Amy Adams Talks About Her Role as Painter Margaret Keane in ‘Big Eyes’

The actress added, “Being an artist and being a mom sometimes keeps you at odds and not to say you can’t do it, but an artist can feel very isolated, very narcissistic, and being a parent needs to be something completely different and so I understood that sort of thing and trying to make the right decisions and then getting caught in a lie with your child. That was something I found really fascinating and I was really interested by that dynamic.”

‘Big Eyes’ for a Big Year

Until the release, ‘Big Eyes’ looks like a promising movie to end off the empowering year of the woman. Flexing in the face of men, Margaret Keane’s story translates to roadblocks women surpass on the daily at the workplace and at home. Depending on how Burton captures Margaret’s story, Amy Adams has the opportunity to do women justice and end off the year of feminism with a bang–a big-eyed bang.

‘The Eyes of My Mother’ Is a Gorgeous Coming-of-Age Horror You’re Not Likely to Forget

With ‘The Eyes of My Mother,’ writer-director Nicolas Pesce explores the nature of human instinct and arrested development in a way that is uncomfortable to watch yet immersive just the same.

‘As I Open My Eyes’ to Sex and The Police State: An Interview with Director Leyla Bouzid

Two things that make Leyla Bouzid’s new film ‘As I Open My Eyes’ distinct from these other [portrait of the artist, coming-of-age films] are: the lead who resists family pressure by joining a band is a young woman and her parents have more to be concerned about than what the neighbors think. The action takes place in Tunis, Tunisia, in 2010, before the Revolution, so any kind of rebellion, even artistic, can draw the attention of the police and lead to arrest — or worse.

When Love Looks Like Me: How Gina Prince-Bythewood Brought Real Love to the Big Screen

Gina Prince-Bythewood’s choice to center these themes around a young Black couple shouldn’t feel as revolutionary as it does. But when you consider that “universal” is too often conflated with “white,” Love & Basketball feels like such a turning point in the romance genre. It was certainly a turning point for me because, for a moment, Black love and romance, as told by Hollywood, weren’t mutually exclusive.

Old Hollywood Legend in a New Skin: An Interview with the Filmmakers of ‘Starry Eyes’

‘Starry Eyes’ is a bloody, brilliant horror spectacle, about a desperate starlet who makes a dark deal for the promise of fame. Creepy, gross and well observed, complete with a complex female character and a crazy good performance from star, Alex Essoe, it is a film you have to see to believe, as long as you’ve got a strong stomach, that is. I spoke with writer-directors, Kevin Kolsch and Dennis Widmyer about their film, their inspirations and the universalities about struggling to make your way in Hollywood.

Wedding Week: Bigger Than Big: Marriage and Female Bonding in ‘Sex and the City: The Movie’

This is a guest post by Jenny Lapekas. For those of us who followed the girls on the hit HBO series, Sex and the City: The Movie, directed by Michael Patrick King, was a hotly anticipated film by the time it was released in 2008. We are familiar with Carrie as an avid writer, a … Continue reading “Wedding Week: Bigger Than Big: Marriage and Female Bonding in ‘Sex and the City: The Movie’”

A Big Hurray! Lunafest 2013: Short Films For, By, and About Women

The 12th Annual Lunafest Written by Janyce Denise Glasper I truly enjoyed the 12th Annual Lunafest–nine short films for, about, and by women filmmakers which has one hundred percent of proceeds benefiting local charities including breast cancer research and nonprofit women’s organizations. From five to eighteen minutes long, these nine diversified, honest, and beguiling films … Continue reading “A Big Hurray! Lunafest 2013: Short Films For, By, and About Women”

Classic Literature Film Adaptations Week: ‘Their Eyes Were Watching God’ by Zora Neale Hurston

Zora Neale Hurston    This is a guest post by Martyna Przybysz. Hurston’s novel has found a huge following not only amongst African-American readers and writers, such as Alice Walker, but ever since being brought into the spotlight back in the 1970s, it has had a growing female readership. It is not an easy novel … Continue reading “Classic Literature Film Adaptations Week: ‘Their Eyes Were Watching God’ by Zora Neale Hurston”

Women and Gender in Musicals Week: The Funny Face Always Gets the Big Number: on ‘Funny Girl’

This is a guest review by Jessica Freeman-Slade. I imagine that at least once a day somewhere in America, some little Jewish girl (or girls with big noses, close-set eyes, skinny legs, and less than model looks) has a benevolent mother, sister, or aunt who pops in a DVD and tells her to sit down. … Continue reading “Women and Gender in Musicals Week: The Funny Face Always Gets the Big Number: on ‘Funny Girl’”

Director Spotlight: Kathryn Bigelow

Welcome to our second installment of Director Spotlight, where we explore the biographies and filmographies of an often overlooked group: women film directors. (We’ve also spotlighted Allison Anders.) Kathryn Bigelow is all over the web right now for being the first woman to win an Academy Award for Best Achievement in Directing (not to mention … Continue reading “Director Spotlight: Kathryn Bigelow”

In ‘Arrival,’ Amy Adams is the Superhero We Need Right Now

‘Arrival’ is yet another in a long line of alien invasion movies, but it’s also so much more than that. It’s the story of a single extraordinary woman who steps up to save the human race, armed with nothing more than her ability to communicate. It’s a story of hope  —  and it’s one that audiences need to hear right now.