This is a guest review by Tom Houseman. As abortion has become more accepted and less taboo in mainstream America—despite Republican lawmakers doing everything they can to appeal Roe v. Wade—films about pregnancies have had difficulty depicting its characters talking about or even considering abortion. If the movie is about pregnancy, and the journey that … Continue reading “Reproduction & Abortion Week: Fingernails and Shmushmorshmins: Abortion and Privilege in ‘Knocked Up,’ ‘Juno,’ and ‘4 Months, 3 Weeks and 2 Days’”
First off, busting the industry perception that men will never flock out to see a movie about a woman, Lucy’s audience was split evenly between the sexes. Moreover, it’s a female led action flick without a romantic subplot or scenes that unnecessarily exploit the lead actress’s sex appeal.
It’s a great showcase for Johansson, as she runs through Europe showing off her action chops and her steely determined expression, and an entertaining delivery system for a mix of pseudo-science and scraps of intriguing philosophy, but feminist game changer it is not.
The Problem with Female Representation in Science Fiction on Television by Paul and Renee The wonderful thing about science fiction is that the writers have the opportunity to create a world, which while based on ours, can be markedly different. This means that there should be a place for strong female characters who are not … Continue reading “Women in Science Fiction Week: The Roundup”
We had a great response to our Reproduction and Abortion series here at Bitch Flicks, and want to thank everyone who wrote a piece for us. Here they all are. The Dancer’s Dilemma by Myrna Waldron Dirty Dancing I was less than a year old when Dirty Dancing came out. It is known for the … Continue reading “Reproduction & Abortion Week: The Roundup”
This guest post first appeared on the blog I Will Not Diet. For years, we have lived in a society that requires the majority of its female actors to have ridiculously impeccable bodies if they want to get work while their male counterparts are allowed to age normally, adding a few pounds to their waistline … Continue reading “Guest Post: Holy Hypocrisy: Couples Retreat”
In real life, of course, women are wives and girlfriends and to deny the importance of the relationship many of us share with men, would be inaccurate and farcical. Yet, with a media landscape overwhelmingly dominated by films about men being men made by men for men, wife roles are often dim shadows of real women. But it’s hard to list well-written wife characters in male dominated movies; Jessica Chastain’s character, Anna Morales in ‘A Most Violent Year’ and Rose Byrne as Kelly Radner in ‘Neighbors’ are two successes I’ve come across recently.
What happened to the romcom? Apparently, men started to enjoy them. Should we feel flattered by this male appreciation of a genre created in its modern form by women like Jane Austen? Or insulted that male appreciation of the romcom can only occur by refusing to appreciate it as romcom? “You show me your sensitive side, then you turn into a total asshole.” Is that a pretty accurate description of the attraction and sneering rejection of the male audience for romcom?
The obsession of glossy celebrity magazines with “baby bumps” and “post baby bodies” (both of which were completely absent in the 80s from People and Us– and made them a lot more interesting to read) doesn’t extend into actresses playing complex protagonists who are visibly pregnant for most if not all of the action. There’s ‘Rosemary’s Baby’ and ‘Juno’ and… ? Full-term pregnancy for most women is a big fork in the road, with life changes that extend beyond bikinis and maternity wear, but in films it’s more like a plot device, so we can hear and see how the male protagonist feels about the pregnancy (as in ‘Knocked Up’ or the recent ‘Locke’), as if we don’t already have more than enough films in which men let us know what they think about women’s experiences.
Women in comedy are often held to a double standard that’s rarely talked about, even in the tiresome and wrongheaded “Are Women Funny?” debates. A better question might be “Are women allowed to be funny?” Because while male comedians famously defend their right to make jokes about any topic they want to women who draw on their own outrage, experience and even their own bodies receive an extra layer of censorship.
# 50/50 5 Broken Cameras 500 Days of Summer 45 Years The 40-Year-Old Virgin 4 Months 3 Weeks and 2 Days 9 to 5 1971 101 Dalmations 127 Hours 10 Days in a Madhouse 10,000 km 3 1/2 Minutes, Ten Bullets 300: Rise of an Empire 12 Years a Slave 28 Days Later A Abuse … Continue reading “Film Directory”
The Heat movie poster. Dear Hollywood Movie Executives, As I have driven by my local movie theater this summer, I’ve been struck by how I haven’t wanted to see most of the movies. You haven’t been getting much money from me. But I’d like to talk to you about The Heat, which opened nationwide last weekend. … Continue reading “A Letter to Hollywood: Keep Films Like ‘The Heat’ Coming”
Dire times in Children of Men as “The World Has Collapsed” Guest post written by Carleen Tibbetts for our theme week on Infertility, Miscarriage, and Infant Loss. Women can’t get pregnant anymore and nobody knows why. This the central lamentation in Alfonso Cuaron’s 2006 dystopian film Children of Men, based on P.D. James’s novel. Set … Continue reading “The “Plague” of Infertility in Alfonso Cuarón’s ‘Children of Men’”