‘Anomalisa’ and the (Fe)Male Gaze
Charlie Kaufman draws on an emotional darkness that is deeply human – something that every person can relate to in some way, big or small, regardless of gender or age. Which is why it’s frustrating to see in ‘Anomalisa’ – like in so many movies before it – the sense of hope come in the form of a woman, an object of romance for a man. … To put it bluntly, I’m sick of movies in which sad men think they can be saved by their idea of a woman.