“I Kind of Like It When She Calls Me a Bitch. It Makes Me Feel Like Janis Joplin”: Third-Wave Feminism in ‘New Girl’

There is no denying that 2013 has been a tough year for women. As a North Carolinian, I have watched as all but one Planned Parenthood in my state got slated for shut-down due to “health requirements” passed by our Republican lawmakers. At the national level, politicians have made too many rape-apologist comments to keep track of. As a feminist and former Women’s Studies major, it’s important for me to develop thick skin, and with it, an arsenal of uplifting weaponry that will keep me sane and optimistic about our future as women. Which is what has brought me to love the Fox television show New Girl. Yes, New Girl is, ultimately, a sitcom, and it is questionable whether sitcoms can hold up to serious feminist criticism or if we should just laugh along and not take them too seriously. But what’s the fun in that? When “lighthearted” media is so often blatantly sexist (the song “Blurred Lines” and its accompanying video have given feminists enough ire to last the entire year) we should acknowledge those forms of media that, even in subtle ways, subvert the sexist norm.

Welcome New Staff Writer Erin Tatum!

Written by Erin Tatum Hey everyone! My name is Erin and I’m so excited to contribute to this awesome website. I just recently graduated from UC Berkeley with a major in Film and a minor in LGBT studies, so I think I win the award for the bachelor’s degree that is simultaneously the coolest and … Continue reading “Welcome New Staff Writer Erin Tatum!”

Flaws Make the Woman: In Praise of ‘Love’s Mickey Dobbs

Too often, representations of women fall into clichéd binary opposites in the style of Levi-Strauss. Thus, TV shows feature the “good” woman in direct conflict with the “bad” woman, with this clash driving the narrative forward. Mickey encompasses both; she is simultaneously good and bad, selfish and giving, childish and mature. It is this complexity that ensures Mickey’s believability and development as a character. She is real and human, and thus, relatable.

Call for Writers: Women Directors Week

Women directors face myriad obstacles: despite there being an abundance of talented female directors struggling to produce work, many companies refuse to give them projects — only 3.4% of all film directors are female, only 7% of the 250 top-grossing movies in 2016 were directed by women… Despite all these obstacles and hardships, women continue to make amazing work with a wide range of genres and topics.

‘Fleabag’ and Finding Comedy in Life After Losing a Best Friend

A particular focus in women-driven TV comedy is the importance of female friendship. … ‘Fleabag’ breaks from this pattern by exploring the effects of losing a best friend, and continuing to live in the world without her. Fleabag talks to us like we’re her new best friend because she can no longer talk to her real one. That the series is so funny while telling a tragic story about a very sad woman speaks to the power of comedy in addressing such difficult topics.

‘Lost Girl’: Breaking the Mold For Bisexual Representation on TV

Series creator and season one’s co-showrunner, Michelle Lovretta structured the idea of a bisexual female superhero around being a succubus: “a mythological being who uses sex to feed, heal, and kill” — a traditionally vilified female role that used sex as a weapon. … Awareness of the unique challenges of bisexual representation allowed Bo to be a genuinely complex heroine, instead of just a problematic stereotype. She was carefully crafted to be sex positive, while being defined by her relationships, instead of her sexuality.

6 Gender-Swapped Films We’d Love To See: Male to Female Casts

From the gender-neutral, Alien-fighting Ellen Ripley, to the deadpan Vulcan Mr. Spock, to whiny Jedi Master Luke Skywalker (yes, that Luke), the genders of some of our best-loved characters have actually been swapping around for decades behind the scenes. The difference with ‘Ghostbusters’ is that – as a remake – the swap was public knowledge, thus inviting the barrage of misogynistic grumbling that flooded the internet.

Call For Writers: Bisexual Erasure and Representation

People who identify as bisexual are part of an often maligned group. Both straight and queer community members frequently express discomfort with the concept of bisexuality, feeling threatened by bisexuality’s refusal to fit cleanly into an either/or binary system of sexuality.

Seed & Spark: To Web Series Or…

There’s a certain kind of freedom in the web series form; there are fewer constraints and not as many rules as there appear to be in television or film. I was incredibly inspired by so many shows I saw all over the web that bucked the norm in terms of how they told stories and who they portrayed on camera.

Call For Writers: Women Directors

Our theme week for March 2016 will be Women Directors. The gender gap in the entertainment industry has risen to the level of popular consciousness, such that prominent public figures are frequently commenting on it and demanding change, but while awareness of the under-representation and misrepresentation of women in film and television has grown, is there much being done to combat it?

Seed & Spark: Being a Lady Boss: Producer Molly Coogan Hires Ladies and Celebrates a Lady Named Coco

I get asked a lot as a lady boss if I try extra hard to hire women. I truly believe in hiring the person who is best for the job, which means you have to look at a pool that reflects all the best potential hires. However, most hiring pools do not reflect that at all.