10 of the Best Feminist Comedies of the 1980s

10 feminist comedies from the 1980s that focus on women and their careers, friendships, families, relationships, and journeys of self-discovery. Also, a look at how well these films do (or don’t) pass the Bechdel Test.

‘A Different World’ Shook Up My World

‘A Different World’ will forever hold a special place in my life. …It became my North Star to an experience largely foreign to me — undergraduate life. It gave me insight into the strength gained from friendships with Black women. … Seeing images of young, gifted, and Black women pursuing higher education at a historically Black college or university (HBCU) shaped my vision for my life.

‘Pretty in Pink’: A Desire for Autonomy

Re-watching the film recently, it seems apparent that rather than Andie allowing herself to submit to Blane and all that he represents, her narrative arc is really a search for a sense of autonomy rather than a desire to transition into a world of privilege. …Blane represents an opportunity to take control of her life, to become increasingly autonomous in her decisions.

‘The Fits’: A Coming-of-Age Story About Belonging and Identity

It’s when the older girls on the dance team begin to have “fits” or what’s referred to as hysteria, that Toni begins to question just how much she wants to fit in. It’s fear mixed with curiosity that drives her. It’s an exploration of a part of the human psyche, told less with words and more with images, a coming-of-age story about friendship, belonging and identity, but with an eerie, occasionally unnerving tone.

DV8 Film Festival Reminds Us That Filmmaking Is Fun

The homemade, DIY, guerilla feeling of this screening party fit the theme of the festival: every film shown was made over the course of 48 hours on either MiniDV or Super 8 film, using only in-camera editing. The result was a collection of films that filled the gap in so many film school and indie filmmaker spaces: a festival that celebrated the fun of filmmaking and visual storytelling as opposed to technical perfection.

‘Hooligan Sparrow’ Touches on Topics of Fame and Notoriety in Activism

The documentary, from director Nanfu Wang, follows Chinese activist Ye Haiyan (aka Hooligan Sparrow) as she protests the lack of prosecution in a child sexual abuse case and suffers retaliatory harassment, surveillance, and imprisonment. … ‘Hooligan Sparrow’ is, both intentionally and unintentionally, about the legends that activists build for themselves.

‘Inside the Chinese Closet’ Highlights the Need for Social Acceptance of LGBTQ People in China and Globally

Often, when we talk about LGBTQ rights, we focus on legal battles – criminalization, marriage equality, adoption, and civil rights – but Sophia Luvara’s new documentary reminds us that social acceptance and cultural attitudes are just as important. ‘Inside the Chinese Closet’ follows Andy and Cherry, a gay man and a lesbian woman who struggle to reconcile their desire to live truthfully with their families’ expectations of them.

‘Neighbors 2’ May Not Be Feminist in Name, But It’s Feminist in Nature

‘Neighbors 2’ doesn’t explicitly state that sororities are misogynist, but the goal of the alternative sorority (essentially an all-female share house, right?) at its center to create a space where the women can make their own fun outside of the patriarchy — that wants them to be well behaved and perform their sexuality for men — is feminist, whether the movie states it or not.

Superheroines Week: The Roundup

Check out all of the posts from our Superheroines Theme Week here.

Scarlet Witch and Kitty Pryde: Erased Jewish Superheroines

Not only is erasing Judaism a disservice to both Scarlet Witch and Captain America, it’s also disrespectful to the Jewish writers who invested so much in making a statement about Jewish resistance in their artistic expression. … What’s aggravating about the omission of Kitty Pryde’s faith is the fact that the filmmakers didn’t do this to Magneto’s character…

Batgirl / Oracle: A Superheroine with a Disability and Representation

Barbara Gordon as Oracle is a more accurate and positive representation of people with disabilities. She’s way more real because despite the fact that she sometimes needs the help of more able-bodied people, like a real person living with paralysis from the waist down, she still lives a positive and active life.

Show Me a (Woman) Villain

Women are generally presented as easily manipulated and too emotional to be true villains. It is yet another characterization of the “soft” woman, dictated by her emotions, propelled by a propensity to nurture rather than destroy. But we need stories of women who hunger for power, who are willingly selfish, and who stick to their principles, no matter the cost. … No more scenes of men talking women into saving the world. Let them try their best to destroy it.