Foreign Film Week: Red, Blue, and Giallo: Dario Argento’s "Suspiria"

Written by Max Thornton. I started getting into film when I was a teenager. Growing up with daily power cuts, both scheduled and unscheduled, is not conducive to childhood as a cinephile, and anyway my parents did not consider film a “real” art like literature or music – I can vividly remember being forced, at … Continue reading “Foreign Film Week: Red, Blue, and Giallo: Dario Argento’s "Suspiria"”

‘Stoker’: The Creepiest Coming-of-Age Tale I’ve Ever Seen

Stoker movie poster Written by Stephanie Rogers. If I were asked to describe my reaction to Stoker using an acronym, I’d go with “WTF,” although I definitely experienced some “OMG” and “STFU” moments here and there. By the end, I could hear myself mentally reviewing the film and toying with the idea of titling this … Continue reading “‘Stoker’: The Creepiest Coming-of-Age Tale I’ve Ever Seen”

Call for Writers: Women of Color in Film & TV Week

Today marks the start of Black History Month. So for this month’s theme week, we thought it was the perfect time to highlight all women of color in film and television. Here at Bitch Flicks, we often discuss the lack of female filmmakers and the need for women-centric films. We need more women directors, writers … Continue reading “Call for Writers: Women of Color in Film & TV Week”

Gender & Food Week: ‘The Hunger Games’ Review in Conversation: Female Protagonists, Body Image, Disability, Whitewashing, Hunger & Food

Jennifer Lawrence as Katniss Everdeen in The Hunger Games This Review in Conversation on The Hunger Games with Megan Kearns and Amber Leab previously appeared at Bitch Flicks on April 19, 2012. Megan’s Take:In a dystopian future, the nation of Panem stands where North America once existed. The government at the Capitol, which controls the … Continue reading “Gender & Food Week: ‘The Hunger Games’ Review in Conversation: Female Protagonists, Body Image, Disability, Whitewashing, Hunger & Food”

Horror Week 2012: The Roundup

The Final Girl Gone Wild: Post-Feminist Whiteness in ‘Scream 4’ by Jeremy Cornelius Wes Craven’s 1990s Scream trilogy completely rewrote the slasher genre in a postmodern meta-film. In March 2011, Scream 4 was released, ten years after Scream 3 was originally released, starring the original trio: Neve Campbell, David Arquette, and Courtney Cox-Arquette along with … Continue reading “Horror Week 2012: The Roundup”

The Neeson Identity: What the Release of ‘The Grey’ Got Wrong About Men

This is a guest post by Margaret Howie. With the release of Taken 2, Liam Neeson impersonations are all over the internet again. You’d think that we had all been starved of Neeson material, but it was only back in January that his Man vs. the Wild movie, The Grey was released. Along with it … Continue reading “The Neeson Identity: What the Release of ‘The Grey’ Got Wrong About Men”

Horror Week 2012: ‘Paranormal Activity’: The Horror of Waiting, of Watching, of Things Unseen

This guest review by Mychael Blinde previously appeared at Vagina Dentwata and is cross-posted with permission. Please don’t film the demons! I’m partial to the Paranormal Activity trilogy for three reasons: the clever camera work, the pitch perfect execution of tension building and release, and the films’ focus on women’s stories and histories. (The first … Continue reading “Horror Week 2012: ‘Paranormal Activity’: The Horror of Waiting, of Watching, of Things Unseen”

Horror Week 2012: ‘Sleepy Hollow’: Deeply Shallow

This is a guest review in conversation by Bexy Bennett and Amanda Civitello. Lady Van Tassel (Miranda Richardson) As a director, Tim Burton specializes in eerie, off-kilter films that frequently skirt the edge of light horror with a distinctive aesthetic; 1999’s Sleepy Hollow is one of his earliest forays into the genre. Starring Johnny Depp, … Continue reading “Horror Week 2012: ‘Sleepy Hollow’: Deeply Shallow”

Horror Week 2012: ‘V/H/S’: The New Face of Horror

This review by Marcia Herring previously appeared at Another Coast and is cross-posted with permission. The new face of horror …    is privileged white dudebros. I just watched and reviewed the found-footage horror genre film V/H/S after reading some promising reviews. Despite the early read in the opposite direction, V/H/S is not anything close … Continue reading “Horror Week 2012: ‘V/H/S’: The New Face of Horror”

Horror Week 2012: The Final Girl Gone Wild: Post-Feminist Whiteness in ‘Scream 4’

  Guest post written by Jeremy Cornelius. Warning: massive spoilers ahead!! Wes Craven’s 1990s Scream trilogy completely rewrote the slasher genre in a postmodern meta-film. In March 2011, Scream 4 was released, ten years after Scream 3 was originally released, starring the original trio: Neve Campbell, David Arquette, and Courtney Cox-Arquette along with some new … Continue reading “Horror Week 2012: The Final Girl Gone Wild: Post-Feminist Whiteness in ‘Scream 4’”

Women and Gender in Musicals Week: The Roundup

Rock of Ages Warms Your 80s-Loving Little Heart With a Cheesy Two-Hour Music Video by Candice Frederick Even though its finest moments all boil down to well-intentioned, high energy karaoke numbers, and its script (co-written by Justin Theroux) left more cheese in the recipe than what was called for, Rock of Ages is still great … Continue reading “Women and Gender in Musicals Week: The Roundup”

Women and Gender in Musicals Week: Snow White and the Seven Dwarfs

This review by Rebecca Cohen previously appeared at Bitch Flicks as part of our series on Animated Children’s Films. At first blush, a feminist reading of Disney’s 1937 classic Snow White and the Seven Dwarfs seems almost too obvious to bother with. Nearing its 75th birthday, the film naturally reflects the antiquated gender politics of … Continue reading “Women and Gender in Musicals Week: Snow White and the Seven Dwarfs”