‘Bachelorette’ Proves Bad People Can Make Great Characters

Kirsten Dunst, Isla Fisher, and Lizzy Caplan in Bachelorette
Written by Robin Hitchcock.
[Warning: spoilers ahead!]
When I saw The Hangover, around the time its sequel came out, I was disappointed they didn’t make the sequel the story of “meanwhile, the bride and her girlfriends had an even MORE wild adventure.” Some of us hoped we’d get something along those lines with Bridesmaids, which certainly was an enjoyable movie and huge step forward for female-focused comedies in mainstream Hollywood, but sometimes felt forced when it veered into the “shocking” territory of ladies pooping.
So three cheers for Bachelorette, which certainly stands on the shoulders of Bridesmaids, but makes it look tame in comparison. Bachelorette doesn’t just have its female characters do shocking things, it has the shocking characterizations. For once, we have a movie full of female characters allowed to be the horrifically selfish jerks that routinely populate dude comedies like The Hangover. It’s delightfully bracing.
For some, the ladies of Bachelorette will be too bitchy, or too similar to sexist stereotypes, to bear. Maid of Honor Regan (Kirsten Dunst) is a Type-A ice queen, joined by bridesmaids Gena (Lizzy Caplan), a self-centered fuck-up, and airhead Katie (Isla Fisher). All three enjoy drugs and casual sex, and all three can be jaw-droppingly mean. All are horrified that the bride Becky (Rebel Wilson) is getting married first among them, because, well, she’s fatter than they are. They still use the cruel nickname (“Pig Face”) they gave her in high school, and spend the first act showing shocking disregard for the her well-being and the success of her wedding. [Fortunately for the bride, there are other women in her bridal party lurking on the sidelines of the story, theoretically taking care of most of the wedding business while these three cause trouble].
Rebel Wilson is unfortunately not given much to do as Becky, but I really enjoyed how the movie didn’t just victimize her as the “fat friend”, subverting that dynamic by making it clear that Becky’s size is much more of an issue for her skinnier friends than it is for Becky herself.  Although Gena awkwardly jokes in her rehearsal dinner speech about meeting Becky when she was making herself vomit in the high school bathroom, it’s later revealed that Regan is actually the one with a history of bulimia. It’s made clear that Becky doesn’t tolerate strangers being cruel to her: she puts a stop to her bachelorette festivities the moment the male stripper Katie brought in calls her “Pig Face.” Becky retains her dignity, while Gena, Katie, and Regan pathetically retreat to have their own private coke-fueled hotel room bender without the bride or the other members of the bridal party.
Rebel Wilson as the bride, a well-adjusted foil for the main characters
During this party, the girls cruelly mock the size of Becky’s wedding gown, and Regan and Katie both try to climb into it. But Becky is only twice their size in their demented imaginations, so the gown rips.  The rest of the plot follows their misadventures as they attempt to fix the gown before the next morning.
Gena, Katie, and Regan never stop being selfish bitches in their quest to undo this huge wrong. A potential solution is reached when they are able to get into a bridal shop after hours and there’s another dress available in nearly Becky’s size, but it’s rejected because that dress is Regan’s favorite, and she can’t let her friend wear it instead of her. They’re also all distracted by their own romantic subplots, particularly Gena (who is paired against her former Party Down co-star Adam Scott, to the same irresistibly watchable effect).
But through all of this shocking meanness, there’s a true-to-life thread of the genuine friendship between these women. It may be hard to imagine how these characters became friends in the first place, but who didn’t build some unlikely friendships through the happenstance of high school classroom seating charts and locker assignments? And despite all their nasty behavior, it’s not hard to understand why they are still friends after all these years: Bachelorette masterfully illustrates the bond we feel with the people we’ve known the longest, even if they aren’t the closest people in our present lives. Becky and Regan will always have a bond because Becky covered up for her high school bulimia; Regan and Gena will always have a bond because Regan took Gena to get an abortion when her high school boyfriend (Scott) chickened out. In the final scenes, Regan bounces between finally putting her bitchiness to good use by chewing out Becky’s floundering florist, and saving Katie’s life after she overdoses on Xanax. Gena assures Katie’s bewildered suitor that even though he’s right that Regan is a “head case” it’s also true that “she’s a good friend.” It rings true. Regan is the kind of friend you’d never want, but you would nevertheless be grateful for if you did have her in your life.
Bachelorette has a happy ending without absolving the characters
Still, Regan, Gena, and Katie sit out Becky’s wedding ceremony, beat-down and vomit-covered on a bench, unneeded by Becky the beaming Bride. The film ends with a wedding reception coda that’s appropriately joyful, but there’s no clear-cut redemption for our troubled trio. Bachelorette strikes a delicate balance, getting us to like and root for these flawed characters without denying their shortcomings (as The Hangover and its ilk are wont to do).  It’s a rare feat for any film, and almost unheard of with a female-centric comedy.

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