Manic Pixie Dream Girls Aren’t Problematic for the Reasons You Think

If Claire (‘Elizabethtown’), Sam (‘Garden State’), or Ramona (‘Scott Pilgrim vs. the World’) were paired with a male lead who saw them as full people rather than objects to derive inspiration from (and fuck), perhaps the MPDG label never would’ve happened. … Manic Pixie Dream Girls aren’t problematic because they’re quirky and girly; that audiences only see them as such is often indicative of shitty male leads who are intent on making women fit into their fantasies.

Empowerment in the Imaginary Spaces of Zach Snyder’s ‘Sucker Punch’

By creating her own worlds where she is a force to be reckoned with, Babydoll reclaims that very thing that was taken away from her by her stepfather and the hospital: her humanity.

‘God Help The Girl’: Sunny Glasgow Hosts a Twee Musical

The songs allow the audience access to the inner minds of the characters, which is especially helpful for a secretive character like Eve. The songs swirl into a beautiful world where shining girls dance through the streets of Glasgow like it’s their own personal playground, always dressed for a costume party in enviable vintage. Songs cut into elaborate sequences of the band playacting on golden hills in school uniforms and battling with umbrellas on courthouse steps, that seem like mini-music videos. The film is so stuffed with beauty and whimsy that it often seems hard to make room for the parts of the story that are truly ugly.

Sex, Silver Service, and Fairy Tales: ‘Sleeping Beauty’

In her debut feature, 2011’s ‘Sleeping Beauty,’ director Julia Leigh examines consent, voyeurism, and passivity through the character of Lucy, a beautiful college student who sleepwalks through life as if it doesn’t involve her. Lucy becomes a literal Sleeping Beauty when she takes a job that involves her being drugged to unconsciousness while men are allowed to do anything they please to her naked body, with the exception of penetration. She exists in an eroticized, dream-like landscape and the film often feels like a painting come to life.

‘Sucker Punch’ Might Leave You Wishing for a Lobotomy

My main issue with the film is that it is speckled with meaningless platitudes and clichés about girl empowerment when the film simply isn’t empowering. The women in the film are portrayed as oversexualized, helpless, damaged goods. Though there are metaphors at work that symbolize abuse or objectification of women, nowhere does the film stress an injustice or seek to dismantle its source. It is just like any other formulaic action movie complete with boobs, guns, and explosions, but it has a shiny, artificial veneer of girl empowerment. The false veneer is the aspect of the film that truly infuriates me, along with the side of artsy pretentious bullshit.

Guest Writer Wednesday: Girl Power in Sucker Punch, Hanna, and Winter’s Bone

This guest post by Marina DelVecchio also appears at Marinagraphy.  In the past year, directors have been trying to feed our womanist pangs for more girl power in films. At least this is how I see the trend. Because as a woman and a mother, I want to see movies that represent my gender as … Continue reading “Guest Writer Wednesday: Girl Power in Sucker Punch, Hanna, and Winter’s Bone”

Guest Writer Wednesday: Sucker Punch

Sucker punched by “Sucker Punch”– Girls and guns don’t equal female empowerment This is a cross-post from What Tami Said. This really is the best movie ever cuz its like hollywood finally said to me Fuk yeah you my man are all we care about heres some awesome shit for you to get off on and … Continue reading “Guest Writer Wednesday: Sucker Punch”