them.
When Klingons surround Uhura, Spock and Kirk’s small spacecraft, Uhura decisively asserts herself. She tells hot-headed Kirk — who of course wants to charge out with guns blazing – that he brought her there to speak Klingon. “So let me speak Klingon.” Uhura wants to be the diplomatic negotiator resolving the situation. Huzzah! Oops, when negotiations go awry things, it’s testosterone to the rescue. And yes, Uhura gets saved by a dude. Annoying. However, in the ensuing melee, Uhura grabs a dagger off a Klingon who was going to kill her and kills him first in self-defense. Later in the film, she asserts herself again when she beams down to help Spock against villain Khan.

Uhura
Star Trek Into Darkness also makes an interesting commentary on stereotypical masculinity. While Ambassador Marcus is aggressive, looking to kill Khan, Kirk learns the importance of following the rules to ensure justice. It initially seems like a denouncement of toxic hyper-masculinity. Ahhhh but not so fast. The climax of the film, the showdown with Khan, isn’t resolved with logic or cunning. Nope, it’s with good old fashioned testosterone as Spock, now in touch with his anger after a Wrath of Khan reversal and the death of Kirk, beats the shit out of him.
Speaking of Khan, while it’s awesome to have an intelligent woman of color featured so prominently in the film, the egregious whitewashing of Khan cannot be ignored. In Star Trek the Original Series and the film Star Trek II: The Wrath of Khan, Khan Noonian Singh was a genetically engineered human augment, a product of the eugenics wars. As a Sikh from Northern India, he was a composite of a variety of ethnicities played by the charismatic Ricardo Montalban, aka one of the awesomest villains. Ever. But in Star Trek Into Darkness, it’s a white dude. Sure Benedict Cumberbatch does an okay job. But this racist whitewashingis a slap in the face” to the audience as well as Gene Roddenberry’s vision of bringing people together from around the globe and galaxy “by a mission of exploration and diplomacy.”
So why am I going off on a tangent about Khan when this is an article about Uhura? Because the ancillary racism and sexism bolsters the film’s message. The original Star Trek series was groundbreaking in its depiction of gender and racial diversity and exploration of social issues. But we don’t live in the fucking 1960s anymore. JJ Abrams clearly doesn’t want to do anything different or “boldly going” anywhere when it comes to dismantling oppression and heralding diversity.
JJ Abrams created strong female characters in Alias (a female-centric series) and Lost, two of my favorite TV series. He showcased female friendship between Sydney and Francie, Sydney and Nadia, Kate and Claire, Kate and Sun. And Lost would have been female-centric too if the networks hadn’t made him change the leader of the survivors from Kate (whose character was more like Rose) to Jack. However, when you start to look at his treatment of characters of color, sadly most of them die on both shows. But in Star Trek Into Darkness, he seems a bit too concerned with harkening back to the good ole’ days of yore. You know, the ones filled with sexism and racism.

Uhura
Is Uhura empowered? Yes. But does it matter when all other women in the film are silenced, absent or objectified? Does it matter when she’s defined by her relationship to a man?
It’s strange in a film that objectifies women and defines them by their relationship to men, we simultaneously see an intelligent, decisive and opinionated Uhura. Aside from Uhura’s rank as a lieutenant, we see no women in leadership roles. No women captains, no women ambassadors, no women number ones (second in commands to captains). Uhura possesses no female friends. She doesn’t talk to a single woman at all. Not one. Not even underwear-clad Carol.
No, Star Trek Into Darkness can’t pass the fucking Bechdel Test but it doesn’t pass up the opportunity to show Kirk having a threesome. A fucking threesome. Because women are nothing more than fantasies and sex objects. Can’t forget he’s a lady-loving, bad-boy rules-breaking playboy. Now, I love Kirk in all his swagger and bravado too. But if we’re going to show women on-screen, can it please for-the-love-of-all-that-is-holy NOT just be women in their underwear? Can we please not just focus on dude’s friendships, sexual conquests, struggles and tribulations?

As actor and nerd icon Felicia Day says, by Star Trek Into Darkness not showcasing women, “we are telling people that only men are worth centering storytelling around, and that’s just bullshit.” As I’ve written before, the Bechdel Test matters because the overwhelming majority of movies fail, indicating the institutional sexism and rampant gender disparity prevalent in Hollywood.

Yes, Uhura rocks. And yes, she asserts her agency. But no matter how opinionated, smart and fabulous she is, the gains made by Uhura begin to erode when you factor in the incessant sexism swarming around.

As I’ve said time and again, if you depict your female characters, no matter how empowered, as only talking to men and not other women, it reinforces the notion that women’s lives revolve around men. Even when women possess agency and intelligence and a budding career, Star Trek Into Darkness perpetuates the trope that women are not complete or whole unless they’re helping a man, looking sexy for a man, or a man stands at their side.

Bearing the name of an iconic boundary-busting, visionary series, I expect more.

18 thoughts on “Does Uhura’s Empowerment Negate Sexism in ‘Star Trek Into Darkness’?”

  1. Your analysis is spot on. My only nit, one I’ve seen from multiple authors now, is that there is more to Spock’s emotions than whether he loves Kirk or Uhura more. There is a difference between him being calm while giving up his own life (he wasn’t sobbing over losing Kirk then), and being upset at having to go on living with the loss of someone he loves. It is possible that Spock wouldn’t have gone on such a rampage if Uhura had died in place of Kirk, but we don’t know, and I don’t think it’s a fair comparison.

  2. I was so, so angry at the scene where Kirk peeps on an unclothed Dr. Marcus, particularly for her reaction. She knows he’s ogling her and that he deliberately ignored her request to turn around, and yet she’s only annoyed he didn’t turn around? I know they wanted to establish a future romantic relationship between the two, but surely there are other ways to do it besides sexualizing her. She has a Ph.D in physics and is a weapons specialist, but all they can see is T&A. That’s just sad, and she deserved much better.

    Plus, it’s ridiculous that they didn’t even touch on Dr. Marcus’s grief at having watched her father brutally die. Neither do they explore how she would feel about her father being a corrupt warmongerer. She screams and that’s it. Instead we get 10 tedious minutes of Spock and Khan beating the crap out of each other.

  3. What you have said here really struck me

    I want to share some of what you’ve commented here on a quotes page i am compiling on my personal tumblr, would that be okay with you?

  4. For me, it’s not a matter of equating emotions or relationships as weak. The reason why it bothers me that Uhura — or any female character for that matter — is defined by her relationship to a man is that it’s overwhelmingly prevalent in film. Whereas men can fulfill a variety of roles, too often we see women through the lens of their roles as the wives, girlfriends and sidekicks to men.

  5. Find a date, go have a juicy, med-rare ribeye, and watch a movie without analyzing it and you’d not be so bitter all the time. You can’t spell analyze without…well you know.

  6. Why complain about film analysis on an article and site about…film analysis?? Ridiculous. Analysis and critique enhance rather than hinder my enjoyment of film. And this vegan will pass. No need to be concerned with what I eat or who I date.

  7. As a longtime trek fan, my main quibble is that somehow Uhura “replaced” McCoy in the triad. Never, ever, does anyone replace McCoy in the triad, regardless of gender. Take that part back.

    Also, the fact that Uhura took the time to argue with Spock about their relationship/feelings whilst on duty, in front of the captain, and in the midst of an incredibly important mission left me cold. I found it to pander to the more misogynistic side of things, while you touted it as evidence of her challenging hollywood’s gender roles.

    The whole movie revolves around the sense of duty Kirk and Spock have for one another. Of course it’s about them. It always has been, and always will.

    Finally, while it’s certainly chock full of sexual imagery, this reboot has been one giant homage to the original series. Thus there’s gonna be miniskirts, kirk seducing women, and whatnot while also presenting strong individual female characters. I don’t think Carol Marcus’s character (besides the changing scene) seemed weak whatsoever. She only screamed in that one scene after her leg was viciously broken and she had just seen her father’s skull get crushed by a genetic supermans bare hands. I’m pretty sure I’d be screaming too. Sure, there’s blatant misogyny, but given Abram’s general commitment to strong women in leading roles(Lost, Alias) I’m guessing most of it was in homage to the original series(and to appeal to the summer blockbuster crowd).

    I’m just saying… and I’m honestly not a huge fan of the new movie. I could go on for hours about its plot failures and overall progression/script/etc.

  8. Lol wow way to over analyze the movie. So what if there was some masculinity in it? I’d prefer that than some wimpy bs movie where the men are useless idiots. We need more movies with strong male figures. Faults and all. Uhura was portrayed strong in a realistic light, not some invincible super woman. You want that low IQ crap, watch Resident Evil. I find it comical that someone would write an article about this. Someone has a huge chip on their shoulder.

  9. It would be nice if they brought back Nurse Chapel as Doctor Chapel. That would be a cool update. There’s nothing wrong with being a nurse but making her a doctor would add to the modernization; it shows that women can be doctors too. It would be a chance to add more depth to her character and it could give Uhura another woman to talk to. From the little I saw of the original series, they seemed to have gotten along well.

  10. What empowerment? She was one of the most annoying aspects of a horrible movie. Whining and bugging Spock were her only contributions. The entire crew acts like bunch of children.

  11. actually, I find the male characters in both movies far more defined by their relationships than Uhura is with her own. Take Nero, for example, he was defined by his wife because losing her was the main reason why he was seeking revenge and destroyed a whole planet.
    And you could say that McCoy sorely exists to be Kirk’s sidekick friend because other than his scenes with him or where he’s annoyed or concerned for him, he doesn’t contribute much to the plot.
    In part, you have explained the reason why Uhura’s less defined by her relationship because while she’s a secondary character and not a protagonist (reason why you can’t, for logic reasons, see more of her outside of her job on the ship and her connection with the protagonists), she still has agency and she is in no way treated as less important than the male characters surrounding her. You also see her effectively having her role as an officer, something you actually don’t see that much with McCoy and the other (secondary) male characters. In this instance, the problem is not the sexism of the writers but the double standards that some of the audience seems to have for the female characters in that you consider some things issues when it’s the women that have those stories, but you don’t consider them bad or damaging to the characters when those are males. Somehow, with women it’s ‘never enough’ and to the audience they are supposed to prove their worth more than the male characters. There is little contextualization too because it’s ignored that you still have a female character that for all intents and purposes is still more developed than most of the male characters who are not Kirk or Spock. There is also the fact that some people seem to hold the opinion that being defined by a romantic relationship is worse than being defined by a friendship, as if friendship effectively is a vehicle for the writers to develop the male characters but on the flip side, a romantic relationship for the woman isn’t as important or as useful even though, in many cases, it is because it’s no less an excuse for the writers to make us know more about the characters beyond their role as an officer and for the general plot. If people didn’t have double standards, they’d realize for example that the main male characters in star trek had always been defined by their friendships with the other male characters. You even have Spock Prime in the first movie telling young Spock that the friendship between him and Kirk would define them both. How would you take that same scene if that had been said about Uhura in regards of her relationship with Spock? Not well, I think. I find phrases like that one problematic for a character regardless their gender because It seems to suggest that the characters are supposed to have this co-dependent relationship with each other and have no other aspect in their lives that is as important, not to mention the problematic implication by some fans that these guys cannot be their own functioning people without each other. And maybe, at least in Spock’s case, they were inspired to have the Spock/Uhura relationship as a way to give to his character some recurring theme and story that wouldn’t always tie back to him being ‘the friend’ of the captain. But even Uhura doesn’t have just the relationship with Spock. Maybe it would be great for the ‘Bechdel Test’ if she was friends with a female character, but her becoming a friend to Kirk isn’t less interesting or important. In the end, I’d rather have a movie that fails the Bechdel Test but gives me a good female character I can relate to, than having a movie that passed the test and has many female characters but none of them are like Uhura’s.

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