Oscar Best Supporting Actress Nominee: Melissa McCarthy in Bridesmaids

Oscar nominee Melissa McCarthy in Bridesmaids

This is a guest post from Janyce Denise Glasper.

“I swear to God, that dolphin looked not at me, but into my soul, into my goddamn soul, Annie, and said, ‘I’m saving you, Megan.’”

Is that not charmingly poetic?
Does that not make one want to jump into the rivers of the deep to find unlikely redemption into the eyes of a playful circus mammal?
Bridesmaids, a hysterically entertaining R-rated anti-chick flick that has women front and center and men taking the backseat is just one teeny tiny pivotal step in right direction, has received two Academy Award nominations- Best Original Screenplay and a Best Supporting Actress nod for Melissa McCarthy.
For a comedian to be nominated in a comedic role is rare in Academy Award history and, if anything, McCarthy’s performance is extraordinarily insightful and altogether wonderful because she expresses an impressively varied range. From downright funny, to adorably charming, to unapologetically unladylike and to fearless poignancy.
Now the story is that Lillian is getting married to her “Dougie” and what better than to have a pack of rambunctious ladies up for a most diverse bridal party–Annie, the poor, creative-minded maid of honor/best friend; Helen, the skinny rich bitch who often steals Annie’s thunder; Becca, the chipper, saccharinely-sweet newlywed; Rita, the pissed off housewife cousin of Lillian; and at last Megan, Doug’s sister, a wisecracking badass-guts-no-glory kind of woman.
Melissa McCarthy as bridesmaid Megan
Introduced to Annie by a very busy Lillian, Megan is demurely dressed in a starched blouse, black slacks, unkempt pulled-back hair, and au naturale complexion. Pacing and somewhat twirling around the dance floor, Megan is an isolated figure, fruity beverage in hand, and seems a bit out of place in room of glamorously dressed people, but the pearl necklace and matching earrings give her that upper crust belonging.
A survivor of a cruise ship fall with pins in her legs, Megan speaks of being miraculously rescued by a heroic, telepathic dolphin, every bit of her words strongly emphasized in devout conviction.
Certainly not delusions derived from nearly drowned unconsciousness, McCarthy’s vividly animated performance makes the viewers simultaneously find humor and pity from an otherwise dangerous plight without using the over-played sarcastic or classic “dumb girl” approach. Resonating such brilliance and infectious wit, one cannot help but adore the spitfire the actress makes Megan to be.
Megan knows he’s really an air marshall
Short, stout, and proud of her sexual dominance, she has traits that others would find downright masculine.
For example, while boasting about Lillian’s potentially insufferable life with her brother, she also throws in an odd curveball idea of having a shower theme of “Fight Club,” thinking ganging up and beating up the bride an unexpected twist, which shocks and stuns the bridal band.
However, the part that electrifies to the core is the scene towards the end where McCarthy expels a reality about the negative connotations of bullying that cannot be ignored, expressing where such bravado and strength materialized, and a courage that is downright fascinating to watch.
It’s this speech that triggers the emotions:

No, this was not easy going up and down the halls. Okay? They used to try to blow me up. They threw firecrackers at my head. Fire crackers. I mean literally. I’m not saying that figuratively. I got firecrackers thrown at my head. They called me a freak. Do you think I let that break me? Think I went home to my mommy crying; ‘Oh, I don’t have any friends. Oh, Megan doesn’t have any friends.’ No, I did not. You know what I did? I pulled myself up. I studied really hard. I read every book in the library and now I work for the government. I have the highest possible security clearance.

She is not the best friend or closest pal to Annie, but is the one person who comes to visit the blond basket case, albeit with nine puppies in tow. Warm and rife with valiant wisdom, Megan’s thoughtful encouragement and lighthearted advice get Annie out of a depressing, self-inflicted funk.
Anti-rainbows, pink bows, and fluffy chatter, Megan, an imperfectly flawed champion female, is such a viable role of which McCarthy deserves praise and many accolades for she is a richly funny, captivating and beautiful scene stealer.

Janyce Denise Glasper is a writer/artist running two silly blogs of creative adventures called Sugarygingersnap and AfroVeganChick. She enjoys good female centric film, cute rubber duckies, chocolate covered everything (except bugs!), Days of Our Lives, and slaying nightly demons Buffy style in Dayton, Ohio.

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